A Must-Have Collection of Well-Known Songs, Including Some Bass Clarinet Features. Composed by Various. Instrumental Folio. Pop, Standards. Softcover. 64 pages. Published by Hal Leonard

Bass clarinet solo

SKU: P2.30124

Composed by Lori F. Ardovino. Solo music, 20th century. Published by Potenza Music (P2.30124).

Composer Lori F. Ardovino says, Sessionography: A description of various musical sessions. This piece for solo bass clarinet is in three movements. The first movement, King Super 20, is inspired by the artistry of Charlie Parker. The fast improvisatory runs represent his virtuosic technique. A quasi 'walking bass' can be heard between the sudden bursts of notes. The title of this work is the brand of saxophone that Parker mainly played. Composition No. 2 is inspired by the free jazz style of Anthony Braxton. His music is free improvisation based and named by Braxton 'creative music'. Extended techniques such as flutter tonguing and singing while playing add to the creative process and the flavor of Braxton's style. The name comes from similar titles for works by Braxton. The final movement, Just Groovin', is what Miles Davis' composition Move was dubbed by jazz critics. This movement is inspired by the rhythmic style and free improvisation style of this bebop tune..

(A Revolutionary Method for Beginning Musicians (B-Flat Bass Clarinet)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For B-Flat Bass Clarinet. Band Method; Book; CD; DVD; Method/Instruction. Sound Innovations. Beginner. 48 pages

Bass Clarinet

SKU: HL.48025211

Bass Clarinet Solo. Composed by Brett Dean. Boosey & Hawkes Chamber Music. Classical. Softcover. 8 pages. Duration 600 seconds. Bote & Bock #M202536957. Published by Bote & Bock (HL.48025211).

UPC: 196288133391. 9.0x12.0x0.067 inches.

With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-products” : And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.