Score Only Concert Band (Score) - 2-2 1/2 SKU: HL.4003056 Composed by Lud...(+)
Score Only Concert Band
(Score) - 2-2 1/2
SKU:
HL.4003056
Composed
by Ludwig van Beethoven.
Arranged by Robert
Longfield. MusicWorks
Grade 2. Classical,
Contest, Festival.
Published by Hal Leonard
(HL.4003056).
UPC:
884088574758.
9.0x12.0x0.064
inches.
From
Beethoven's Symphony No.
7, this movement is one
of the master's most
recognizable and
performed themes.
Recently featured in the
Oscar-winning film The
King's Speech, here is a
skilled and effective
adaptation for young
bands by Robert
Longfield. A great way to
showcase the classical
period of musical history
on any program. Dur:
2:45.
Recorded live. By Westwood High School Symphony Orchestra. Mark Records. ...(+)
Recorded live. By
Westwood High School
Symphony Orchestra. Mark
Records. Listening CD.
Duration 46:06:00.
Published by Mark Custom
Music (MK.50848-MCD).
Orchestra (Full Score) SKU: HL.14037570 Full Score. Composed by Va...(+)
Orchestra (Full Score)
SKU: HL.14037570
Full Score.
Composed by Vagn Holmboe.
Music Sales America.
Classical. Softcover. 142
pages. Edition Wilhelm
Hansen #VI00300.
Published by Edition
Wilhelm Hansen
(HL.14037570).
ISBN
9788759856086.
12.0x16.5x0.685 inches.
English.
Full
Orchestral Score of Vagn
Holmboe's Symphony No.5
Op.35.
Concert Band (Score) SKU: HL.26423052 Composed by Antoní, k, and n ...(+)
Concert Band (Score)
SKU: HL.26423052
Composed by Antoní,
k, and n Dvorá.
Arranged by Jay Bocook.
MusicWorks Grade 3.
Classical, Concert,
Symphonic. Published by
Hal Leonard
(HL.26423052).
9.0x12.0x0.045
inches.
Jay Bocook
has again given us a
valuable addition to
young band literature
with this skillful
transcription of a
classic. Dvorak's 1st
movement from the New
World Symphony has
unforgettable themes and
musical moments that will
inspire younger
players.
Score Orchestra - intermediate-advanced SKU: HL.14028659 Composed by Auli...(+)
Score Orchestra -
intermediate-advanced
SKU: HL.14028659
Composed by Aulis
Sallinen. Music Sales
America. Post-1900. Book
[Softcover]. 80 pages.
Music Sales #NOV956087.
Published by Music Sales
(HL.14028659).
8.75x11.75x0.521
inches.
Symphony
No. 8 was commissioned by
the Royal Concertgebouw
Orchestra. The first
performances took place
at the Concertgebouw,
Amsterdam on 16 and 17
April 2004, by the Royal
Concertgebouw Orchestra
conducted by Paavo
Jarvi.
Carmen Symphony Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band - Grade 5 SKU: HL.4002632 Deluxe Score. Composed by G...(+)
Concert Band - Grade 5
SKU: HL.4002632
Deluxe Score.
Composed by Georges
Bizet. Arranged by Donald
Patterson and Jose
Serebrier. Concert Band
Professional. Classical,
Concert, Opera. 128
pages. Published by Hal
Leonard (HL.4002632).
UPC: 884088219932.
10.5x14
inches.
Here is the
stunning complete
Carmen Symphony
orchestrated by
José Serebrier and
masterfully transcribed
by Donald Patterson for
the U.S. Marine Band.
Comprised of twelve
“scenes” from
Bizet's opera, this is a
welcome addition to the
repertoire for mature
wind bands. Duration:
33:00.
Full Score Orchestra (Orchestra) SKU: HL.14015208 Composed by Vagn Holmbo...(+)
Full Score Orchestra
(Orchestra)
SKU:
HL.14015208
Composed
by Vagn Holmboe. Music
Sales America. Classical.
Softcover. Composed 2002.
92 pages. Edition Wilhelm
Hansen #WH29857.
Published by Edition
Wilhelm Hansen
(HL.14015208).
ISBN
9788759869673. UPC:
884088443764.
12.0x16.75x0.357 inches.
English.
Symphony No. 5 Orchestre Symphonique [Conducteur] Carl Fischer
(Sinfonia Sacra). Composed by Howard Hanson (1896-1981). For symphony orchestra....(+)
(Sinfonia Sacra).
Composed by Howard Hanson
(1896-1981). For symphony
orchestra. Full Score -
Study. Standard Notation.
47 pages. Published by
Carl Fischer
Chamber Music Soprano Voice, Piano SKU: PR.111403210 A Song Cycle for ...(+)
Chamber Music Soprano
Voice, Piano
SKU:
PR.111403210
A
Song Cycle for Soprano
and String Quartet.
