| Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. ...(+)
(Full Size Edition).
Composed by Various. For
Ukulele. Ukulele.
Softcover.
688 pages. Published by
Hal
Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard...(+)
By Various. For Ukulele.
Ukulele. Softcover. 688
pages. Published by Hal
Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book Of Blues Piano seul Music Sales
| | |
| Harmonica Fake Book: 140 Songs with Accurate Transcriptions of Famous Solos and Licks Harmonica Hal Leonard
Melody/Lyrics/Chord Symbols/Harmonica Tab Harmonica SKU: HL.300155 By Var...(+)
Melody/Lyrics/Chord
Symbols/Harmonica Tab
Harmonica SKU:
HL.300155 By Various.
Harmonica. Blues,
Country, Folk, Pop, Rock.
Softcover. 336 pages.
Published by Hal Leonard
(HL.300155). ISBN
9781540061874. UPC:
888680960902. 9.0x12.0
inches. Play your
favorite harmonica solos
and learn new classics
with this new collection
of songs for 10-hole
diatonic C harp! This
comprehensive songbook
presents an extensive
collection of 140 songs
spanning diverse genres
including blues, rock,
country, folk,
traditional, gospel, and
pop. Curated for
harmonica enthusiasts of
all levels, each song is
meticulously transcribed
with harmonica tabs,
lyrics, and chord
symbols, and skillfully
adapted for various
harmonica positions.
Furthermore, the songbook
offers valuable insights
for performing each piece
in its original key,
along with note-for-note
transcriptions of intros,
licks, and solos by
esteemed harp experts and
virtuosos from varied
musical backgrounds. Add
this new songbook to your
collection today to
unlock the endless
possibilities of your
harmonica! $49.99 - Voir plus => Acheter | | |
| The Ultimate Rock Guitar Fake Book
Guitare notes et tablatures [Fake Book] - Intermédiaire Hal Leonard
For voice and guitar chords. Format: fake book (spiral bound). With guitar chord...(+)
For voice and guitar
chords. Format: fake book
(spiral bound). With
guitar chord diagrams,
vocal melody and guitar
tablature (of vocal
melody only). Series: Hal
Leonard Fake Books. 344
pages. 9x12 inches.
Published by Hal Leonard.
(1)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Etudes, Exercises and Simple Tonal Phrases Volume 1 Piano seul - Facile Schott
Piano - easy to intermediate SKU: HL.49045014 For Piano. Composed ...(+)
Piano - easy to
intermediate SKU:
HL.49045014 For
Piano. Composed by
Nicholas Lens. This
edition: Saddle
stitching. Sheet music.
Piano. Classical, Etude.
Softcover. 86 pages.
Duration 75'. Schott
Music #ED 22049.
Published by Schott Music
(HL.49045014). ISBN
9790001202114. 9.0x12.0
inches. The Belgian
composer Nicholas Lens
presents extremely varied
etudes, exercises and
simple phrases with
wonderfully telling
titles from poetry and
everyday world for
children and adults. For
the most part the studies
are tonal and simple and
have no constructed line.
They are not based on any
educational concept but
leave the musical
dramatization to the
pupils and teachers:
'Notes and rhythms are
just notes and rhythms,
they do not have that
many rules, they do not
have any pretension, they
are just tools for you to
use to express what you
want to share'. $64.00 - Voir plus => Acheter | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Singer's Musical Theatre Anthology Volume 4 (Soprano)
Voix Soprano, Piano [Partition] - Avancé Hal Leonard
The Singer's Musical Theatre Anthology - Volume 4 - Soprano (Book only) by Vario...(+)
The Singer's Musical
Theatre Anthology -
Volume 4 - Soprano (Book
only) by Various. Edited
by Richard Walters. For
Vocal. Hal Leonard Vocal
Collection. Broadway.
Difficulty: difficult.
Songbook. Vocal melody,
lyrics, piano
accompaniment, chord
names, introductory text
and a show synopsis. 216
pages. Published by Hal
Leonard
(4)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Book of Blues
Piano, Voix et Guitare [Partition] Hal Leonard
| | |
| Blues Songs (Piano/Vocal/Guitar)
Piano, Voix et Guitare [Partition] Hal Leonard
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Budget Books. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 352 pages.
Published by Hal Leonard.
(1)$14.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Guitar Tab White Pages Play-Along Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
(Includes USB Flash Drive with 100 Select MP3 Backing Tracks). By Various. For G...(+)
(Includes USB Flash Drive
with 100 Select MP3
Backing Tracks). By
Various. For Guitar.
Guitar Collection.
Softcover with USB.
Guitar tablature. 752
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Singer's Musical Theatre Anthology Volume 4 (CD) Voix Soprano [CD d'accompagnement] Hal Leonard
| | |
| Singers Musical Theatre Anthology - Volume 4
Voix Soprano, Piano [Partition + Accès audio] Hal Leonard
Edited by Richard Walters. Vocal Collection. Broadway, Classical, Instruction. S...(+)
Edited by Richard
Walters. Vocal
Collection. Broadway,
Classical, Instruction.
Softcover Audio Online.
216 pages. Published by
Hal Leonard
(1)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Guitar 4-Chord Songbook - Volume 2 Paroles et Accords Hal Leonard
(G-C-D-Em). By Various. Guitar Collection. Pop. Softcover. 152 pages. Publish...(+)
(G-C-D-Em). By Various.
Guitar Collection. Pop.
Softcover. 152 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Four Chord Songbook Piano, Voix et Guitare Hal Leonard
60 Favorites. By Various. Piano/Vocal/Guitar Songbook. Country, Pop, Fo...(+)
60 Favorites. By
Various.
Piano/Vocal/Guitar
Songbook. Country, Pop,
Folk, Rock. Softcover.
344 pages. Published by
Hal Leonard (HL.249559).
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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