Par PHILLIPS BOB. A cute, pedagogically-based (get it'), first-year bass section feature, this piece will be fun and is sure to make your beginners sound fabulous. This piece is in first position for all players except basses. Basses shift up to C and D on the G string and only play pizzicato. Continuing Bob Phillips' tradition of bass section features, Dance of the Bowless Basses is sure to become an integral part of your standard repertoire! Correlated to Sound Innovations, Book 1, Level 5. (2:00) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Note by the composer:'Triple Quartet is for string quartet and two pre-recorded quartets, or three live string quartets with no pre-recording. The piece is in three movements, fast-slow-fast, and is organized harmonically on four dominant chords in minor keys a minor third apart: E minor, G minor, Bb minor, C# minor and then returning to E minor to form a cycle.The first movement goes through this harmonic cycle twice with a section about one minute long on each of the four dominat chords. The result is a kind of variation form. Rhythmically the first movement has the second and third quartet playing interlocking chords while the first quartet plays longer melodies in canon between the first violin and viola against the second violin and cello. The slow movement is more completely contrapuntal with a long slow melody in canon eventually in all 12 voices. It stays in E minor throughout. The third movement resumes the original fast tempo, maintains the harmonic chord cycle but modulates back and forth between keys more rapidly. The final section of the movement is in the initial key of E minor and there the piece finally cadences.? Steve Reich, 1999 / Orchestre A Cordes

The poem and original hymn-like music of 'Lift Every Voice and Sing,' by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the 'African-American National Anthem.' This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is included in the reproducible educational packets. The cross-curricular programming possibilities are vast. (2:40) / Orchestre A Cordes

This stylish all-pizzicato dance written by Doug Spata for late beginner orchestras will delight students and audiences. The notes and rhythms may be simple, but the bubbly melodies in each part provide fun fingering challenges. A call-and-response section in the middle develops listening skills, and teachers will value the left-hand workout, reading skills, and experience with dynamic changes that this piece promotes. (1:50) / Orchestre A Cordes

Par SPATA DOUG. Beginning string students will have a diabolically good time with this all-pizzicato selection. Gleefully sinister melodies pass between all sections and simple quarter and half note accompaniment parts help keep everyone together. The optional piano accompaniment sets the pace with even 8th notes, helping young players subdivide their rhythms. Part independence and note range are minimized while doubling and repetition are emphasized, making this an easy piece for kids to master. Midnight Mischief by Doug Spata is a fun piece that kids will love to play while supporting essential ensemble playing and listening skills. (2:05). / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

New edition of the full score of this 8-minute work composed in 1928. Highly passionate in character and rich in its melodic invention, Finzi's writing here is characteristically open-hearted and approachable. From the stillness of the opening, the music unfolds, reaching a peak of intensity before returning to its roots.This miniature is a string orchestral gem to set alongside Elgar's Introduction and Allegro. / Orchestre A Cordes

Attention thrill-seekers! Invite your orchestra and audience to step aboard the 'Millennium Cyclone' roller coaster, and take off on a wild ride! Filled with twists, turns, ups, and downs---and even a moment to catch your breath. Here's an original piece by Andrew H. Dabczynski that will delight and challenge intermediate string players. It's also a chance to introduce repeated 16th note figures and dramatically contrasting dynamics - this one is a sure 'must ride!' (3:30) / Orchestre A Cordes