Know only 20 banjo solo licks? How about 50? 100? 200? If that's all, then you need this book, designed to help you improvise bluegrass style banjo solos. These 400 licks are played over standard chord progressions- the use of licks sometimes will take precedent over stating the melody. The progressions used are based primarily on common vocal numbers. Some of the licks included are: chromatic licks, embellishing a fiddle tune, high position licks, Reno style, pentatonic blues, boogie licks, swing phrasing, sequential licks, back-up licks and many more. Uses standard G tuning. / Guitare

Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle: Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more! Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle:Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more! Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle: Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more!/ Etude / Guitare

Par BAY WILLIAM. Une corde-écriture grandeur de livres mettant en vedette 12 grilles de corde vierge et 5 régulières portées par page. Quarante-huit arrachement feuilles imprimées à l'encre noire sur régulière-poids, livre blanc. Comprend des graphiques à base de corde pour guitare, banjo, banjo ténor, uke, uke baryton et mandoline. Propose également un vaste graphique de corde-bâtiment et une discussion de major et minor échelles. / All Styles - Manuscript / Etude / Guitare

Par SEGURET CHRISTIAN. Méthode de guitare Country pour acoustique et électrique. Inclus un CD. SOMMAIRE - Histoire de la guitare country - Tout sur les guitares utilisées dans le style (Dreadnought, Martin et Gibson, Gretsch, Telecaster Fender) - Le style Carter Family - Le crosspicking, le flatpicking, le style de Clarence White et de Tony Rice - Le jeu au médiator et aux doigts - La telecaster dans la musique country (bends, plans de pedal-steel, jeu de banjo appliqué à la guitare) - Le style rockabily et country rock - Le style de Jerry Reed, Vince Gill et Albert Lee - Le western swing et le jazz dans la country - Plans de Charlie Christian, Jimmy Bryant et Hank Garland - Le Nashville Tuning et le B-Bender - 20 standards: rythmiques, thèmes, solos, analyses et play-backs Une pédagogie efficace - Des ralentis et des photos - Tous les conseils - Tous les accords - Des play-backs pour jouer live et improviser à volonté / Niveau : Intermédiaire - Avancé / Méthode en français / Méthode / Guitare

Gourou de la guitare britannique Adrian Legg vous guide à travers certains de sa marque de fabrique les dispositifs qui vous aidera à regarder l'instrument d'une manière nouvelle, inhabituelle et créative. Ses idées pionniers sont conçues pour aider vous étape loin de toutes les idées préconçues de fonctionne d'une guitare et ce qu'il peut le faire. Les techniques dans ce didacticiel vont ajouter des textures riches et superbes effets à vos arrangements. Ils comprennent : utilisation des tuners de banjo Keith-style imitation le son de la guitare pedal steel Using double chaîne bends travailler avec des échelles harmonisées à l'aide de la demi-capodastres qui laissent certaines chaînes sonnerie tout en empêchant les autres neuf pièces complet instrumentales sont utilisés pour montrer ces idées en contexte, y compris les Silent Night, Auld Lang Syne et Brooklyn Blossom. Chaque pièce est exploré en profondeur, en examinant les possibilités d'embellissement qui vont transformer chaque performance en quelque chose qui est entièrement votre propre. / Guitare

Hayman Paul W. (Taught). Par HAYMAN PAUL W.. Paul a enseigné pendant le passé 15 ans - non seulement guitare mais aussi banjo, guitare à résonateur, dulcimer martelé, dulcimer lap et autoharpe. Les leçons qu'il présente sont tirés de sa propre méthode facile à apprendre, qui ne nécessite pas l'étudiant à lire la musique. Les patrons de base d'accompagnement sont déduites. L'étudiant progresseront ensuite aux styles bass alternance tout en apprenant fingerstyle classiques. / Niveau : Débutant / All Styles - Methods / Méthode / Guitare

De Doc Watson, Merle Travis jusqu'à Jerry Reed, en passant par James Burton... vous découvrirez dans ce DVD toutes les techniques essentielles d'accompagnement et d'improvisation, tant à l'acoustique qu'à l'électrique, utilisables dans les musiques country, bluegrass, country/blues, country/rock, rockabilly... Au programme : les techniques de solo et d'accompagnement dans le style bluegrass/old-time, l'improvisation country/blues traditionnelle, comment créer son 'travis-picking' autour d'une grille (variations et improvisation), le 'picking' Nashville, les torsions de cordes (effet pedal-steel), les gammes d'improvisation et les 'couleurs' country Nashville, les techniques du roll (technique banjo bluegrass adaptée à la guitare), etc. Durée : 90 mn / Guitare

La musique folk américaine a été considérablement enrichie par Doc Watson. Dans les années 60, il fait partie de ceux qui remettent sur le devant de la scéne à musique folk traditionnelle toute en lui insufflant créativité et imagination. Cet ensemble d'enregistremens illustre le talent et l'évolution de Doc Watson. Des morceaix instrumentaux de guitare, des solos d'harmonica, du gospel a cappella, banjo, fingerstyle guitar... vous aurez une large vue des performances de Doc Watson. 60 minutes, livret de 20 page en anglais. / Guitare

Chansons pour enfants pour guitare est conçu pour être jouable en commençant et novice musiciens. Il est parfait pour les enfants et les parents qui veulent Jouez et chantez ces superbes chansons avec leurs enfants. De plus, ukulélé correspondant, mandoline, banjo et livres sont disponibles --- juste pour le fun! / Guitare

Crosspicking est une technique de flatpicking passionnant qui est une partie essentielle de l'arsenal du guitariste de chaque bluegrass. Utilisant des patrons répétées sur les groupes de trois cordes, crosspicking capte le rebond de double remaniement d'un violoneux et le lecteur de trois doigts banjo Scruggs-style rouleaux. Apprenez l'art de cette technique de choix passionnants avec Eric Thompson dans ce didacticiel de DVD qui met en vedette split-screen plans rapprochés afin que vous ne manquerez jamais une note ! / Guitare

This DVD is one of most shocking guitar instruction and performance DVDs of all time! In this first-ever DVD from John 5 you will not only take a journey into his twisted mind, but you will also learn some of the techniques that have set him apart from guitar players everywhere. Included here are full live performances of four songs as well as exclusive lessons and instruction on techniques such as: Banjo rolls Behind the nut bends Tapping Arpeggios Double stops Country bends Chicken pickin' Pedal steel bends and more. This DVD is not for the faint of heart and is unlike anything you have seen before with an initmate and compelling perspective on John's life and inspiration! **PARENTAL ADVISORY: MATURE CONTENT** / Guitare / Dvd

The Strum Together series enables players of five different instruments - or any combination of them - to strum together on dozens of great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 traditional Celtic classics: The Ash Grove - Barbara Allen - The Blue Bells of Scotland - Comin' Through the Rye - Danny Boy - Down by the Salley Gardens - The Drunken Sailor - Finnegan's Wake - Garryowen - A Highland Lad My Love Was Born - The Irish Rover - Kerry Dance - Loch Lomond - Molly Malone (Cockles and Mussels) - My Wild Irish Rose - Red Is the Rose - The Rising of the Moon - That's an Irish Lullaby - 'Tis the Last Rose of Summer - Tourelay, Tourelay - When Irish Eyes Are Smiling - Whiskey in the Jar - Will Ye Go, Lassie Go? - Ye Banks and Braes O' Bonnie Doon - and more. / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.