Orchestra SKU: FG.042-08726-8 Composed by Einojuhani Rautavaara. Score. P...(+)
Orchestra
SKU:
FG.042-08726-8
Composed by Einojuhani
Rautavaara. Score.
Published by Fennica
Gehrman (FG.042-08726-8).
ISBN
979-0-042-08726-8.
This work was written in
1976-77 for the Stockholm
Organ Festival. The
coupling of a symphonic
wind band with its
acoustical twin, the
organ, enlargens their
acoustic spectrum many
times over and has
permitted the composer to
create exciting worlds of
sound.
Hawkes
Pocket Scores 1538.
Composed by Gerald Finzi.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 120 pages.
Boosey & Hawkes
#M060130410. Published by
Boosey & Hawkes
(HL.48024085).
ISBN
9781784541224. UPC:
888680712150.
8.25x11.75x0.398 inches.
Hawkes Pocket Scores
1538.
First
publication of Finzi's
orchestral versions of:
Lo, the full, final
sacrifice op 26 -
festival anthem for
chorus & orchestra
(14 minutes); Magnificat
op 36 - for soloists (ad
lib), chorus &
orchestra (9 minutes);
God is gone up op 27 -
anthem for chorus, string
orchestra & organ (4
minutes); Let us now
praise famous men op 35 -
choral song for tenors
& basses (or sopranos
& altos), string
orchestra & piano (3
minutes). The first three
works as listed are, in
their original organ
versions, established in
the English cathedral
repertoire. Lo, the full,
final sacrifice was
orchestrated for the 1947
Gloucester Three Choirs
Festival, thus bringing
the work into the
mainstream British choral
society repertoire. The
preface by Andrew Burn
(Finzi Trust) gives
details of the
commission, composition
and orchestration of each
work.
(For Soli, Choir, Organ, Orchestra or Choir and Organ). By Hans Klier. For orche...(+)
(For Soli, Choir, Organ,
Orchestra or Choir and
Organ). By Hans Klier.
For orchestra. Choral
music. Sacred. Orchestral
part. Op. 250. Published
by Doblinger Music
Publishers . orchestral
part. sacred.
(Commissioned by the 1984 Los Angeles Olympic Organizing Committee) Composed by ...(+)
(Commissioned by the 1984
Los Angeles Olympic
Organizing Committee)
Composed by John
Williams. For orchestra.
Format: full score
(spiral bound). With full
score notation and
introductory text. 20th
Century. Series: John
Williams Signature
Edition. 23 pages.
10.5x14 inches. Duration
3m50s. Published by Hal
Leonard.
Orchestra SKU: AP.12-0571572316 Composed by Carl Vine. Full Orchestra; Ma...(+)
Orchestra
SKU:
AP.12-0571572316
Composed by Carl Vine.
Full Orchestra;
Masterworks; Performance
Music Ensemble; Single
Titles. Faber Edition.
Form: Concerto. 20th
Century; Masterwork.
Score. Faber Music
#12-0571572316. Published
by Faber Music
(AP.12-0571572316).
ISBN 9780571572311.
English.
Carl
Vine's Concerto for
Orchestra was premiered
to critical acclaim by
the West Australian
Symphony Orchestra in
October 2014. Vine
describes the way the
20-minute work (like his
recent piano trio The
Village) evolves
organically through a
chain of episodes to
create a web of melodies
and harmonies that are
related, but not
identical. This network
of ideas is tied together
by strong lateral bonds
but remains fluid and
flexible, creating a
series of fleeting
glimpses---what Prokofiev
called visions
fugitives---abstract
patterns glimpsed in the
half-light or imagined
behind clouds.
Orchestra (2.0.0.0/0.0.0.0,org,str, hp solo) SKU: TM.13814SET Composed by...(+)
Orchestra
(2.0.0.0/0.0.0.0,org,str,
hp solo)
SKU:
TM.13814SET
Composed
by George Frideric
Handel. Set Type: D. Set
of parts. Lucks Music
Library #A8130. Published
by Lucks Music Library
(TM.13814SET).
Sol (no pf).
Ed. by Best, Gudger.
Score = Barenreiter; Set
= Barenreiter Reprint.
This organ part is part
of the continuo and not
the organ solo.
Cello/Bass. See #00227
for Organ Concerto
version.
Composed by Helmut
Lachenmann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library). Music
post-1945; New music
(post-2000). Full score.
Composed 2003/04. 108
pages. Duration 25'.
Breitkopf and Haertel #PB
5435. Published by
Breitkopf and Haertel
(BR.PB-5435).
ISBN
9790004212820. 11.5 x
16.5 inches.
Meine
eigene neue
Orchesterkomposition hat
den Titel ,,SCHREIBEN.
Die praktische Aktion des
Schreibens, als
mechanisches Einwirken
per Hand, Stift, Pinsel,
auf eine Flache (Papier,
Pergament, Stein etc.),
ausgelost und gesteuert
von einem kommunikativen
Bedurfnis und, bei aller
Spontaneitat, beherrscht
durch die Regeln von
Schrift und Sprache, ist
fur mich einer der
geheimnisvollsten
Vorgange im
zwischenmenschlichen
Alltag, bei dem
menschlicher Geist und
tote Materie einander
begegnen: Gedanken bzw.
Gedachtes werden auf
einer Flache - Papier,
Pergament, Stein -
festgehalten, ihr
sozusagen anvertraut. Und
auf diesem Umweg uber
Sprache, Schrift und
Gravur begegnen sie dem
Geist des lesenden oder
entziffernden
Mitmenschen. Als
Komponist aber frage ich:
gibt es auch einen
anderen
Kausalitatszusammenhang,
gibt es z. B. ein
,,autonomes Schreiben,
eine sinn-freie
Zeichengebung, durch
entfesselte, losgelassene
Fortbewegung der
schreibenden Hand, wo der
Schreibende seinem
eigenen Schreiben nur
noch staunend zusieht?
Werden nicht in Japan
Bilder, auch ,,abstrakte,
geschrieben??? (In einem
Underground-Film der
70er-Jahre uber den
jungen Mozart sieht sich
der Zuschauer versetzt in
ein Zimmer eines
italienischen Gasthauses,
in dem der junge
durchreisende Mozart am
Tisch eilig die
Rezitative einer seiner
italienischen Opern zu
Papier bringt. Mehr als
eine Viertelstunde lang
sind wir dabei, horen
nicht die entstehende
Musik, sondern das
nervose Kratzen der Feder
auf dem groben
Notenpapier in
nachmittaglicher Stille -
nur der gleichmassige
Pendelschlag der Wanduhr
ist noch zu horen -, und
wir erleben diese
sekundare Klangwelt kaum
weniger intensiv als
nachher andere Horer die
dabei stumm entstehende
Musik.) Das Orchester in
meinem Stuck ,,schreibt.
Es fugt Strich zu Strich,
versteht sich selbst als
eine Art vielfaltiges
,,Schreib-Gerat. Wir als
Horer lesen nicht das
,,Geschriebene, aber wir
horen den Vorgang des
Schreibens, den
Bogenstrich, die Bewegung
des scharrenden Holzstabs
auf Fell oder Tamtam, und
wir beobachten dessen
Imitation bzw.
Transformation durch -
zeitweise auch tonlos -
sich zu linearen
Gestalten verbindende
Blasinstrumente als eine
Art klingender
Schreib-Zeremonie. Es
ergibt sich eine Musik,
die gelegentlich ihren
gedanklichen
Ausgangspunkt vergisst
und sich als autonome
Klang-Situation
fortentwickelt und
verwandelt, und die
schliesslich im hochsten
Register eine Art
,,Kantilene be-schreibt.
Wer das deutsche Wort
,,Schreiben (engl. ,,to
write) schreibt, der
schreibt dabei auch
unweigerlich das Wort
,,Schrei (engl. ,,shout),
und er schreibt auch das
Wort ,,reiben (engl. ,,to
rub). So emotional der
erste Begriff gedacht
werden kann, so
nuchtern-praktisch ist
der zweite. Von beiden
Aspekten, samt ihrer
Gegensatzlichkeit, ist
mein Stuck gepragt.
(Helmut Lachenmann,
2003)
Orchestra SKU: FG.042-08349-9 Composed by Usko Merilainen. Score. Publish...(+)
Orchestra
SKU:
FG.042-08349-9
Composed by Usko
Merilainen. Score.
Published by Fennica
Gehrman (FG.042-08349-9).
ISBN
979-0-042-08349-9.
The third symphony is a
cornerstone of Finnish
orchestral writing and a
seminal work in Usko
Merilainen's output. It
opens with two motivic
embryos which are
submitted to the
'character metamorphosis'
for which Merilainen is
well known. It took 2nd
Prize in the competition
organised to mark the
inauguration of Finlandia
Hall.
Orchestra organ solo and orchestra SKU: PE.EP66918 For Organ Solo and ...(+)
Orchestra organ solo and
orchestra
SKU:
PE.EP66918
For
Organ Solo and
Orchestra. Composed
by William Albright. Full
Orchestra (Full Score);
Performance Music
Ensemble; Single Titles.
Edition Peters. 20th
Century. Score. 48 pages.
Duration 15 minutes.
Edition Peters
#98-EP66918. Published by
Edition Peters
(PE.EP66918).
ISBN
9790300731872.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Composed by Martin Luther (1483-1546). Arranged by Rich Heffler. For orchestra w...(+)
Composed by Martin Luther
(1483-1546). Arranged by
Rich Heffler. For
orchestra with piano and
organ (flute, oboe,
clarinet, bassoon, 2
horns, alto sax (doubles
horn 1), tenor sax
(doubles horn 2), 2
trumpets, 2 trombones,
violin I/II, viola,
cello, double bass, piano
and organ (synthesizer)).
Sacred. Level 4. Score
and set of parts.
Published by Rich Heffler
Music
Full orchestra SKU: LO.30-3818L Composed by Megan H. Morgan. Choral. Sacr...(+)
Full orchestra
SKU:
LO.30-3818L
Composed
by Megan H. Morgan.
Choral. Sacred Anthem.
Orchestral score and
parts. Lorenz Publishing
Company #30/3818L.
Published by Lorenz
Publishing Company
(LO.30-3818L).
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
SATB
Soloists, SATB Choir,
Orchestra. Composed
by Wolfgang Amadeus
Mozart. Arranged by Franz
Xaver Sü, Josef
Leopold Edler von Eybler,
Masato Suzuki, and mayr.
Study Score. Classical.
Softcover. Duration 3000
seconds. Schott Music
#SJ304. Published by
Schott Music
(HL.49046839).
Orchestra SKU: TM.01358SET Composed by Antonio Vivaldi. Edited by Schroed...(+)
Orchestra
SKU:
TM.01358SET
Composed
by Antonio Vivaldi.
Edited by Schroeder. Set
Type: D. Set of parts.
Lucks Music Library
#A7836. Published by
Lucks Music Library
(TM.01358SET).
Ed. by
Seiffert; organ and
cembalo (reduction) on
same part.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
