Orchestra - intermediate to advanced SKU: HL.49013774 Set of Parts...(+)
Orchestra - intermediate
to advanced
SKU:
HL.49013774
Set of
Parts. Composed by
Giovanni Battista Viotti.
Edited by Walter
Lebermann. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. 154 pages.
Duration 18'. Schott
Music #CON 158-50.
Published by Schott Music
(HL.49013774).
ISBN
9790001024211.
9.0x12.0x0.408
inches.
It is
elegance and brilliance
that characterize this
work by the violin master
whose French form type
takes up the essential
music tendencies of that
time coming from
Mannheim, Paris and
Italy. Violin and string
orchestra; 2 oboes and 2
horns ad lib.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 3 SKU: AP.31623S Composed by Randy Sabien. MakeMusic Cl...(+)
Orchestra - Grade 3
SKU: AP.31623S
Composed by Randy Sabien.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Jazz; Light
Concert; Novelty. Score.
12 pages. Highland/Etling
#00-31623S. Published by
Highland/Etling
(AP.31623S).
UPC:
038081353234.
English.
As heard
on the composer's
recordings, this eerie
jazz tune will challenge
and thrill the players!
Based on a twelve-bar
blues progression with a
twist, each section takes
a solo. Solos are written
out or may be improvised.
Encourage the players to
use special effects, as
in another dimension.
It's okay for a variety
of sounds to emerge!
(3:35) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.44816 Including: My Old Kentucky Home / Ma...(+)
Orchestra - Grade 3
SKU: AP.44816
Including: My Old
Kentucky Home / Maryland,
My Maryland / New York,
New York. Arranged by
Dorothy A. Straub.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley.
Traditional. Score and
Part(s). 146 pages.
Duration 6:30. Alfred
Music #00-44816.
Published by Alfred Music
(AP.44816).
UPC:
038081515533.
English.
This
piece, arranged by
Dorothy Straub,
celebrates the excitement
of a very short horse
race. Using songs that
are sung before each of
the three races---songs
of Kentucky, Maryland,
and New York---the
orchestra takes on the
role of the winning
horse, with the
accelerando being the
final race to the finish
line. Though timely now
that the amazing horse,
American Pharaoh, won the
Triple Crown in June of
2015, this piece was
written prior to that
event to celebrate all
the horses that compete.
(6:30).
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler...(+)
Orchestra
SKU:
BR.SON-511
Orchestermusik.
Composed by Hanns Eisler.
Edited by Knud Breyer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 248 pages.
Breitkopf and Haertel
#SON 511. Published by
Breitkopf and Haertel
(BR.SON-511).
ISBN
9790004803448. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra - Grade 3 SKU: AP.44816S Including: My Old Kentucky Home / M...(+)
Orchestra - Grade 3
SKU: AP.44816S
Including: My Old
Kentucky Home / Maryland,
My Maryland / New York,
New York. Arranged by
Dorothy A. Straub.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley.
Traditional. Score. 16
pages. Duration 6:30.
Alfred Music #00-44816S.
Published by Alfred Music
(AP.44816S).
UPC:
038081515540.
English.
This
piece, arranged by
Dorothy Straub,
celebrates the excitement
of a very short horse
race. Using songs that
are sung before each of
the three races---songs
of Kentucky, Maryland,
and New York---the
orchestra takes on the
role of the winning
horse, with the
accelerando being the
final race to the finish
line. Though timely now
that the amazing horse,
American Pharaoh, won the
Triple Crown in June of
2015, this piece was
written prior to that
event to celebrate all
the horses that compete.
(6:30).
Dirigierpartitur. Composed by James Horner (1953-2015). This edition: Paperbac...(+)
Dirigierpartitur.
Composed by
James Horner (1953-2015).
This
edition:
Paperback/Softcover.
Sheet music. Study score.
Composed 1982 (2021).
Omni
Music Publishing #OMNI
79553.
Published by Omni Music
Publishing
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Todd Parrish.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Folk;
Traditional. Score. 12
pages. Duration 2:45.
Highland/Etling
#00-44855S. Published by
Highland/Etling
(AP.44855S).
UPC:
038081518633. English.
Traditional.
