Fantasia on the Rondo
from the Piano Sonata in
A major K. 331 by.
Composed by Fazil Say.
Edited by Selin
Sekeranber and Yudum
Centiner. Piano Duet.
Classical. Softcover. 16
pages. Duration 90
seconds. Schott Music
#ED23613. Published by
Schott Music
(HL.49047113).
ISBN
9781705189269. UPC:
842819117520. 0.096
inches.
The final
movement of the Sonata in
A major K. 331 by
Wolfgang Amadeus Mozart,
the Rondo Alla Turca, is
one of the most famous
pianopieces of all. Once
reserved for all music
connoisseurs, later
played by every piano
student, its opening
melody, alienated like a
sine tone, is now
omnipresent even as a
mobile phone ringtone.
The arrangement by Fazil
Say, created as an
effective encore, builds
on this popularity.
Mounted on the still
recognizable classic
basic level, typical jazz
elements such as
syncopation of the top
tones and embellishment
with chromatic blue
notes, embedded in
sometimes frenzied chains
of sixteenth notes, are
found - after the first
eight bars have been
presented originally. In
accordance with the
improvisational
character, Say himself
likes to perform his Alla
Turca Jazz in other
combinations, for example
with the accompaniment of
jazz singers or with an
orchestra. Perhaps it is
surprising that Fazil
Say, who was born in
Turkey and lives there
when not on tour, does
not trace Mozart's
adaptation of genuinely
Turkish music closer to
its origins, since many
of his compositions such
as Black Earth or the
Violin Sonata are
characterized by a subtle
touch Combination of
classic-romantic
tradition, Turkish folk
music and jazz elements.
In another Mozart
arrangement, the ballet
music Patara, which
premiered in Vienna in
2006, but now composed on
the rococo-esque (and
almost equally popular)
theme from the first
movement of the same A
major sonata, Say still
has the connection denied
to the Alla Turca, albeit
inthe opposite direction.
In distinctive chamber
music instrumentation,
the piano stands for
Western culture, the ney
flute for that of the
Orient, atmospherically
conveyed by sparse
percussion and vocalises
by a soprano.
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Mario Aschauer. Thi...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Mario Aschauer. This
edition:
urtext edition. Stapled.
Barenreiter Urtext. With
the
Rondo "Alla Turca".
Performance score. KV 331
(300i). Baerenreiter
Verlag
#BA11816. Published by
Baerenreiter Verlag
Rondo Alla Turca Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Eighth Note Publications
(Tuba Feature). By Wolfgang Amadeus Mozart (1756-1791). Arranged by David Marlat...(+)
(Tuba Feature). By
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
David Marlatt. For Brass
Quintet. Brass Ensemble -
Quintet; Masterworks.
Tuba feature. Classical.
Duration 00:02:30
Simply Classical Piano seul [Partition] - Facile Alfred Publishing
23 Well Known Masterpieces. Arranged by Mary K. Sallee. For Piano. Piano Collect...(+)
23 Well Known
Masterpieces. Arranged by
Mary K. Sallee. For
Piano. Piano Collection.
Simply Series.
Masterwork. Level: Easy
Piano. Book. 80 pages.
Published by Alfred
Publishing.
By Wolfgang Amadeus Mozart (1756-1791). Edited by Nicolas Cardona. Solo Piano. T...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Nicolas
Cardona. Solo Piano. The
Must-Haves for Piano.
Classical. Grade 4. Piano
Part. Published by FLEX
Editions
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rond...(+)
Piano Duet (Piano For 2
Players)
SKU:
HL.49046797
Fantasia on the Rondo
from the Piano Sonata in
A Major, K. 331 Ve.
Composed by Fazil Say.
Edited by Selin
Sekeranber and Yudum
Centiner. Piano Duet.
Classical. Softcover. 12
pages. Duration 90
seconds. Schott Music
#ED23518. Published by
Schott Music
(HL.49046797).
UPC:
842819115670.
9.0x12.0x0.099
inches.
The final
movement of the Sonata in
A major KV 331 by
Wolfgang Amadeus Mozart,
the Rondo Alla Turca, is
one of the most famous
pianopieces of all time.
Once only familiar to
musical experts, later a
universal piece for all
piano pupils, its opening
melody is now even
omnipresent as an
alienated sinus tone-like
mobile phone ring tone.
Fazil Say's arrangement,
originally created as an
effective encore, follows
on from this popularity.
After the first eight
bars havebeen presented
in original form, typical
elements of jazz
superimposed on the still
recognisable classical
foundations can be
discovered, such as
syncopation of the top
notes and ornamentation
through chromatic blue
notes, embedded in the at
times frenzied chains of
semiquavers. In the
spirit of the work's
improvisatory character,
Say likes to perfom his
Alla Turca Jazz in
different combinations,
for example accompanied
by jazz singers of with
orchestra. It may appear
strange that Fazil Say,
who was born in Turkey
and - when not on tour -
is still resident in that
country, does not bring
back Mozart's
interpretation of genuine
Turkish music closer to
its own roots,
particularly as many of
his compositions such as
Black Earth or the Violin
Sonata are characterised
by a subtle amalgamation
of the Classical-Romantic
tradition, Turkish folk
music and elements of
jazz. In a further Mozart
arrangement, the ballet
music Patara premiered in
Vienna in 2006, composed
on the basis of the
Rococo-like theme from
the first movement of the
same A-major Sonata (wich
enjoys almost as great
popularity as the Alla
Turca theme), Say
utilised the connection
which was absent in Alla
Turca, albeit in the
opposite direction. In
the ballet music, the
piano symbolises Western
culture and the Ney flute
Oriental culture,
communcated
atmosperically by austere
percussion
instrumentation and
soprano vocalisation.
Piano/Keyboard SKU: PE.EP11506 Based on the Recently-discovered Partia...(+)
Piano/Keyboard
SKU:
PE.EP11506
Based
on the
Recently-discovered
Partial Autograph,
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Klaus
Burmeister. This edition:
Urtext. Piano (Solo).
Edition Peters. Score. 32
pages. Edition Peters
#98-EP11506. Published by
Edition Peters
(PE.EP11506).
.This new Urtext edition
of Mozart's Piano Sonata
in A major K331 (300i),
with the famous final
Rondo 'Alla turca', draws
on a recently-discovered
autograph source to
create a version which
has substantial
differences -
particularly in the six
variations and the
Menuetto - to earlier
editions. In the preface,
the editor, Klaus
Burmeister, considers
this new edition within
the history (dating back
to 1784) of printed
editions of the sonata,
particularly at Edition
Peters. The editor also
pays particularly
attention to the specific
use of articulation
marks, as Mozart learned
to use them from his
father Leopold. This
critically revised
edition brings all the
latest musicological
research into the Edition
Peters catalogue.