Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.323200 (+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.323200
Lessons
for Lent. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Lent, Sacred.
Softcover. Duration 2100
seconds. Published by
Shawnee Press
(HL.323200).
ISBN
9781540070487. UPC:
888680978266.
8.5x11.0x1.334
inches.
Presented
in a new edition for the
20th anniversary of its
publication, this seminal
cantata is rich with
musical and spiritual
potential. Using simple
symbols of worship,
expressive music and a
sensitive narration by
Pamela Stewart, this work
is an unforgettable
experience for Holy Week.
A new SAB version and
special anniversary
consort orchestration
join the original
products to open the work
to groups of every size.
Only 30 minutes long, the
cantata is easily learned
and with Brant Adams'
gentle yet dramatic
orchestrations, Colors of
Grace will become a
treasured part of your
Holy Week commemoration.
Songs include: Prologue;
Take My Yoke Upon You; A
Servant's Song (The Basin
and Towel); Take My Yoke
Upon You (Lesson 1:
Service); Underscore: The
Cup; A Shadow Fell on
Sharon's Rose; Take My
Yoke Upon You (Lesson 2:
Obedience); Underscore:
The Crown of Thorns; O
Gentle Jesus; Take My
Yoke Upon You (Lesson 3:
Humility); Come to the
Cross; Epilogue. Score
and Parts for Orchestra
(fl 1-2, ob/eng hn, cl
1-2, bn, hn 1-2,
timp/bass dm, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as Printed
Edition and as a digital
download. Consort Score
and Parts (fl, cl, hn,
perc, pno, hp, vn, vc)
available as a digital
download.
Take Five Orchestre [Conducteur] - Facile Alfred Publishing
By Paul Desmond. Arranged by Bob Cerulli. By Paul Desmond / arr. Bob Cerulli. Fo...(+)
By Paul Desmond. Arranged
by Bob Cerulli. By Paul
Desmond / arr. Bob
Cerulli. For Full
Orchestra. Full
Orchestra. Intermediate
Full Orchestra. Level:
2.5 (grade 2.5).
Conductor Score. 16
pages. Duration 2:29.
Published by Alfred
Publishing.
Take Five Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Paul Desmond. Arranged by Bob Cerulli. By Paul Desmond / arr. Bob Cerulli. Fo...(+)
By Paul Desmond. Arranged
by Bob Cerulli. By Paul
Desmond / arr. Bob
Cerulli. For Full
Orchestra. Full
Orchestra. Intermediate
Full Orchestra. Level:
Easy to Medium Easy
(grade II-III). Conductor
Score and Parts. 48
pages. Duration 2:29.
Published by Alfred
Publishing.
Take Flight Orchestre [Conducteur] - Débutant Belwin
Orchestra - Grade 1.5 SKU: AP.45824S Composed by Patrick Roszell. Perform...(+)
Orchestra - Grade 1.5
SKU: AP.45824S
Composed by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Score. 12
pages. Duration 1:50.
Belwin Music #00-45824S.
Published by Belwin Music
(AP.45824S).
UPC:
038081529219.
English.
Brilliantl
y balancing lyrical and
rhythmic playing at a
fast tempo, this piece is
fun and will bring a
smile to all. The
bouncing accompaniments
and lyrical melodies will
remind students of
playing with a lively,
inquisitive pet, perhaps
as it bounces from flower
to flower in the park.
Take Flight was written
in remembrance of the
composer's beloved pet as
a celebration of the role
pets play in our lives.
(1:50).
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 88.
Duration 12 hours.
Baerenreiter Verlag
#BA10418_00. Published by
Baerenreiter Verlag
(BA.BA10418).
ISBN
9790006564644. 32.5 x
25.5 cm inches. Key: G
major. Preface: Jonathan
Del Mar.
The
performance material
available up till now for
Dvorákâ??s sun-filled
cheerful Symphony no. 8
has been notorious for
its myriad mistakes. The
challenge of correcting
it has now been taken
over by the editor
Jonathan Del Mar. He has
taken into account the
engraverâ??s copy, which
was actually discovered
in a trash bin at
Novelloâ??s in 1964. Its
title page bears the
words â??Copied from my
original manuscriptâ?
in Dvorákâ??s hand.
This source proves that
many of the readings
contained in the first
edition and faithfully
adopted in all subsequent
editions, were simply
slips of the copyistâ??s
pen.