As far
as authentic American
fiddle tunes go, it
doesn't get much better
than Sally Goodin. This
arrangement by Todd
Parrish takes the
listener through many
standard variations in
both major and minor
keys. All sections get a
turn at the melody, while
the bass maintains a
traditional pizzicato
bluegrass bass line.
(2:45) This title is
available in MakeMusic
Cloud.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Mamma Mia! Medley Orchestre [Conducteur et Parties séparées] Alfred Publishing
Arranged by Gary Fry. Orchestra. Full Orchestra; Part(s); Score. Professional Or...(+)
Arranged by Gary Fry.
Orchestra. Full
Orchestra; Part(s);
Score. Professional
Orchestra Series. Form:
Medley. Movie. 6 . 239
pages. Published by
Alfred Music Publishing
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 3 SKU: AP.44849S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 3
SKU: AP.44849S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Novelty.
Score. 20 pages. Duration
3:45. Highland/Etling
#00-44849S. Published by
Highland/Etling
(AP.44849S).
UPC:
038081520148.
English.
Put all
those extra-curricular
sounds your students like
to make on their
instruments to good use
in this fun and
entertaining novelty
selection. Your audience
will laugh out loud as
each section takes a turn
adding an unusual sound
to a simple dance in 3/4
time. As the piece
progresses the counting
gets more and more
challenging, keeping all
of your students on their
toes. There's even a part
for a solo vocalist to
show off their screaming
and gargling skills!
(3:45).
Orchestra - Grade 4 SKU: AP.42061S Composed by Brendan Mcbrien. Full Orch...(+)
Orchestra - Grade 4
SKU: AP.42061S
Composed by Brendan
Mcbrien. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form:
Overture. Score. 32
pages. Highland/Etling
#00-42061S. Published by
Highland/Etling
(AP.42061S).
UPC:
038081484006.
English.
Depicting
stunning points of
interest, the history,
and the geology from
southern Orange County,
California, this piece
takes the listener on a
musical tour of three of
the composer's favorite
places. Students and
audiences will enjoy the
strong, confident themes,
and lush colorful writing
in this original work.
(3:10) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.43788S Composed by Chris M. Bernotas. Perform...(+)
Orchestra - Grade 3
SKU: AP.43788S
Composed by Chris M.
Bernotas. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Multicultural.
Score. 8 pages. Duration
2:00. Belwin Music
#00-43788S. Published by
Belwin Music (AP.43788S).
UPC: 038081496627.
English.
This
appealing tango is full
of drama and passion,
with an aggressive, dark
theme and strong rhythm.
Each member of the
ensemble gets a moment in
the spotlight and will
surely enjoy achieving
the challenges of their
part. The melody,
countermelody, and tango
rhythm will have them
dancing! (2:00).
A Celtic Christmas
Medley (Featuring: The
Sussex Carol / Good
Christian Men, Rejoice /
A Merry Christmas).
Composed by David
Giardiniere. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Medley.
Christmas; Folk; Sacred;
Winter. Score. 16 pages.
Belwin Music #00-40503S.
Published by Belwin Music
(AP.40503S).
UPC:
038081478678.
English.
This
festive medley combines
three joyful melodies
into a cheerful Celtic
tapestry. Centering on
The Sussex Carol, it also
takes the listener on a
colorful romp through
Good Christian Men,
Rejoice, as well as an
Irish fiddle tune
entitled A Merry
Christmas. The work can
be performed with strings
alone, but the addition
of hand drum, guitar, and
whistle give a
distinctive fiddle band
sound without
significantly increasing
rehearsal preparation.
This title is available
in MakeMusic Cloud.
Summer Dances Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
Composed by Brian Balmages. For symphony orchestra. Orchestra. FJH Symphony Orch...(+)
Composed by Brian
Balmages. For symphony
orchestra. Orchestra. FJH
Symphony Orchestra. Grade
4.5. Score and set of
parts. Duration 6
minutes. Published by The
FJH Music Company Inc
Composed by Thom Sharp.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Rondo.
Score. 12 pages. Duration
3:00. Highland/Etling
#00-44850S. Published by
Highland/Etling
(AP.44850S).
UPC:
038081518534.
English.
This
original work by Thom
Sharp is an energetic
adventure-themed rondo in
which every section takes
the lead heading off into
the horizon looking for
adventure. The rhythm of
the A theme is used for
new melodies in the
contrasting sections,
either in its original
form or starting on a
different beat to create
a new, yet familiar,
rhythm. The last
iteration of the A melody
employs augmentation. All
of these devices provide
ample opportunity for
instructing students in
form and structure and
provide for efficient
rehearsal time!
