Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, ...(+)
Composed by Gerard Bunk.
Edited by Jan Boecker;
Wolfgang Stockmeier. For
organ, (violin). This
edition: Urtext edition.
Paperback. Gerard Bunk.
Samtliche Orgelwerke 3.
Performance score,
Part(s), Anthology. 110/2
pages. Published by
Baerenreiter Verlag
Violin 2 SKU: BR.OB-5560-16 Urtext. Composed by George Frideric Ha...(+)
Violin 2
SKU:
BR.OB-5560-16
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 64 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-16.
Published by Breitkopf
and Haertel
(BR.OB-5560-16).
ISBN
9790004344132. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Basso continuo SKU: BR.OB-5560-11 Urtext. Composed by George Fride...(+)
Basso continuo
SKU:
BR.OB-5560-11
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 96 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-11.
Published by Breitkopf
and Haertel
(BR.OB-5560-11).
ISBN
9790004344118. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Organ (solos: SATB - choir: SATB - 0.2.0.1 - 2.2.3.0 - timp - org - str(without ...(+)
Organ (solos: SATB -
choir: SATB - 0.2.0.1 -
2.2.3.0 - timp - org -
str(without va))
SKU:
BR.OB-5209-11
Coronation Mass -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Franz Beyer.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
This edition is based
on Mozart's own autograph
copy which was evacuated
from the Preussische
Staatsbibliothek to the
Biblioteka Jagiellonska
during World War II; it
became available once
again for musicological
research in the
1980s.'
Mass;
Classical. Part. 24
pages. Duration 30'.
Breitkopf and Haertel #OB
5209-11. Published by
Breitkopf and Haertel
(BR.OB-5209-11).
ISBN
9790004330692. 9 x 12
inches.
This
edition is based on
Mozart's own autograph
copy which was evacuated
from the Preussische
Staatsbibliothek to the
Biblioteka Jagiellonska
during World War II; it
became available once
again for musicological
research in the
1980s.'.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Viola SKU: BR.OB-5560-19 Urtext. Composed by George Frideric Hande...(+)
Viola
SKU:
BR.OB-5560-19
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 60 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-19.
Published by Breitkopf
and Haertel
(BR.OB-5560-19).
ISBN
9790004344149. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Violin 1 SKU: BR.OB-5560-15 Urtext. Composed by George Frideric Ha...(+)
Violin 1
SKU:
BR.OB-5560-15
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 64 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-15.
Published by Breitkopf
and Haertel
(BR.OB-5560-15).
ISBN
9790004344125. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Piano, harpsichord SKU: BA.BA04032 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04032
Individual Suites and
Pieces - Part 2 (Nos.
1-34). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 17. Suiten, Barock
(Suites, Baroque).
Complete edition,
Performance score,
anthology. Duration 1
hour, 39 minutes, 59
seconds. Baerenreiter
Verlag #BA04032_00.
Published by Baerenreiter
Verlag (BA.BA04032).
ISBN 9790006443390. 33
x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Klaus Oehl and Peter
Rümenapp. This
edition: Edition of
selected works, Urtext
edition. Linen. Edition
of selected works,
anthology, Score. Opus
44, 29. Baerenreiter
Verlag #BA10314_01.
Published by Baerenreiter
Verlag (BA.BA10314-01).
ISBN 9790006563425. 33
x 26.5 cm inches. Key: E
major, c minor. Preface:
Michael
Stegemann.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB Choir (Mixed choir (SATB)) SKU: BA.BA04271 123 meist vierstimmige...(+)
SATB Choir (Mixed choir
(SATB))
SKU:
BA.BA04271
123
meist vierstimmige
Liedsätze von anonymen
und 20 bekannten Meistern
des 15. und 16.
Jahrhunderts. Edited
by Joachim Stalmann. This
edition: complete
edition, urtext edition.
Half-cloth binding. Georg
Rhau. Musikdrucke aus den
Jahren 1538-1545, 11.
Complete edition, Singing
Score, anthology.
Composed 1544.
Baerenreiter Verlag
#BA04271_00. Published by
Baerenreiter Verlag
(BA.BA04271).
ISBN
9790006446612. 27.5 x
19.7 cm inches.
123
meist vierstimmige
Liedsatze von anonymen
und 20 bekannten Meistern
des 15. und 16.
Jahrhunderts.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Wolfgang Amadeus Mozart. Edited by Plath, Wolfgang;Rehm, Wolfgang. For Violin...(+)
By Wolfgang Amadeus
Mozart. Edited by Plath,
Wolfgang;Rehm, Wolfgang.
For Violin, Violoncello,
Piano. Playing Score; Set
of Parts; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006456543.