This new
edition with score and
orchestral parts in an
enlarged format is
accompanied by a detailed
Critical Commentary on
the sources and
alternative readings. It
also contains important
facsimile pages to
clarify problematical
readings.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 1.5 SKU: AP.48071S Featuring Themes from Take Me Out...(+)
Orchestra - Grade 1.5
SKU: AP.48071S
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:30.
Alfred Music #00-48071S.
Published by Alfred Music
(AP.48071S).
UPC:
038081557601.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title
available in MakeMusic
Cloud.
Orchestra String Orchestra SKU: PE.EP14581 For String Orchestra. C...(+)
Orchestra String
Orchestra
SKU:
PE.EP14581
For
String Orchestra.
Composed by Clara
Iannotta. String
Orchestra. Peters
Contemporary Library.
Classical; Contemporary.
Book. 36 pages. Edition
Peters #98-EP14581.
Published by Edition
Peters (PE.EP14581).
ISBN
9790014137175.
<
em>Memory jolts. Flashes
of pink in the
brain. by Clara
Iannotta is a 17-minute
work for string
orchestra. Written for
the non bthvn project of
the Cologne Philharmonic,
the work reflects
Beethoven's hearing loss
and the unbearable
condition when his ears
began to buzz and roar.
The title describes the
memory jolts that take
place in the inner
ear.
Memory
jolts. Flashes of pink in
the brain. was
premiered by Ensemble
Resonanz on 31 October
2021 at the Philharmonic
Hall Cologne.
The
full score (EP 14581) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra - Grade 1.5 SKU: AP.48071 Featuring Themes from Take Me Out ...(+)
Orchestra - Grade 1.5
SKU: AP.48071
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 76 pages.
Duration 2:30. Alfred
Music #00-48071.
Published by Alfred Music
(AP.48071).
UPC:
038081557595.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title is
available in MakeMusic
Cloud.
Composed by Erik Satie (1866-1925). Arranged by Bob Phillips. Full Orchestra; Ma...(+)
Composed by Erik Satie
(1866-1925). Arranged by
Bob Phillips. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin
Beginning Full Orchestra.
20th Century; Masterwork
Arrangement; Romantic.
Part(s); Score. 120
pages. Duration 2:30.
Belwin Music #00-41198.
Published by Belwin Music
(AP.41198).
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Full orchestra SKU: LO.30-3406L Composed by Mary McDonald. Arranged by Ed...(+)
Full orchestra
SKU:
LO.30-3406L
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem,
Ascension, General, Lent.
Orchestral score and
parts. Lorenz Publishing
Company #30/3406L.
Published by Lorenz
Publishing Company
(LO.30-3406L).
UPC:
000308145601.
Mary
McDonald provides a
charming setting that
encourages believers to
keep Jesus close to their
hearts. The subdued yet
passionate beginning
leads to a powerful
conclusion filled with
praise for our Savior.
Jesus, Jesus, precious,
holy name! Jesus, joy of
heaven, praise His holy
name!.
Full orchestra SKU: LO.30-3407L Composed by Mary McDonald. Arranged by Ed...(+)
Full orchestra
SKU:
LO.30-3407L
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem,
Ascension, General, Lent.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3407L. Published by
Lorenz Publishing Company
(LO.30-3407L).
UPC:
000308145618.
Mary
McDonald provides a
charming setting that
encourages believers to
keep Jesus close to their
hearts. The subdued yet
passionate beginning
leads to a powerful
conclusion filled with
praise for our Savior.
Jesus, Jesus, precious,
holy name! Jesus, joy of
heaven, praise His holy
name!.
Orchestra (String) SKU: IS.OR7575EM Composed by Peter Knockaert. Ensemble...(+)
Orchestra (String)
SKU: IS.OR7575EM
Composed by Peter
Knockaert. Ensembles -
Orchestra. Metropolis
Music Publishers
#OR7575EM. Published by
Metropolis Music
Publishers (IS.OR7575EM).
ISBN
9790365075751.
The
future of our fragile
world is in our hands. As
Sir David Attenborough
stated on the Climate
Conference in Glasgow on
November, 1st, 2021: ...
We are already in
trouble. The stability we
all depend on is
breaking. This story is
one of inequality, as
well as instability.
