by Costel Puscoiu. For Recorder (Soprano). solos. Classic. Level: Intermediate. ...(+)
by Costel Puscoiu. For
Recorder (Soprano).
solos. Classic. Level:
Intermediate. Book. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
Grade
4 - Score Only.
Composed by Elliot Del
Borgo. Curnow Music
Concert Band. Score. 56
pages. Curnow Music
#64002140. Published by
Curnow Music
(HL.44004181).
Band concert band - Grade 3 SKU: CF.CPS106F Composed by Antonin Dvorak. A...(+)
Band concert band - Grade
3
SKU: CF.CPS106F
Composed by Antonin
Dvorak. Arranged by
Andrew Balent. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 32 pages.
Duration 4 minutes, 25
seconds. Carl Fischer
Music #CPS106F. Published
by Carl Fischer Music
(CF.CPS106F).
ISBN
9780825874246. UPC:
798408074241. 9x12
inches. Key: G
minor.
Arranger
Andrew Balent takes the
famous Dvořák
piece and sets it for the
modern concert band. What
a great opportunity for
bands to perform a
fantastic classical piece
that adapts so well in
the hands of a master
arranger! These are the
types of arrangements
that Balent is so famous
for, given their seamless
translation to concert
band.
Slavonic Dances Orchestre d'harmonie [Conducteur] - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0640-02-140 Composed by Ellio...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0640-02-140
Composed by Elliot Del
Borgo. Prestige Series.
Concert Piece. Score
Only. Composed 2002. 56
pages. Curnow Music #CMP
0640-02-140. Published by
Curnow Music
(BT.CMP-0640-02-140).
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1826 Composed by Antonin D...(+)
Concert Band Symphonic
Band - Grade 4
SKU:
FJ.B1826
Composed by
Antonin Dvorak. Arranged
by Steven J. Pyter.
Concert Band. FJH
Symphonic Band.
Masterwork Arrangement;
Multicultural. Score and
Part(s). The FJH Music
Company Inc #98-B1826.
Published by The FJH
Music Company Inc
(FJ.B1826).
UPC:
241444423592.
English.
This
stunning arrangement
brings the wildly popular
music of Dvorák to the
concert band repertoire.
Inspired by the folk
music of his native
Slavic region, the piece
is based on a simple
melody that interacts
with delicately
orchestrated passages and
massive, powerful
statements. Functional as
an opener, closer, or
classical work within a
program, this work has
unlimited potential!
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Dances/marches; Romantic.
Full score. 296 pages.
Duration 35'. Breitkopf
and Haertel #PB 5273.
Published by Breitkopf
and Haertel (BR.PB-5273).
ISBN 9790004210079. 10
x 12.5 inches.
In
his Slavonic Dances Op.
46, Dvorak did not draw
on pre-existent music,
but created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
By Antonin Dvorak. Arranged by Richard Meyer. Music by Antonin Dvorak / arr. Ric...(+)
By Antonin Dvorak.
Arranged by Richard
Meyer. Music by Antonin
Dvorak / arr. Richard
Meyer. For Full
Orchestra. Full
Orchestra. Concert
Orchestra. Level: 3
(grade 3). Conductor
Score & Parts. 96 pages.
Published by Alfred
Publishing.
Composed by Antonin
Dvorak. Arranged by
Richard Meyer. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Masterwork
Arrangement; Romantic.
Score. 24 pages.
Highland/Etling
#00-12990S. Published by
Highland/Etling
(AP.12990S).
By Antonin Dvorak. Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, fren...(+)
By Antonin Dvorak.
Arranged by Kenneth Amis.
Brass Quintet. For 2
trumpets, french horn,
trombone, tuba, optional
percussion. As recorded
by the Empire Brass.
Romantic. Full score and
set of parts. Duration
4:00. Published by Amis
Musical Circle.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Folder.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Set of parts. 344 pages.
Duration 35'. Breitkopf
and Haertel #OB 5273-30.
Published by Breitkopf
and Haertel
(BR.OB-5273-30).
ISBN
9790004332542. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Viola part (picc.2.2.2.2.
- 4.2.3.0. - timp.perc -
str)
SKU:
BR.OB-5273-19
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 24 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-19.
Published by Breitkopf
and Haertel
(BR.OB-5273-19).
ISBN
9790004332511. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Violoncello part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-23
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 26 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-23.
Published by Breitkopf
and Haertel
(BR.OB-5273-23).
ISBN
9790004332528. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Double bass part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-27
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-27.
Published by Breitkopf
and Haertel
(BR.OB-5273-27).
ISBN
9790004332535. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
2nd violin part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-16
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-16.
Published by Breitkopf
and Haertel
(BR.OB-5273-16).
ISBN
9790004332504. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Violin 1 part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-15
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-15.
Published by Breitkopf
and Haertel
(BR.OB-5273-15).
