For Guitar. 'Includes an authoritative, newly engraved music score printed on high-quality ivory paper, containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, and a second performance minus you, the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chamber Music. Classical, Hungarian. Softcover with CD. 40 pages. Boosey & Hawkes #M060132421. Published by Boosey & Hawkes

For Four Guitars and Orchestra. By Joaquin Rodrigo. (Study Score). Schott. Size 7.5x10.5 inches. 104 pages. Published by Eulenburg.

Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Editions Durand. Softcover. 92 pages. Editions Max Eschig #DF16375. Published by Editions Max Eschig

By Varous. Arranged by J.M. Raymond. For guitar and orchestra. Intermediate. 16 pages. Published by Les Productions d'OZ

(Pour Guitare Et Orchestre De Chambre). By Alexandre Tansman (1897-1986). Edited by Angelo Gilardino. For Guitar, Chamber Orchestra. The Andres Segovia Archive. 87 pages. Published by Berben

Guitar Solo. By Leo Brouwer. Editions Durand. Softcover. 78 pages. Published by Editions Max Eschig.

(Full Orchestra Music/Guitar Music). By Johann Pachelbel (1653-1706). Arranged by Michael Fink. Guitar Music. Southern Music. Grade 5. Southern Music Company #ST383CO. Published by Southern Music Company

Composed by Frederic Hand. Score and part(s). With Standard notation. Handwerks Music #494-03114. Published by Handwerks Music

For Guitar. 'Includes music score containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, and a second performance minus you, the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. Published by Music Minus One.

RV 93. By Antonio Vivaldi. Chamber Music (Guitar). For guitar, 2 violins, cello (bass) (string orchestra) and basso continuo. Level: 3-4. Extra contrabass part. Published by Doblinger (Austrian import).

RV 93. By Antonio Vivaldi. Chamber Music (Guitar). For guitar, 2 violins, cello (bass) (string orchestra) and basso continuo. Level: 3-4. Set of parts (one each). 12 pages. Published by Doblinger (Austrian import).

Guitar - Grade 5

SKU: HL.248690

Guitar Solo Part. Composed by Karl Aage Rasmussen. Music Sales America. Classical. Softcover. Composed 2017. 24 pages. Duration 1440 seconds. Edition Wilhelm Hansen #KP00678D. Published by Edition Wilhelm Hansen (HL.248690).

ISBN 9788759884072. 10.0x14.5 inches. English.

Guitar solo part for Double Concerto for Harp, Guitar and Orchestra by Karl Aage Rasmussen (1998). Orchestra parts are available on hire: hore@ewh.dk.

Guitar (Guitar)

SKU: HL.48182806

Composed by Jacques Charpentier. Leduc. Classical. Softcover. Alphonse Leduc #AL24472. Published by Alphonse Leduc (HL.48182806).

For guitar and string orchestra.

Guitar

SKU: HL.48182807

Composed by Jacques Charpentier. Leduc. Classical. Softcover. Alphonse Leduc #AL24474. Published by Alphonse Leduc (HL.48182807).

UPC: 888680872014. 9.0x12.0x0.054 inches.

For guitar and string orchestra.

Guitar (Guitar)

SKU: HL.50485079

Guitar and Piano Reduction. Composed by M. Giuliani. Guitar. Classical. 84 pages. Ricordi #SIK758K. Published by Ricordi (HL.50485079).

UPC: 884088917043. 8.25x11.75x0.21 inches.

Guitar

SKU: SU.80111301

For Guitar. Composed by Meyer Kupferman. Guitar, Solo Guitar. Score. Subito Music Corporation #80111301. Published by Subito Music Corporation (SU.80111301).

Guitar Composed: 1998 Published by: Soundspells Productions Vanished (1998) is a brief, elegiac solo guitar written in memory of Roberto Limón's sister Rosanna. It later became the basis of the extended work Elegy for the Vanished for guitar and orchestra

By Corey Christiansen. For Guitar (All). rhythm/backup. In the Pocket. Jazz. Level: Intermediate. DVD Chart. Size 8.75x11.75. 3 pages. Published by Mel Bay Publications, Inc.

By Alfred d'Auberge and Morton Manus. For Guitar. Guitar Method or Supplement. Book. 48 pages. Published by Alfred Publishing.

Guitar

SKU: AP.1-ADV10005

Composed by Bob Sneider. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV10005. Published by Advance Music (AP.1-ADV10005).

ISBN 9783892210818. UPC: 805095100051. English.

Improvisat ion is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Guitar in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.). Soloist: Bob Sneider.

Guitar - advanced to difficult

SKU: M7.KC-2114

Desde Lejos. Suite. Composed by Alfonso Montes. This edition: Saddle-wire stitching. Sheet music. 32 pages. MDS (Music Distribution Services) #KC 2114. Published by MDS (Music Distribution Services) (M7.KC-2114).

ISBN 9782848580067. English French Spanish.

Alfonso Montes was Born in Ciudad Bolivar, Venezuela, in 1955. He studied Musical theory and the guitar in Caracas. In 1976 he moved to London to continue his studies at the Royal College of Music where he received an ARCM degree in 1980 as a concert guitarist. His post-graduate studies in Musical Analysis and composition followed at the Guildhall School of Music and Drama. As a Composer, Alfonso Montes has received numerous commissions and his works have been recorded and performed by important orchestras. Alfonso Montes performs regularly in concerts throughout the world as a member of the duo Montes-Kircher.

First Sonata on Shakespearean Characters Solo Guitar. Composed by Hans Werner Henze (1926-). Edited by Marco Minà. Guitar. Classical. Softcover. 48 pages. Duration 1500 seconds. Schott Music #GA580. Published by Schott Music

Composed by Carlos Gardel. Arranged by Jorge Omar Kohan. Saddle stitching. Classical. Ut Orpheus #CH 290. Published by Ut Orpheus

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern