Arena of the Gladiators Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Composed by Joseph Compello. Concert Band. For Flute, Oboe, Clarinet, Bass Clari...(+)
Composed by Joseph
Compello. Concert Band.
For Flute, Oboe,
Clarinet, Bass Clarinet,
Alto Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet, Horn,
Tenor, Bassoon, Tuba,
Mallet Percussion,
Timpani, Percussion I,
Percussion II. Carl
Fischer Beginning
Performance Series.
Classical. Grade 1. Score
and Set of Parts.
Standard notation. 16
pages. Published by Carl
Fischer
Across the Desert Sands Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4008744 Co...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 3
SKU:
HL.4008744
Composed
by Michael Oare.
MusicWorks Grade 3.
Concert. Softcover.
Duration 180 seconds.
Published by Hal Leonard
(HL.4008744).
UPC:
196288197454.
9.0x12.0x0.43
inches.
Take your
students on a captivating
musical journey inspired
by the vast landscapes
and rich culture of
desert dwelling peoples!
The opening is bold and
majestic before leading
to a percussion driven
faster section. The
exotic flute melody
evolves throughout the
ensemble and leads to a
dance-like celebration.
The pace quickens and the
intensity builds to an
exhilarating and dramatic
finish. Unique and
striking! Dur: ca.
3:00.
Concert Band (Score) - Grade 3 SKU: HL.4008745 Score. Composed by ...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4008745
Score. Composed by
Michael Oare. MusicWorks
Grade 3. Concert.
Softcover. Duration 180
seconds. Published by Hal
Leonard (HL.4008745).
UPC: 196288197461.
9.0x12.0x0.06
inches.
Take your
students on a captivating
musical journey inspired
by the vast landscapes
and rich culture of
desert dwelling peoples!
The opening is bold and
majestic before leading
to a percussion driven
faster section. The
exotic flute melody
evolves throughout the
ensemble and leads to a
dance-like celebration.
The pace quickens and the
intensity builds to an
exhilarating and dramatic
finish. Unique and
striking! Dur: ca.
3:00.
Theme Park Fun! Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001142-030 Composed by Wilco Moerman. Se...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001142-030
Composed by Wilco
Moerman. Set (Score &
Parts). Gobelin Music
Publications #GOB
001142-030. Published by
Gobelin Music
Publications
(BT.GOB-001142-030).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual composition
(downloadable after
ordering a set, on
www.gobelinmusic.com).
Part 1: The
Entrance & Parade [with
animation] The
opening of the park is a
fact. A day fullof fun
and pleasure awaits! You
and the other visitors
will be confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! Aparade of
colorful floats and park
figures is passing
by. Let the fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challengedto visit a
house full of ghosts,
creepy figures and other
ominous things. The clock
strikes twelve, there is
no turning back. Ghosts
are whispering, yelling,
screaming... Fortunately
it is almost one oclock,
so we can leave this
creepy
placequickly.
P
art 3: The Swinging
Galleon [with
illustrations] Wha
t a huge pirate ship!
Each time you swing back
and forth, you will feel
that weird feeling in
your stomach. When you
are thrown completely
into the top you will
have afantastic view over
the park, but you can not
enjoy it for long. Before
you know the ship swings
back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions,it is time
for a peaceful tour in
The Fairy Tale Ride.
Surrounded by a fairytale
setting, you will
discover fable figures,
talking animals and
colorful designs. Such a
beauty and tranquility.
Having had this
experience, we are ready
again for thebig rides in
the park!
Part
5: The Bumper Cars [with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bumpagainst someone
else. In this tough ride
you can prove yourself as
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we shoulddefinitely
do the Roller Coaster!
All together in the
train, the
over-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the topand the
train will be plunged
down the first drop!
Loops, corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park
[withanimation] Un
fortunately everything
comes to an end. This day
in the theme park is
over, but we have a lot
new experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to
theexit. Just one look
over the shoulder, the
amusement park figures
are waving at us.
Hopefully we will come
back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
De animatiefilmpjes en
illustraties zijn, na
aankoop van de set, te
downloaden op
www.gobelinmusic.com.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening vanhet pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerd met alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Eris
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagens komt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractiein het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zich te begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug.Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel
3: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je
heenen weer schommelt,
voel je dat rare gevoel
in je buik. Wanneer je
helemaal in de top
geslingerd bent heb je
een fantastisch uitzicht
over het pretpark, maar
je kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weerde andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannende en
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een
sprookjesachtige.
Theme Park Fun! Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001142-130 Composed by Wilco Moerman. Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001142-130
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001142-130. Published by
Gobelin Music
Publications
(BT.GOB-001142-130).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual composition
(downloadable after
ordering a set, on
www.gobelinmusic.com).
Part 1: The
Entrance & Parade [with
animation] The
opening of the park is a
fact. A day fullof fun
and pleasure awaits! You
and the other visitors
will be confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! Aparade of
colorful floats and park
figures is passing
by. Let the fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challengedto visit a
house full of ghosts,
creepy figures and other
ominous things. The clock
strikes twelve, there is
no turning back. Ghosts
are whispering, yelling,
screaming... Fortunately
it is almost one oclock,
so we can leave this
creepy
placequickly.
P
art 3: The Swinging
Galleon [with
illustrations] Wha
t a huge pirate ship!
Each time you swing back
and forth, you will feel
that weird feeling in
your stomach. When you
are thrown completely
into the top you will
have afantastic view over
the park, but you can not
enjoy it for long. Before
you know the ship swings
back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions,it is time
for a peaceful tour in
The Fairy Tale Ride.
Surrounded by a fairytale
setting, you will
discover fable figures,
talking animals and
colorful designs. Such a
beauty and tranquility.
Having had this
experience, we are ready
again for thebig rides in
the park!
Part
5: The Bumper Cars [with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bumpagainst someone
else. In this tough ride
you can prove yourself as
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we shoulddefinitely
do the Roller Coaster!
All together in the
train, the
over-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the topand the
train will be plunged
down the first drop!
Loops, corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park
[withanimation] Un
fortunately everything
comes to an end. This day
in the theme park is
over, but we have a lot
new experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to
theexit. Just one look
over the shoulder, the
amusement park figures
are waving at us.
Hopefully we will come
back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
De animatiefilmpjes en
illustraties zijn, na
aankoop van de set, te
downloaden op
www.gobelinmusic.com.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening vanhet pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerd met alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Eris
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagens komt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractiein het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zich te begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug.Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel
3: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je
heenen weer schommelt,
voel je dat rare gevoel
in je buik. Wanneer je
helemaal in de top
geslingerd bent heb je
een fantastisch uitzicht
over het pretpark, maar
je kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weerde andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannende en
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een
sprookjesachtige.
Concert Band - Grade 1.5 SKU: AP.49098S Composed by Amy Webb. Concert Ban...(+)
Concert Band - Grade 1.5
SKU: AP.49098S
Composed by Amy Webb.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Alfred Debut
Series. Score. 24 pages.
Duration 2:40. Alfred
Music #00-49098S.
Published by Alfred Music
(AP.49098S).
ISBN
9781470646073. UPC:
038081564456.
English.
Cataclysm
of the Cosmos by Amy Webb
depicts the powerful
crash of meteors upon the
Earth, decimating the
dinosaurs! Propel your
ensemble right into the
spectacular fray with
pounding eighth-note
strikes, each tearing
into the Earth's crust. A
brief interlude in the
middle gives your
audience the false sense
of calm before the
meteors begin striking
the earth again with a
measured intensity that
will be a treat for
students to play! A
terrific opener! (2:40)
This title available in
MakeMusic Cloud.
Concert Band - Grade 1.5 SKU: AP.49098 Composed by Amy Webb. Concert Band...(+)
Concert Band - Grade 1.5
SKU: AP.49098
Composed by Amy Webb.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Alfred Debut
Series. Programmatic.
Score and Part(s). 143
pages. Duration 2:40.
Alfred Music #00-49098.
Published by Alfred Music
(AP.49098).
ISBN
9781470646066. UPC:
038081564449.
English.
Cataclysm
of the Cosmos by Amy Webb
depicts the powerful
crash of meteors upon the
Earth, decimating the
dinosaurs! Propel your
ensemble right into the
spectacular fray with
pounding eighth-note
strikes, each tearing
into the Earth's crust. A
brief interlude in the
middle gives your
audience the false sense
of calm before the
meteors begin striking
the earth again with a
measured intensity that
will be a treat for
students to play! A
terrific opener! (2:40)
This title is available
in MakeMusic Cloud.
Composed by Bruce Fraser.
Band Music. Score only.
Duration 8:30. Published
by G & M Brand Music
Publishers (CN.S11238).
Inspired by
Saint-Saens' Carnival of
the Animals, this work
depicts many of the
insects we know and love
using interesting effects
like tapping small
sticks. Bands may like to
perform the Carnival as a
complete suite or to play
individual movements on
their
own.
Carnival of
the Insects was
commissioned by the
National School Band
Association and was first
performed at the Scottish
Festival organized by
NSBA and Brian Duguid of
West Lothian Arts on May
12, 2001. The music
letters SBA were used to
form the basis of the
melodies to personalize
the piece for the
Association. (S can be
Eb, B can be Bb using
European note names.) The
Carnival is inspired by
Saint Saens Carnival of
the Animals and derives a
lot of the rhythmic
structures from it. March
of the Ants - The Thin
Black Line The composer
was reminded of a French
holiday when a line of
ants would march every
night from the gate of
the house, past the pool
and up into the garden.
Crickets and stick
insects Here the composer
remembered balmy
Mediterranean nights and
the sound of crickets. An
interesting effect is to
have small groups of
players around the
performance venue
randomly tapping small
sticks throughout this
movement. Insectivores
These are the creatures
which eat insects and the
music has a dramatic
scary feel to it with a
chase in the middle.
Metamorphosis This is
where the caterpillar
changes into a butterfly.
The Euphonium melody will
strike the listener as
being very similar to The
Elephant. The Bug Parade
This is a grand finales
where we can imagine many
of the insects in a
Disney-like parade. Bands
may like to perform the
Carnival as a complete
suite or to play
individual movements on
their own.
Concert Band Concert Band - 1 (Very Easy) (grade 1) SKU: AP.30754S Compos...(+)
Concert Band Concert Band
- 1 (Very Easy) (grade 1)
SKU: AP.30754S
Composed by Roland
Barrett. Concert Band.
Belwin Beginning Band.
Score. 12 pages. Belwin
Music #00-30754S.
Published by Belwin Music
(AP.30754S).
UPC:
038081341484.
English.
Imagine a
huge meteor striking the
earth! That event
occurred nearly 50 years
ago near Winslow,
Arizona, and was the
inspiration for this
work. You'll experience
the anticipation before
the strike with bold
sweeping sounds. A bold
addition to the beginning
band repertoire sure to
make a sizable
impact!
Gershwin By George Clarinette Basse, Piano [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
I Got Rhythm / 'S Wonderful / How Long Has This Been Going On / Strike Up The...(+)
I Got Rhythm / 'S
Wonderful / How Long Has
This Been Going On /
Strike Up The Band / It
Ain't Necessarily So /
Summertime / Liza /
Rhapsody In Blue.
Composed by Dennis
Armitage. Score and
parts. Duration 6'15.
Published by Editions
Marc Reift
(MA.EMR-5072D).
Gershwin By George Violon, Violoncelle (duo) [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
I Got Rhythm / 'S Wonderful / How Long Has This Been Going On / Strike Up The...(+)
I Got Rhythm / 'S
Wonderful / How Long Has
This Been Going On /
Strike Up The Band / It
Ain't Necessarily So /
Summertime / Liza /
Rhapsody In Blue.
Composed by Dennis
Armitage. Score and
parts. Duration 6'15.
Published by Editions
Marc Reift
(MA.EMR-5072N).
Lighting the Dark Orchestre d'harmonie - Facile Eighth Note Publications
Concert Band - Grade 2.5 SKU: AP.81-CB224479 Composed by Lindsay E. Stetn...(+)
Concert Band - Grade 2.5
SKU:
AP.81-CB224479
Composed by Lindsay E.
Stetner. Concert Band.
Score and Part(s).
Duration 3:50. Eighth
Note Publications
#81-CB224479. Published
by Eighth Note
Publications
(AP.81-CB224479).
ISBN
9781778930454. UPC:
685462030460.
English.
Lindsay E.
Stetner's Lighting the
Dark was inspired by the
work of Nikola Tesla.
This piece was inspired
by a documentary called
Mysteries of the
Abandoned, which featured
the now abandoned
laboratory. The most
striking feature of the
property is the nearly
200-foot tall
Wardenclyffe Tower. His
work with electricity and
the Tesla coil has become
an area of fascination in
our quest for cleaner
energy and electric cars.
(3:50).
Tribute to a Maestro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-010
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1195884-010.
Published by De Haske
Publications
(BT.DHP-1195884-010).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Tribute to a Maestro Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Composed by
Joseph Compello. SWS.
Carl Fischer Beginning
Performance Series. Full
score. With Standard
notation. Carl Fischer
Music #BPS22F. Published
by Carl Fischer Music
(CF.BPS22F).
ISBN
9780825848025. UPC:
798408048020. 9 X 12
inches. Key: C
minor.
Aggressive
and powerful, this
Compello piece employs an
archaic style to conjure
up the days of the
original survivors, the
gladiators who were as
celebrated in Roman times
as our own sports heroes
are today. Basic rhythms
and simple counterpoint
are put to good use in
this striking piece.
Duration: 2' Key: C Minor
Ranges: Trumpet-A;
Horn-C; Trombone-G.
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Composed by
Matthew R. Putnam.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+2+1
+2+5+16+2 pages. Duration
2 minutes, 22 seconds.
Carl Fischer Music
#BPS115. Published by
Carl Fischer Music
(CF.BPS115).
ISBN
9781491152010. UPC:
680160909513.
The
Gauntlet is a piece
written to sound bold and
exciting while also being
accessible to young
performers with a limited
range. Simple yet bold
rhythms add excitement,
heightened by the fact
that every section has an
opportunity to play
melodic content. The
interesting
“developmentâ€
section provides a
contrast to the opening
and helps to build the
suspense before the
return of the main theme.
The percussion helps to
drive the energy of the
piece by providing a
variety of colorful
sounds including a gong
solo at the end to signal
the knight’s
triumph. A knight
gallops over the rise of
the hill into battle,
determination shining in
his eyes. He must charge
through the treacherous
lines and survive in
order to preserve his
kingdom and his honor.
The pounding of the
battle drums echoes the
desperate pounding of his
heart. Swords clash and
the hooves of the horses
strike the muddy ground.
He must run this
torturous gauntlet. Will
he succeed before it is
too late?The
Gauntlet is a piece
written to sound bold and
exciting while also being
easy for young players to
perform due to the
piece’s limited
range (comprised of the
first seven notes in most
method books). Simple but
bold rhythms add an air
of excitement. This is
heightened by the fact
that every section has an
opportunity to play
melodic content, even the
low brass. The
interesting
“developmentâ€
section provides a
contrast to the opening
section and helps to
build some intrigue and
suspense before the
return of the main theme.
The percussion helps to
drive the energy of the
piece by providing lots
of colorful sounds
including a gong solo at
the end to signal the
knight’s
triumph.
Composed
by Matthew R. Putnam.
Beginning Band (BPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #BPS115F.
Published by Carl Fischer
Music (CF.BPS115F).
ISBN 9781491152690.
UPC:
680160910199.
The
Gauntlet is a piece
written to sound bold and
exciting while also being
accessible to young
performers with a limited
range. Simple yet bold
rhythms add excitement,
heightened by the fact
that every section has an
opportunity to play
melodic content. The
interesting
“developmentâ€
section provides a
contrast to the opening
and helps to build the
suspense before the
return of the main theme.
The percussion helps to
drive the energy of the
piece by providing a
variety of colorful
sounds including a gong
solo at the end to signal
the knight’s
triumph. A knight
gallops over the rise of
the hill into battle,
determination shining in
his eyes. He must charge
through the treacherous
lines and survive in
order to preserve his
kingdom and his honor.
The pounding of the
battle drums echoes the
desperate pounding of his
heart. Swords clash and
the hooves of the horses
strike the muddy ground.
He must run this
torturous gauntlet. Will
he succeed before it is
too late?The
Gauntlet is a piece
written to sound bold and
exciting while also being
easy for young players to
perform due to the
piece’s limited
range (comprised of the
first seven notes in most
method books). Simple but
bold rhythms add an air
of excitement. This is
heightened by the fact
that every section has an
opportunity to play
melodic content, even the
low brass. The
interesting
“developmentâ€
section provides a
contrast to the opening
section and helps to
build some intrigue and
suspense before the
return of the main theme.
The percussion helps to
drive the energy of the
piece by providing lots
of colorful sounds
including a gong solo at
the end to signal the
knight’s
triumph.
Concert Band - Grade 1.5 SKU: AP.45768S (The Shark!). Composed by ...(+)
Concert Band - Grade 1.5
SKU: AP.45768S
(The Shark!).