ISBN
9790004332498. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along....(+)
SKU: CL.WFR306
Walking Frog Records CD.
Walking Frog Records.
Play Along. CD. Composed
1999. Walking Frog
Records #WFR306.
Published by Walking Frog
Records (CL.WFR306).
An incredible
set utilizing recordings
from the 19 volume Gems
Of The Concert Band LP
record series. These
famous recordings were
remarkable for the
superlative
interpretations and
masterful performances of
Leonard B. Smith and the
Detroit Concert Band.
Digitally remastered with
the clarity of the
original performances
restored. A top notch
band which produced great
music... these are
fabulous recordings. -
Robert Peckham,
Windjammers Unlimited
Volume 1 - Great
Performances Introduction
to Act III of Lohengrin;
Marche Militaire
Francaise; Espana
Rhapsody; Shepherd's Hey;
Excerpts from Andrea
Chenier; Dance of the
Tumblers from
Snegourotchka; Flight of
the Bumblebee; Theme and
Variations from Suite No.
III; Marche Hongroise
Rakoczy; Rhapsodic Dance;
Bamboula; Clear Track
Polka; Polka and Fugue
from Schwanda the Bagpipe
Player; Excerpts from
Manzoni Requiem Volume 2
- Magnificent Marches
Americans We; Chicago
Tribune; Mainliner; Music
Festival; Official West
Point March; Spirit of
Independence; The Chimes
of Liberty; Valdres;
World Events; Barnum and
Bailey's Favorite;
American Patrol;
Jurisprudence; Bombasto;
Boston Commandery; March
of the Toys; On Jersey
Shore; Second Regiment -
Connecticut National
Guard; The Joker; The
March King; Under the
Double Eagle; Gate City;
Lights Out; American Red
Cross March; Entry of the
Gladiators; National
Emblem March; Volume 3 -
Music of the Masters
March and Procession of
Bacchus fromSylvia;
Bacchanale from Samson
and Delilah; Italian
Polka; Slavonic Dance No.
3; Farandole from
L'Arlesienne Suite;
Finlandia; Golliwog's
Cake Walk; The Kaffir on
the Karoo; Fugue a la
Gigue; Symphony No. 4
(Finale); Two Norwegian
Dances; Hungarian Dance
No. 5; Ecossaises; Second
Hungarian Rhapsody Volume
4 - Virtuoso Soloists
Carnival of Venice;
Fantastic Polka; Believe
Me; If All Those
Endearing Young Charms;
Rigoletto: Bella figlia
del amore; The Bugler;
Through the Air; Bugler's
Holiday; Blue Bells of
Scotland; Columbian
Fantasy; The Bride Elect:
An Awkward Complication
This; Wood Up Quickstep;
The Three Solitaires; The
Southern Cross; Bravura
Variations; My Heaven of
Love; Atlantic Zephyrs;
Land of the Free; Sextet:
Chi mi frena... Volume 5
- Legendary Overtures
Zampa Overture; La Forza
del Destino Overture;
Light Cavalry Overture;
Oberon Overture; Raymond
Overture; Ruy Blas
Overture; Egmont
Overture; Roman Carnival
Overture; William Tell
Overture.
Brass Band - Grade 4 SKU: BT.DHP-1206265-130 Andantino. Composed b...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206265-130
Andantino.
Composed by Sir Malcolm
Arnold. Arranged by Ray
Farr. Great Classics.
Classical. Score Only.
Composed 2020. 12 pages.
De Haske Publications
#DHP 1206265-130.
Published by De Haske
Publications
(BT.DHP-1206265-130).
English
Dances, Set I, opus
27, is a light
classic composition that
was written for orchestra
by the British composer
Malcolm Arnold in 1950.
The set contains four
dances that continue
without pause: the
individual movements are
indicated by the tempo
markings. The work came
about at the request of
Bernard de Nevers, at the
time the head of
publisher Alfred Lengnick
& Co., who asked Arnold
to write a suite of
dances as an English
counterpart to Dvo
ák’s Slavonic
Dances and
Bartók’s
Romanian Folk Dances. The
première took place in
the spring of 1951,
played by the London
Philharmonic Orchestra,
conducted by Sir Adrian
Boult. Following the
success of the first set,
DeNevers asked the
composer to write a
second one, which Arnold
completed the next year
(Op. 33). The
Andantino from the
first set has been
skilfully arranged and
orchestrated for brass
band by Ray Farr.
