Orchestra SKU: UT.MC-59A Composed by Muzio Clementi. Edited by Manuel De ...(+)
Orchestra
SKU:
UT.MC-59A
Composed by
Muzio Clementi. Edited by
Manuel De Col and
Massimiliano Sala.
Paperback (Soft Cover).
Muzio Clementi Opera
Omnia. Classical. Score.
Ut Orpheus #MC 59A.
Published by Ut Orpheus
(UT.MC-59A).
Orchestra SKU: UT.MC-56A Composed by Muzio Clementi. Edited by Manuel De ...(+)
Orchestra
SKU:
UT.MC-56A
Composed by
Muzio Clementi. Edited by
Manuel De Col and
Massimiliano Sala.
Paperback (Soft Cover).
Muzio Clementi Opera
Omnia. Classical. Score.
Ut Orpheus #MC 56A.
Published by Ut Orpheus
(UT.MC-56A).
(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-184...(+)
(Chopin National Edition
33 B Vol. VIIIa).
Composed by Frederic
Chopin (1810-1849).
Edited by Jan Ekier and
Pawel Kaminski. For
Orchestra (Study Score).
PWM. 110 pages. Polskie
Wydawnictwo Muzyczne
#51600911. Published by
Polskie Wydawnictwo
Muzyczne
Orchestra (Score) - advanced SKU: HL.49002109 Set of Parts. Compos...(+)
Orchestra (Score) -
advanced
SKU:
HL.49002109
Set of
Parts. Composed by
Carl Philipp Emanuel
Bach. Edited by Walter
Lebermann. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. Composed
1773. 74 pages. Duration
11'. Schott Music
#CON8-70. Published by
Schott Music
(HL.49002109).
ISBN
9790001021050. UPC:
073999473391.
8.5x11.75x0.2
inches.
Among his
orchestral works, the
symphonies (Wq 182) are
certainly those with
which C.Ph.E. Bach
advances farthest into
new ground in music.
Contrast and surprise as
well as the permanent
change of affections are
the essential principles
of this music.
By Carl Philipp Emanuel Bach (1714-1788). Edited by Gunter Graulich. For orchest...(+)
By Carl Philipp Emanuel
Bach (1714-1788). Edited
by Gunter Graulich. For
orchestra. Complete
orchestral parts.
Italian. Duration 17.
Published by Carus Verlag
Orchestra SKU: CA.1232519 Composed by Emanuel Schmidt. Complete orchestra...(+)
Orchestra
SKU:
CA.1232519
Composed
by Emanuel Schmidt.
Complete orchestral
parts. Folk songs and
settings of folk songs.
Set of Orchestra Parts.
Carus Verlag #CV
12.325/19. Published by
Carus Verlag
(CA.1232519).
ISBN
9790007140007.
Scor
e and parts available
separately - see item
CA.1232500.
Orchestra SKU: BR.EOS-1527 Score with basso continuo. Composed by ...(+)
Orchestra
SKU:
BR.EOS-1527
Score
with basso continuo.
Composed by William
Boyce. Orchestra;
Softbound. Eulenburg
Orchestral Series.
Symphony;
Baroque. Score with
continuo realization. 172
pages. Breitkopf and
Haertel #EOS 1527.
Published by Breitkopf
and Haertel
(BR.EOS-1527).
ISBN
9790004786475. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by H. C. Robbins Landon....(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by H.
C. Robbins Landon. For
orchestra. This edition:
Complete edition, Urtext
edition. Linen. New
Mozart Edition. Series
IV, Volume 11/9.
Musikhandschriften,
Klassik (Manuscripts,
Classical). Score,
Anthology. 268 pages.
Published by Baerenreiter
Verlag
Orchestra (Orchestra) SKU: BA.BA04558-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04558-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut Mahling
and Friedrich Schnapp.
This edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 6. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04558_01.
Published by Baerenreiter
Verlag (BA.BA04558-01).
ISBN 9790006450619. 33
x 26 cm inches.
The
New Mozart Edition offers
researchers a
musicologically
unimpeachable text based
on all the available
sources (first and
foremost Mozart's
autograph manuscripts).
At the same time, it also
serves as an aid to
authentic
performances.
The
principal Series I to IX,
containing Mozart's
actual oeuvre, appeared
between 1956 and 1991.
They are regarded as a
supreme achievement of
Mozart scholarship in our
time; modern performances
of Mozart's music are
unthinkable without them.
The important
supplementary volumes
shed fresh and
illuminating light on
neglected aspects of
Mozart's creative work,
such as his activities as
a teacher or as an
arranger of other
composer's works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Study Score) SKU: HL.132243 Chopin National Edition. Co...(+)
Orchestra (Study Score)
SKU: HL.132243
Chopin National
Edition. Composed by
Frederic Chopin. Edited
by Jan Ekier and Pawel
Kaminski. PWM. Classical.
Study Score. Polskie
Wydawnictwo Muzyczne
#51600913. Published by
Polskie Wydawnictwo
Muzyczne (HL.132243).
UPC:
884088970772.
Piano
concertos combine two
elements: pure playing
and full poetic
expression. Virtuosity
and romance. Pianistic
brilliance, educated in
the works in the stile
brillant, brought to
perfection, but at the
same time - a farewell.
Both are forms of direct
expression of the
personality of the
composer, which showed
itself in them for the
first time with so much
strength and is
manifested in a group of
characteristics of
forming Chopin's
individual style. Piano
Concerto in F minor In
terms of size,
substantially smaller
than the E minor concerto
and also a different kind
of expression: more
lyrical, drawn in
delicate pastel colours.
Especially famous is the
second movement, the
Larghetto, which Chopin
wrote under the
inspiration of his first
love. Critical
source-edition edited by
Jan Ekier and Pawel
Kaminski based on
manuscripts, copies
approved by Chopin
himself, and first
editions. Its purpose is
to present the works of
Chopin in authentic
form.
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:81. Duration 12
hours. Baerenreiter
Verlag #BA10983_00.
Published by Baerenreiter
Verlag (BA.BA10983).
ISBN 9790006565573. 31
x 24.3 cm inches. Key: G
major. Preface: Armin
Raab.
Haydn’
s Symphony in G major
Hob. I:81 comes from a
series of three
symphonies completed in
late 1784 (nos. 81, 80
and 79, presumably in
that order). No autograph
score survives for Hob.
I:81, thus our Urtext
edition is based on
copyists’
manuscripts and first
editions. As with so many
of his symphonies, Haydn
wrote this one to provide
new music for his
employer, Prince Nikolaus
Esterházy.
Cont
inuing the collaboration
between Bärenreiter
and the G. Henle
publishing company
regarding Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Bärenreiter has now
published the complete
performance material for
several Sturm und Drang
symphonies and all the
London and Paris
symphonies (Nos. 81 to
104).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Edited by Dennis Alexander, Morton Manus, Gayle Kowalchyk, E. L. Lancaster, Vict...(+)
Edited by Dennis
Alexander, Morton Manus,
Gayle Kowalchyk, E. L.
Lancaster, Victoria
Mcarthur, and Martha
Mier. Homeschool
Resources;
Method/Instruction; Piano
- Alfred's Premier Piano
Course; Resources.
Alfred's Premier Piano
Course. Instructional and
Method. Instructional
book. 64 pages. Alfred
Music #00-25726.
Published by Alfred Music
(AP.25726).
By Samuel Applebaum. For Teacher's Manual. String Orchestra Method/Supplement. B...(+)
By Samuel Applebaum. For
Teacher's Manual. String
Orchestra
Method/Supplement. Belwin
Course for Strings. Book.
84 pages. Published by
Alfred Publishing.
By Samuel Applebaum. For Teacher's Manual. String Orchestra Method/Supplement. B...(+)
By Samuel Applebaum. For
Teacher's Manual. String
Orchestra
Method/Supplement. Belwin
Course for Strings. Book.
72 pages. Published by
Alfred Publishing.
By Samuel Applebaum. For Teacher's Manual. String Orchestra Method/Supplement. B...(+)
By Samuel Applebaum. For
Teacher's Manual. String
Orchestra
Method/Supplement. Belwin
Course for Strings. Book.
80 pages. Published by
Alfred Publishing.
![Sinfonia [No. 1] Op-sn 34 in C Major (WO 32)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw95c33be4/images/7599/18477599_cover-large_file.png)