Composed by Ralph Ford.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. Score. 16 pages.
Duration 2:00. Belwin
Music #00-45768S.
Published by Belwin Music
(AP.45768S).
UPC:
038081523064.
English.
Cast in G
minor, this compelling
original work contains
all the anticipated
components with a musical
depiction of circling the
prey and the strike. The
effects are complete with
the use of vivid dynamic
shifts and a solid
percussion contribution.
All musical components
are easily attainable by
beginning students.
Dating back to more than
420 million years ago,
these continuously moving
soulless eating machines
have been the subject
extensive study and
graphic horror. Musically
menacing yet audience
pleasing! (2:00).
Band concert band - Grade 3 SKU: CF.CPS114F March. Composed by Joh...(+)
Band concert band - Grade
3
SKU: CF.CPS114F
March. Composed by
John Philip Sousa.
Arranged by Andrew
Balent. SWS. Carl Fischer
Concert Performance
Series. Full score. With
Standard notation. 20
pages. Duration 3:15.
Carl Fischer Music
#CPS114F. Published by
Carl Fischer Music
(CF.CPS114F).
ISBN
9780825884924. UPC:
798408084929. 9 x 12
inches. Key: F
major.
Andrew
Balent arranging John
Philip Sousa is a winning
combination in itself,
and this popular march
has been scaled down
sensitively and carefully
for the younger band.
Inspired by the
friendship between the
United States and their
allies overseas, Sousa
composed this march after
hearing the phrase, A
sudden thought strikes
me; let us swear eternal
friendship. The touching
patriotism and bold
happiness of this work
will make your group
shine.
Full Score and
Parts. Composed by
Elliot Del Borgo. FS-SWS.
Carl Fischer Young
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #YPS12.
Published by Carl Fischer
Music (CF.YPS12).
ISBN
9780825839863. UPC:
798408039868. 9 X 12
inches. Key: F
minor.
A musical
tribute to the tallest
mountain on the earth,
this brilliant
mono-thematic work has
striking bell-like
effects in the brass and
makes superb use of a
large percussion section.
Contrasts in texture and
articulation are numerous
and the music is
alternately bold,
aggressive and haunting.
This is another fine
selection that can be
considered for contest
and festival use.
Duration: 5'30.
Composed
by Satoshi Yagisawa. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 2006. De
Haske Publications
#1074188. Published by De
Haske Publications
(HL.44007247).
With
this work, commissioned
by a prestigious girls?
school with morethan a
hundred years of
tradition and history,
the composer aimed
towrite a universal work
with love as its theme.
He succeeded in doingthis
with Sinfonia - a
delightfully charming
interlude with a
transparentsound and a
striking melody.
In 2005 maakte de
Japanse Hamamatsu
Municipal Senior High
School een nieuwe start
als middelbare school
voor zowel meisjes als
jongens. Voor die
gelegenheid schreef
Satoshi Yagisawa op
verzoek een nieuw
schoollied. In januari
2006componeerde hij
Sinfonia voor het
schoolharmonieorkest,
geleid door Atsuo
Yamagata. Het werd een
universeel werk met
liefde als thema, een
soort interludium met een
transparante klank en een
treffende
melodie.
Mit
diesem Werk, das er zur
Umwandlung einer
traditionsreichen
Madchenschule zu einer
gemischten Schule
schrieb, wollte der
japanische Komponist ein
universelles Werk uber
das Miteinander und die
Liebe schaffen. Dies
gelang ihm mit
Sinfonia, einem
interessanten
Zwischenspiel von
transparentem Klang mit
einer eindruckvollen
Melodie.
Le Lycee
Municipal d'Hamamatsu au
Japon fut un prestigieux
lycee de filles
s'appuyant sur plus de
cent ans d'histoire et de
traditions. En 2005,
l'etablissement prit un
nouvel envol en devenant
un lycee mixte. Pour
celebrer cet evenement,
Satoshi Yagisawa fut
charge de composer un
nouveau chant
emblematique de
l'ecole.En janvier 2006,
il compose
Sinfonia, une
œuvre de commande
pour l'Orchestre
d'Harmonie du Lycee
(Atsuo Yamagata, dir.).
L'œuvre se veut
universelle developpant
le theme eternel de
l'amour : une sorte
d'interlude sur une trame
sonore cristalline et une
ligne melodique
enivrante.