Composed by Richard L. Saucedo. MusicWorks Grade 1. Softcover. Published by Hal Leonard (HL.4004765).

50 Favorites by 26 Composers. Arranged by Joseph Harris. Creative Concepts Publishing. Guitar tablature. 168 pages. Published by Creative Concepts.

Composed by Johann Sebastian Bach (1685-1750). Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Donald Hunsberger Wind Library. Form: Fugue; Toccata. Baroque; Masterwork Arrangement. Part(s); Score. 322 pages. Alfred Music #00-DH9802. Published by Alfred Music

Bandquest Series Grade 3. By Robert Xavier Rodriguez. American Composers Forum ! Concert Band. CD-ROM only. Size 9x12 inches. Published by Hal Leonard.

Orgelwerke, Band 6. Composed by Johann Sebastian Bach (1685-1750). Edited by Dietrich Kilian. This edition: complete edition, urtext edition. Linen. Study score siehe BA 5028-01. Orgelmusik, Barock (Organ Music, Baroque). Performance score, anthology. Baerenreiter Verlag #BA05025-01. Published by Baerenreiter Verlag

Toccata for Two Accordions. Composed by Timo-Juhani Kyllonen. Paperback. Composed 2004. 72 pages. Published by Fennica Gehrman (FG.55011-275-9).

By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications

Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension, Christmas, Eastertide, Epiphany, General, Holy Communion, Holy Week, Lent, Missions, New Year, Pentecost, Patriotic, Reformation, Thanksgiving. Lorenz Publishing Company #70/2013L. Published by Lorenz Publishing Company (LO.70-2013L).

Composed by Gabriel Jackson (1962-). For solo organ. 32 pages. Duration 8 minutes. Published by Oxford University Press

12 favorite works from the Baroque era, with authentic orchestral backing tracks Clarinet Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13152. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.

12 favorite works from the Baroque era, with authentic orchestral backing tracks Trumpet Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13155. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.

Solo piano - Grade 4-5

SKU: B7.B310

Composed by Howard J. Buss. This colorful composition consists of 3 contrasting sections. The first is characterized by vibrant tone clusters and powerful exclamations juxtaposed with gentle harmonics and delicate arpeggiated figurations. The beautiful, lyrical central section gives. 20th Century. Score. Composed 1993. Duration 8'. Brixton Publications #B310. Published by Brixton Publications (B7.B310).

8.5x11 inches.

CELESTIAL VISIONS for solo piano by Howard J. Buss. This colorful composition consists of 3 contrasting sections. The first is characterized by vibrant tone clusters and powerful exclamations juxtaposed with gentle harmonics and delicate arpeggiated figurations. The beautiful, lyrical central section gives way to a lilting 12-tone toccata.

Piano - Grade 5

SKU: HL.14029181

By Ludwig Schytte. Edited by Ludvig Schytte. Music Sales America. Classical. Book [Softcover]. Composed 2002. 136 pages. Edition Wilhelm Hansen #WH13718. Published by Edition Wilhelm Hansen (HL.14029181).

ISBN 9788774551843. 8.75x11.75x0.75 inches. German.

From Bach, Beethoven and Clementi, to Handel, Mozart, Schubert and Tchaikovsky. This is a wonderful collection of 45 Sonatinas for piano solo which has been edited by Ludvig Schytte.

Book 1. 6 Impressive Solos for Piano. Composed by Dennis Alexander. Piano Collection; Piano Supplemental. Toccatas. Form: Toccata. Recital. Book. 24 pages. Alfred Music #00- 47845. Published by Alfred Music

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

Composed by Page C. Long. Organ - Method or Collection. H. W. Gray. Form: Toccata. Christmas; Winter. Book. 48 pages. Jubilate Music Group #00-GBM0401. Published by Jubilate Music Group

Concert band (Flute 1, Flute 2, Oboe*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet*, Bassoon*, Alto Saxophone 1/2*, Tenor Saxophone*, Baritone Saxophone*, Horn in F 1, Horn in F 2, Bb Trumpet 1, Bb Trumpet 2, Trombone 1, Trombone 2*, Euphonium, (Barit) - grade 3

SKU: CN.R10109

Composed by Stuart Johnson. Arranged by Stuart Johnson. Band Music. Score and parts. Duration 4:00. Published by G & M Brand Music Publishers (CN.R10109).

