Oratorio: Jesus
Christus schwebt am
Kreuz. Composed by
Franz Schubert. Edited by
Manuela Jahrmärker.
This edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
I, Volume 7. Complete
edition, Score. D 383.
Baerenreiter Verlag
#BA05547_00. Published by
Baerenreiter Verlag
(BA.BA05547).
ISBN
9790006497089. 33.1 x
25.6 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
SATB choir and piano - Moderate SKU: LP.765762169807 Composed by Shawn Cr...(+)
SATB choir and piano -
Moderate
SKU:
LP.765762169807
Composed by Shawn Craig &
Jesse Reeves Chris
Tomlin. Arranged by Marty
Parks. Anthems. Sacred.
Orchestration on CD-ROM.
Published by Lillenas
Publishing Company
(LP.765762169807).
UPC:
765762169807.
From
the popular musical The
Power of the Cross this
sensitive arrangement
features a duet and
easily attainable choral
parts. With an acoustic
praise & worship feel
this Chris Tomlin song is
even a possibility for
smaller ensembles and
vocal teams.
Instrumentation includes:
Flute 1 & 2 Oboe Horn 1 &
2 Percussion Rhythm Harp
Violin 1 & 2 Viola
Cello/Bassoon String Bass
Substitute Instruments:
Soprano Sax/Clarinet
(Sub. for Oboe); Alto Sax
(Sub. for Horn); Clarinet
(Sub. for Horn); Bass
Clarinet (Sub. for
Bassoon); Keyboard String
Reduction.
Composed by Ray Jones
Andrea Jones. Arranged by
Brian Duncan. Anthems.
Inspirational, Christmas
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762204300).
UPC:
765762204300.
Soul-
stirring and evocative,
this new ballad from the
worship ministry of
Community Bible Church in
San Antonio, TX is a
tender reflection on the
birth of Christ and what
it means to us, the
miracle that He Came.
This soprano and tenor
duet with choir and
accompanying video will
make for a poignant
moment in any Christmas
celebration.
Composed by Tracey Barker
& Mark Harris. Arranged
by Steven V. Taylor.
Anthems. Contemporary and
Sacred. Orchestration on
CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762195400).
UPC:
765762195400.
Arran
ged by Steven V. Taylor,
this new song, penned by
Tracey Barker and
Christian music veteran
Mark Harris speaks of the
woman at the well.
Arranged for duet feature
with choir, this is a
very special song of
complete surrender.
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet ...(+)
By Geron Davis. Arranged
by Mike Speck. For SATB
choir with vocal solo and
duet (flute, oboe, F horn
1and2/3, trumpet 1/2and3,
trombone 1and2/3and4,
percussion, rhythm, harp,
violin 1, violin 2,
viola, cello/bassoon,
string bass). Christmas.
Moderate. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
O Night Divine Chorale SATB SATB, Cordes [Octavo] Hope Publishing Company
By John S. Dwight. Arranged by Jeremy Walton. For SATB choir with optional violi...(+)
By John S. Dwight.
Arranged by Jeremy
Walton. For SATB choir
with optional violin.
Choral music. Christmas,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
Composed by Phil Mehrens.
Arranged by Dave
Williamson. Anthems.
Contemporary and Sacred.
CD-ROM Anthem
Orchestration. Published
by Lillenas Publishing
Company
(LP.765762182707).
UPC:
765762182707.
Solo
and duet opportunities
with accessible choral
harmonies along with an
exciting orchestral score
from Dave Williamson make
Sovereign Lord a richly
satisfying celebration of
praise.
Choir Secular (SATB choir) SKU: AP.49687 Composed by Jack Rollins and Ste...(+)
Choir Secular (SATB
choir)
SKU:
AP.49687
Composed by
Jack Rollins and Steve
Nelson. Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas; Radio;
Secular; Winter. Choral
Octavo. 16 pages. Alfred
Music #00-49687.
Published by Alfred Music
(AP.49687).
By David Schwoebel / J. Williams. For SATB choir with optional Cello and Rhythm....(+)
By David Schwoebel / J.
Williams. For SATB choir
with optional Cello and
Rhythm. Scripture
References: Ephesians
3:14-21. Sacred. Choral
octavo. 12 pages
Composed by Vincent
Novello. Christmas Songs
& Carols - Mixed Voices.
Church Music Society
Publications. Vocal
score. 12 pages. Duration
5'. Oxford University
Press #9780193954113.
Published by Oxford
University Press
(OU.9780193954113).
ISBN 9780193954113. 10
x 7 inches.
for
solo, duet, trio, and
SATB with organ
Vincent Novello's
arrangement of four
verses of the well-known
'Hymn for Christmas'
builds from soprano solo,
through duet for tenor
and bass and trio for
alto, tenor and bass
(with melody in the
middle part), to a full
SATB final verse. The
traditional English text
is given together with
the original Latin. Colin
Mawby has supplied a
fascinating preface
tracing the history of
the piece.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116400
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Full score. Composed
1725. BWV 164. 32 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/00. Published by
Carus Verlag
(CA.3116400).
ISBN
9790007187170. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449).
ISBN
9790007209070. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116405
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Choral Score. Composed
1725. BWV 164. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/05. Published by
Carus Verlag
(CA.3116405).
ISBN
9790007187194. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409).
ISBN
9790007209018. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419).
ISBN
9790007209063. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116403
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Vocal score. Composed
1725. BWV 164. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/03. Published by
Carus Verlag
(CA.3116403).
ISBN
9790007187187. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/11. Published by
Carus Verlag
(CA.3113611).
ISBN
9790007208110. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext. 1x
31.136/21 oboe 1, 1x
31.136/22 oboe 2, 1x
31.136/31 horn. Stuttgart
Urtext Edition: Bach
vocal. Harmony parts.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1723. BWV 136. Duration
22 minutes. Carus Verlag
#CV 31.136/09. Published
by Carus Verlag
(CA.3113609).
ISBN
9790007208103. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB
choir
SKU:
CA.3113605
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Choral
Score. Composed 1723. BWV
136. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.136/05. Published by
Carus Verlag
(CA.3113605).
ISBN
9790007171612. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
available separately -
see item CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113619
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619).
ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.