English
Dances, Set I, opus
27, is een licht
klassieke compositie die
in 1950 door de Britse
componist Malcolm Arnold
voor orkest geschreven
werd. De set bestaat uit
vier dansen die zonder
onderbreking in elkaar
overgaan: de
afzonderlijke delen
worden aangegeven met de
tempomarkering. Het werk
kwam tot stand op verzoek
van Bernard de Nevers,
destijds het hoofd van
uitgeverij Alfred
Lengnick & Co., die
Arnold vroeg om een reeks
dansen te schrijven als
een Engelse tegenhanger
voor de Slavische dansen
van Dvo ák en de
Roemeense volksdansen van
Bartók. De première
werd in het voorjaar van
1951 gebracht door het
London Philharmonic
Orchestra, onder leiding
van Sir Adrian Boult.Na
het succes van de eerste
set vroeg De Nevers om
een tweede, die Arnold
een jaar later voltooide
(opus 33). Het
Andantino uit de
eerste set is door Ray
Farr meesterlijk
gearrangeerd en ge
nstrumenteerd voor
brassband.
English
Dances, Set I, opus
27, ist eine leicht
Klassische Komposition,
die 1950 von dem
britischen Komponisten
Malcolm Arnold für
Orchester geschrieben
wurde. Die Reihe
enthält vier Tänze,
die ohne Unterbrechung
gespielt werden. Die
einzelnen Sätze sind
mit Tempoangaben
versehen. Das Werk
entstand auf Wunsch von
Bernard de Nevers, dem
damaligen Leiter des
Verlags Alfred Lengnick &
Co., der Arnold bat, eine
Reihe von Tänzen als
englisches Gegenstück
zu Dvo áks Slawischen
Tänzen“ und
Bartóks Rumänischen
Volkstänzen“ zu
schreiben. Die
Uraufführung fand im
Frühjahr 1951 mit dem
London Philharmonic
Orchestra unter der
Leitung von Sir Adrian
Boult statt. Nach
demErfolg der ersten
Reihe bat de Nevers den
Komponisten, eine zweite
Reihe zu schreiben, die
Arnold im darauffolgenden
Jahr fertigstellte (op.
33). Das Andantino
aus der ersten Reihe
wurde von Ray Farr
gekonnt für Brass Band
arrangiert und
orchestriert.
Composed by Antonin
Dvorak. Arranged by V.
Stephenson. Published by
Laurendale Associates
(JF.MLAHB1075).
UPC:
765844004958.
Czech
composer, Antonin Dvorak,
is regarded as one of the
greatest composers of the
nationlist movement.
Handbell transcriber,
Valerie Stephenson has
set dance no. 8 from opus
46 feeling that it lends
itself perfectly to the
handbell idiom.
Performance notes are
given to aid the
execution of
articulations and
texture. 149 lively
measures.
Double bass
(2(picc).2.cor ang.2.2 -
4.2.3.1 - timp - str)
SKU: BR.OB-5291-27
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Oh the tempi, how
terrible! Dvorak often
complained bitterly about
tempi, and with good
reason, as the respected
Dvorak expert Klaus Doge
discovered while
preparing his edition of
the Eighth.
Symphony; Romantic. Part.
12 pages. Duration 35'.
Breitkopf and Haertel #OB
5291-27. Published by
Breitkopf and Haertel
(BR.OB-5291-27).
ISBN
9790004337547. 10 x 12.5
inches.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the Eighth.The
composer's conducting
score, which also served
as the engraver's copy,
has resurfaced again and
offers sensational
findings for performers.
The copy contains an
entire series of added
tempo entries that were
not all incorporated into
the first edition. Doge's
edition now sheds light
into the previously
misleading tempo
markings. Breitkopf's new
edition is also the first
performing material to
this key work of
late-romantic orchestral
literature that can be
purchased in its entirety
as sales material.
Following the New World
Symphony, the Slavonic
Dances op. 46 and the
Violoncello Concerto,
Dvorak's fourth major
orchestral work is now
available in Breitkopf's
customary high
quality.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the
Eighth.
Woodwinds (2(picc).2.cor
ang.2.2 - 4.2.3.1 - timp
- str)
SKU:
BR.OB-5291-30
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Oh the tempi, how
terrible! Dvorak often
complained bitterly about
tempi, and with good
reason, as the respected
Dvorak expert Klaus Doge
discovered while
preparing his edition of
the Eighth.
Symphony; Romantic. Set
of parts. 168 pages.
Duration 35'. Breitkopf
and Haertel #OB 5291-30.
Published by Breitkopf
and Haertel
(BR.OB-5291-30).
ISBN
9790004337554. 10 x 12.5
inches.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the Eighth.The
composer's conducting
score, which also served
as the engraver's copy,
has resurfaced again and
offers sensational
findings for performers.
The copy contains an
entire series of added
tempo entries that were
not all incorporated into
the first edition. Doge's
edition now sheds light
into the previously
misleading tempo
markings. Breitkopf's new
edition is also the first
performing material to
this key work of
late-romantic orchestral
literature that can be
purchased in its entirety
as sales material.
Following the New World
Symphony, the Slavonic
Dances op. 46 and the
Violoncello Concerto,
Dvorak's fourth major
orchestral work is now
available in Breitkopf's
customary high
quality.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the
Eighth.