Today, those
who’ve done the
least to cause this
problem, are being the
hardest hit. Ultimately,
all of us will feel the
impact, some of which are
now unavoidable. ...
We’re going to
have to learn together,
how to achieve this,
ensuring none are left
behind. We must use this
opportunity to create a
more equal world and our
motivation should not be
fear, but hope. ... . We
must be more caring about
the wonderful place we
live in... our unique
home: Planet Earth. This
music is both a shoutout
to take care of our
planet and a hymn to the
beauty of this place. The
composition is suited for
stage as well as for the
enjoyment in music school
orchestral practice.
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Orchestra (Soprano) SKU: PE.EP72932 For Soprano and Chamber Orchestra<...(+)
Orchestra (Soprano)
SKU: PE.EP72932
For Soprano and
Chamber Orchestra.
Composed by Sally
Beamish. Chamber
Orchestra. Peters
Contemporary Library.
Contemporary. Score. 56
pages. Edition Peters
#98-EP72932. Published by
Edition Peters
(PE.EP72932).
ISBN
9790577017945.
F
lodden by Sally Beamish
is a 28-minute work for
soprano and chamber
orchestra with texts by
R.S. Craig, Jean Elliot
and J.B. Selkirk, with
two interludes in
between. It was written
in 2013 for the 500th
anniversary of the
tragedy at Flodden Field,
a battle which led to
casualties and losses of
historic proportions.
Sally Beamish decided to
set the texts and to
write for soprano to
express the grief of
those left behind --
particularly the women
and children. The
orchestration throughout
the work is spare and
angular; characterized by
stark exposed solo lines,
nervy ornamentation, and
blurred string
textures.
Flodden
was commissioned by the
Scottish Chamber
Orchestra, supported with
funds from the PRS for
Music Foundation, RVW
Trust, Cruden Foundation
and Hope Scott Trust. It
was first performed in
September 2013 at
Hamilton Town House by
the Scottish Chamber
Orchestra, conducted by
Joseph Swensen, with
soprano soloist Shuna
Scott Sendall, and was
shortlisted for both a
Royal Philharmonic
Society and a British
Composer Award.
The
full score (EP 72932) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213048
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A213048.
Published by
LudwigMasters
Publications
(AP.36-A213048).
ISBN
9798892705271. UPC:
659359875526.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Full orchestra (Full Orchestra) SKU: EC.RBM-253 Composed by Randol Alan B...(+)
Full orchestra (Full
Orchestra)
SKU:
EC.RBM-253
Composed
by Randol Alan Bass.
Orchestra: Pops,
Orchestra: Short Work.
21st Century. Full score.
Randol Bass Music
#RBM-253. Published by
Randol Bass Music
(EC.RBM-253).
Casey
at the Bat was
commissioned in 2001 by
the Dallas Symphony
Orchestra as a part of
their Americana concert
series from that season.
The work is a colorful
and highly descriptive
narrative setting of the
famous poem, “Casey at
the Bat” by Ernest
Lawrence Thayer, first
published in an 1885
edition of The San
Francisco
Chronicle.(The
poetry has been slightly
paraphrased from the
original to replace some
arcane terminology.)This
composition was conceived
in a distinctly
cartoonish style –
reminiscent of the
orchestral music so
masterfully created by
Carl Stalling and other
great film score writers
during the Golden Age of
the animated short. In
addition to brief quotes
from Till
Eulenspiegel of
Richard Strauss, the
melody from Take Me
Out to the Ballgame
(Tilzer-Norworth) is
interpolated throughout
the fabric of the piece
(although the lyrics are
never sung).The first
performance of this work
took place during the
Spring of 2001, under the
baton of Richard Kaufman
and featuring Pat Sajak
as narrator of the
well-known poem.Audio
excerpts from a matchless
narrative performance of
this piece by
Shakespearean actor Sir
Derek Jacobi (with the
National Symphony of
London and the composer
conducting) are included
below for perusal
purposes. The full
performance may be
purchased as an audio
file from Kodanja
Records of Dallas,
TX. ( dur: 8’
)
By Per Norgard. For Orchestra (Score). Music Sales America. 20th Century. 132 pa...(+)
By Per Norgard. For
Orchestra (Score). Music
Sales America. 20th
Century. 132 pages.
Edition Wilhelm Hansen
#WH29399. Published by
Edition Wilhelm Hansen
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.