Marked by driving staccato eighth note ostinatos that are freely passed around the ensemble, Toccata keeps you on your toes from start to finish.

Commission ed by the Tutbury Community Band, conductor Malcolm Heywood, this work was first performed on the occasion of the 900th anniversary of the foundation of Tutbury Church. Toccata originally meant 'touch piece' and is particularly associated with keyboard works of the Renaissance and Baroque. Stuart Johnson takes this spirit and transfers it to the concert band as staccato quavers, used as an ostinato against a rising bass theme. Later the accompaniment is transferred to other sections of the band, but the pulse is retained until a central, more lyrical section. A recapitulation of the allegro leads to a stirring climax.

Edited by Steven Osborne. Classical. Textbook. Trinity College London #TCL024091. Published by Trinity College London

Solo piano - Grade 4-5

SKU: B7.B153

Composed by Marc Douyon. Edited by Howard J. Buss. PRELUDE AND TOCCATA FOR PIANOis based on the Haitian folk tune Linglinsou. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part. 21st Century. Score. Duration 7'. Brixton Publications #B153. Published by Brixton Publications (B7.B153).

8.5x11 inches.

PRELUDE AND TOCCATA FOR PIANO by Marc Douyon is based on the Haitian folk tune Linglinsou. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. The composition opens with a lyrical melody that suggests an atmosphere of complaint, anguish, and despair. But soon, the lyrical main theme, which makes use of hemiola figures, takes the shape of a gracious tribal dance in compound meter. Shortly thereafter, however, the character of the piece changes into an agitated toccata characterized by driving staccato notes, accents, and a close hand position at the piano. The final moments of the piece are heroic-like in nature, but also convey a sense of calm after the storm.

From Organ Symphony No. 5. By Charles Marie Widor. Arranged by Sarah Jackson. For 8 Bassoon, Contrabassoon. Set of parts. Published by Emerson Edition.

(BWV 565). By Johann Sebastian Bach (1685-1750). Arranged by Victor López. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 3. 234 pages. Published by Alfred Music Publishing

For Soprano, Alto, Tenor and Baritone Saxophones - Full Score. Composed by David Carlson. First performance: San Fransico Saxophone Quartet. Full score (large). With Standard notation. Composed 2001. 40 pages. Carl Fischer #WE00001F. Published by Carl Fischer (CF.WE1F).

Chamber Music Bassoon, Piano

SKU: PR.114423350

Composed by Amanda Harberg. Set of Score and Parts. 32+12 pages. Duration 16 minutes. Theodore Presser Company #114-42335. Published by Theodore Presser Company (PR.114423350).

ISBN 9781491135112. UPC: 680160686339.

This stunning addition to the bassoon repertory features dramatic outer movements framing a slow and plaintive aria. Harberg’s program notes put the drama and its crying-out high notes in the context of writing in 2021: “The composition was deeply influenced by disruptive forces unfolding around us. While this unrest made writing difficult at times and brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.”.
Connect ions are all around us. I first met bassoonist Adrian Morejon while writing my Suite for Wind Quintet for the Dorian Wind Quintet in 2017. He and I quickly became fast friends and decided to collaborate on a new piece. Over the next two years, Adrian assembled a phenomenal group of 28 bassoonists from around the world to be co-commissioners. Adrian and I premiered the resulting sonata at the International Double Reed Society’s 2021 Virtual Symposium.The SONATA was composed between January and June 2021. In composing it, my goal was to offer bassoonists a substantial work that would show off the instrument’s remarkable strengths including its athletic agility, gorgeous singing qualities, and enormous range. While I generally avoid being programmatic, this composition was deeply influenced by the disruptive forces unfolding around us. While this unrest made writing difficult at times and often brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.I am deeply grateful to Adrian for our collaboration, and to everyone in the consortium for making the SONATA possible.