(3:00).
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra
SKU:
BR.SON-506
Kammersymphonie
op.69. Composed by
Hanns Eisler. Edited by
Tobias Fasshauer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 148 pages.
Breitkopf and Haertel
#SON 506. Published by
Breitkopf and Haertel
(BR.SON-506).
ISBN
9790004802779. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Als...(+)
Orchestra
SKU:
BR.SON-508
Filmmusik zu The
Grapes of Wrath/Hangmen
Also Die. Composed by
Hanns Eisler. Edited by
Johannes C. Gall.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 508. Published by
Breitkopf and Haertel
(BR.SON-508).
ISBN
9790004803301. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Composed by Chris M. Bernotas. Part(s); Score; SmartMusic; String Orchestra. Sou...(+)
Composed by Chris M.
Bernotas. Part(s); Score;
SmartMusic; String
Orchestra. Sound
Innovations for String
Orchestra. 148 pages.
Published by Alfred Music
(AP.41244).
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra
SKU:
BR.SON-509
Filmmusik zu Nuit et
brouillard. Composed
by Hanns Eisler. Edited
by Knud Breyer and Oliver
Dahin. Hardback. Complete
Works. Early modern;
Music post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 509. Published by
Breitkopf and Haertel
(BR.SON-509).
ISBN
9790004803318. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra (Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar...(+)
Orchestra (Solo Bar, Coro
SATB (divisi), Big Band
(S-/A-Sax, A-Sax, 2
T-Sax, Bar-Sax, BClt, 5
Tr, 4 Trb, Pfte, Git, Cb,
Perc, [2 Fl, 2 Clt])) -
Level 4
SKU:
CA.2801003
Composed
by Wolfram Buchenberg.
Vocal score. Duration 32
minutes. Carus Verlag
#2801003. Published by
Carus Verlag
(CA.2801003).
ISBN
9790007296629.
Latin.
An
absolutely thrilling
setting of the mass,
influenced by Latin jazz,
for large chorus, big
band, and baritone. The
composer takes as his
theme people's
deep-seated fear and its
overcoming through faith.
Suitable for concert or
equally for liturgical
performance
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 2 SKU: AP.40412S Composed by Bob Cerulli. MakeMusic Clo...(+)
Orchestra - Grade 2
SKU: AP.40412S
Composed by Bob Cerulli.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Folk; Light
Concert; Multicultural.
Score. 8 pages. Belwin
Music #00-40412S.
Published by Belwin Music
(AP.40412S).
UPC:
038081451107.
English.
The upbeat
and happy melodic and
rhythmic feel of the
calypso style will
capture the hearts of
your ensemble.
Opportunities for
audience participation,
arco and pizzicato
playing as each section
takes a turn with the
melody, and unison
sections will challenge
them as well. This title
is available in MakeMusic
Cloud.
Orchestra full orchestra - Grade 3 SKU: KJ.O1057C Composed by Katherine W...(+)
Orchestra full orchestra
- Grade 3
SKU:
KJ.O1057C
Composed by
Katherine Wolf Punwar.
String Tracks. Score and
parts. Neil A. Kjos Music
Company #O1057C.
Published by Neil A. Kjos
Music Company
(KJ.O1057C).
Tintinabulation
s is a light novelty
piece containing the
stylistic variations from
the familiar holiday song
Jingle Bells. The first
portion of the piece goes
back in time to the early
1800's and adopts the
style of Gioacchino
Rossini. This it seques
to the elegance of waltz
music from the days of
the Strauss family.
Progressing into the
twentieth century, Jingle
Bells becomes a jazzy
delight featuring a
special tuba solo. As the
piece comes to a climatic
ending, the familiar
melody takes on the
lively sound of
Country-Western music.
With bells in the
background throughout
most of the piece, the
definition of
tintinabulations comes to
mind; the ringing sound
of bells.
1812 Overture Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Belwin
(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Je...(+)
(Op. 49). By Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Masterworks;
Part(s); Score. Belwin
Concert Full Orchestra.
Form: Overture;
Transcription. Masterwork
Arrangement; Romantic.
Grade 4. 214 pages.
Published by Belwin
Publishing