Composed by Nkeiru Okoye.
24 pages. Duration 15
minutes. Theodore Presser
Company #111-40321.
Published by Theodore
Presser Company
(PR.111403210).
UPC:
680160687947.
With
an original text by the
composer, Nkeiru
Okoye’s WE MET AT
THE SYMPHONY is a
monodrama in three songs
for soprano and string
quartet or piano. The
songs tell the story of a
Black woman surprised to
find a Black man in the
sea of white faces at an
orchestra concert, their
subsequent romance, and
her struggle to trust
another Black man after
betrayal and heartbreak.
Okoye’s poignant,
insightful, and
sharp-witted poetry is
set to dramatic and
striking music that
blends sensibilities from
jazz, Broadway, and
contemporary classical
styles, with an
unforgettable solo role
for the soprano.
Orchestra (Score) SKU: HL.14030071 Score. Composed by Jean Sibeliu...(+)
Orchestra (Score)
SKU:
HL.14030071
Score. Composed by
Jean Sibelius. Music
Sales America. 20th
Century. Score. 136
pages. Edition Wilhelm
Hansen #WH17538.
Published by Edition
Wilhelm Hansen
(HL.14030071).
ISBN
9788759854204.
8.5x11.75x0.506 inches.
English.
Orchestra SKU: HL.14032258 Composed by Hans Abrahamsen. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14032258
Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 36 pages. Edition
Wilhelm Hansen #KP00523.
Published by Edition
Wilhelm Hansen
(HL.14032258).
ISBN
9788759870600.
12.0x16.5x0.43 inches.
Danish.
Symphony ,
by Hans Abrahamsen , was
composed in 1974 and
revised in 2010.
Full Score Orchestra SKU: HL.14015210 Composed by Vagn Holmboe. Music Sal...(+)
Full Score Orchestra
SKU: HL.14015210
Composed by Vagn Holmboe.
Music Sales America.
Classical. Score.
Composed 2002. 172 pages.
Edition Wilhelm Hansen
#WH30053. Published by
Edition Wilhelm Hansen
(HL.14015210).
ISBN
9788759861264.
12.0x16.5x0.75 inches.
English.
Composed by Sunleif
Rasmussen. Music Sales
America. Classical.
Softcover. Composed 2015.
202 pages. Edition
Wilhelm Hansen #WH32702.
Published by Edition
Wilhelm Hansen
(HL.14043756).
ISBN
9788759836620.
English.
Commission
ed by John Storgards,
Helsinki Philharmonic
Orchestra and Nordic
House in the Faroe
Islands. Dedicated to the
composers daughter Malan.
Preface / Programme note:
From the Edda verse 31
Three roots there are
that three ways run Neath
the ash-tree Yggdrasil,
Neath the first lives
Hel, neath the second the
frost-giants, Neath the
last are the lands of
men. The idea behind the
Symphony is the story of
Yggdrasil, The Tree of
Life, from the Old Norse
mythology. The Ash-tree
reaches all the way into
the sky and has three
roots, each growing into
three different places.
One root grows into the
Land of Hel (Hel is the
goddess of Hell), called
Helheim, another into
theLand of Frost-Giants,
called Jotunheim, and one
root grows into the Land
of men, called Asgard.
And the Ash-tree reaches
into the sky. In the
crown of the tree lives a
squirrel, which moves
fast around the tree and
spreads gossip, both
between the three roots
and between three roots
and the crown of the
tree.The Edda is a large
collection of Old Norse
poems, collected in the
12th Century by the
Icelandic poet and
historian Snorri
Sturluson. Sunleif
Rasmussen, March
2015.
Study
Score. Composed by
Jean Sibelius. Music
Sales America. Classical.
Softcover. Composed 2012.
76 pages. Edition Wilhelm
Hansen #WH18658B.
Published by Edition
Wilhelm Hansen
(HL.14030075).
ISBN
9788774552420. UPC:
888680020200.
8.25x11.75x0.235 inches.
International (more than
one language).
A
symphony in one movement,
composed by Jean Sibelius
(1865-1957) in 1924. The
work lasts approximately
22 minutes. Revised
edition (1980), study
score.
Full Score Orchestra (Orchestra) SKU: HL.14015209 Composed by Vagn Holmbo...(+)
Full Score Orchestra
(Orchestra)
SKU:
HL.14015209
Composed
by Vagn Holmboe. Music
Sales America. Classical.
Softcover. Composed 2002.
108 pages. Edition
Wilhelm Hansen #WH30119.
Published by Edition
Wilhelm Hansen
(HL.14015209).
ISBN
9788759869321. UPC:
884088443771.
12.0x16.75x0.52 inches.
English.
Orchestra SKU: HL.14032234 Composed by Jouni Kaipainen. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14032234
Composed
by Jouni Kaipainen. Music
Sales America. Classical.
Score. 88 pages. Edition
Wilhelm Hansen #KP00467.
Published by Edition
Wilhelm Hansen
(HL.14032234).
ISBN
9788759854792.
English.
The Score
for Jouni Kaipainen's
Symphony No.2 Op.44.
Piano - intermediate SKU: BT.WA-4159-401 Composed by Camille Saint-Saens....(+)
Piano - intermediate
SKU:
BT.WA-4159-401
Composed by Camille
Saint-Saens. Arranged by
John Arkell. The Walsh
Collection. Educational
Tool. Book Only. 4 pages.
The Walsh Collection #WA
4159-401. Published by
The Walsh Collection
(BT.WA-4159-401).
ISBN
9789043142007.
English.
Taken from
Saint-Saens third
symphony, this lovely
melody has been
wonderfully arranged for
intermediate level
pianists.
Full Score Orchestra SKU: HL.14023383 Composed by Per Norgard. Music Sale...(+)
Full Score Orchestra
SKU: HL.14023383
Composed by Per Norgard.
Music Sales America.
Classical. Score.
Composed 2002. 130 pages.
Edition Wilhelm Hansen
#WH30286. Published by
Edition Wilhelm Hansen
(HL.14023383).
ISBN
9788759808221.
English.
Norgard's
Symphony No.1 Op.13 -
revised 1956 edition in
full score.
(Symphony No. 10). By Gustav Mahler (1860-1911). Orchestra. Full Orchestra; Larg...(+)
(Symphony No. 10). By
Gustav Mahler
(1860-1911). Orchestra.
Full Orchestra; Larger
Works; Masterworks;
Score. Faber Edition.
Masterwork; Romantic. 196
pages. Published by Faber
Music . Masterwork;
Romantic.
Score Only Concert Band (Score) - Grade 4 SKU: HL.4006379 Composed by Lud...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4006379
Composed
by Ludwig van Beethoven.
Arranged by Robert
Longfield. MusicWorks
Grade 4. Classical.
Softcover. 40 pages.
Duration 290 seconds.
Published by Hal Leonard
(HL.4006379).
UPC:
888680987664.
9.0x12.0x0.107
inches.
The year
2020 marks the 250th
anniversary of the birth
of Ludwig van Beethoven.
While the first movement
of his famous fifth
symphony is more often
performed, the majestic
and triumphant finale
beautifully exemplifies
the craftsmanship and
genius of one of the
greatest composers of all
time. Slightly truncated
in form, this masterful
adaptation for concert
band still retains the
thematic material, power,
and excitement found in
the original.
(MusicWorks).
Orchestra (Orchestra) SKU: HL.48187841 Composed by Henri Dutilleux. Leduc...(+)
Orchestra (Orchestra)
SKU: HL.48187841
Composed by Henri
Dutilleux. Leduc.
Classical. Softcover. 232
pages. Heugel & Cie
#HE31721. Published by
Heugel & Cie
(HL.48187841).
UPC:
888680873813.
7.5x10.75x0.547
inches.
Symphonie
No. 2,?Le Double, is a
symphonic piece for
oOrchestra and chamber
orchestra composed by
Henri Dutilleux. It was
commissioned for the 75th
birthday of the Boston
Symphony Orchestra in
1959. The piece features
three movements, which
consists in dialogues
between the Orchestra and
the Chamber Orchestra: I.
Animato, ma misterioso
II. Andantino sostenuto
III. Allegro fuocoso.
Calmato This is the
conductor's score which
also includes all parts.
Henri Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medal of the Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the Cello
concerto 'Tout un monde
lointain' (A whole
distant world), the
Violin concerto 'L'arbre
des songes' (The tree of
dreams) and the string
quartet 'Ainsi la nuit'
(Thus the night)..
(Critical Edition of the Complete Symphonies). By Franz Joseph Haydn (1732-1809)...(+)
(Critical Edition of the
Complete Symphonies). By
Franz Joseph Haydn
(1732-1809). Edited by
H.C. Robbins Landon. For
Orchestra. Haydn-Mozart
Presse. Standard
notation. Composed 1795.
Hob. I:104
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by
William Grant Still.
Arranged by Todd Parrish.
Set of Score and Parts.
10+2+24+16+10+10+16
pages. Carl Fischer Music
#AS144. Published by Carl
Fischer Music (CF.AS144).
ISBN 9781491160602.
UPC:
680160919192.
Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of African
American
Composersâ€, William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedSymphony No. 1,
the Afro-American
Symphony (1930),
Still’s Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled
“Song of a New
Raceâ€, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still’s vision of
an increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.