Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
Breitkopf
and Haertel #EB-9340.
Published by Breitkopf
and
Haertel
Violin and piano - advanced SKU: HL.49045998 For Violin and Piano....(+)
Violin and piano -
advanced
SKU:
HL.49045998
For
Violin and Piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2018. 44 pages.
Duration 13'. Schott
Music #ED 30262.
Published by Schott Music
(HL.49045998).
ISBN
9781540034960. UPC:
888680790998.
9.0x12.0x0.142
inches.
In The
Diamond Sutra, an early
Buddhist text also known
as The Diamond that Cuts
Through Illusion, the
Buddha leads his
interlocutor, the Elder
Subhuti, through a series
of questions and
provocations. The Buddha
then concludes the
session by offering this
teaching to those
assembled:All composed
things are like a dream,a
phantom, a drop of dew, a
flash of lightning.That
is how to meditate on
them;that is how to
observe them.This duo
piece is in four
sections, corresponding
roughly to these four
disparate visions of
impermanence: four
distinct moments of
interplay between form
and emptiness, four
corners of a diamond.
This series of images is
itself a 'composed
thing,' gathering
dissimilar elements into
a unified system. It
suggests that the things
we make are similar to
things that exist beyond
intention. The Buddha's
utterance helps us hear
so-called 'composition'
and 'improvisation' - or
the encompassing
category, 'music' - as
part of an even larger
aggregate: that which
forms and recedes.- Vijay
Iyer.
Discourse Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Violin and Piano SKU: AP.36-60710001 For Violin and Piano. Compose...(+)
Violin and Piano
SKU:
AP.36-60710001
For
Violin and Piano.
Composed by Percy
Aldridge Grainger.
Arranged by Fritz
Kreisler. Solo; Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710001. Published
by LudwigMasters
Publications
(AP.36-60710001).
ISBN
9798888521878. UPC:
676737670276.
English.
Percy
Grainger's (1882-1961)
love for music of the
simple rural folk of the
British Isles led to a
series of forty-three
pieces that he grouped
into a series called
British Folk-Music
Settings, including Molly
on the Shore, Irish Reel
from British Folk Music
Settings, No. 1. Grainger
produced at least six
versions of this folk
tune arrangement of two
contrasting Irish Reels
(Temple Hill and Molly on
the Shore, from The
Complete Petrie
Collection of Ancient
Irish Music), starting
with the original 1907
version for string
quartet or string
orchestra. That same
year, Grainger also
produced a version for
violin solo and piano,
which is also available
from the publisher. This
wholly unique version was
freely arranged for
violin and piano by
famous early 20th century
violinist Fritz Kreisler,
offering players already
familiar with Grainger's
original rendition an
opportunity to approach
the music in a different
way. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Chamber Music violin, piano SKU: CF.BF148 Composed by George Frideric Han...(+)
Chamber Music violin,
piano
SKU:
CF.BF148
Composed by
George Frideric Handel.
Arranged by Carl Flesch.
Collection - Score and
Parts. 32+12 pages. Carl
Fischer Music #BF148.
Published by Carl Fischer
Music (CF.BF148).
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompanim...(+)
Arranged by John F.
Wilson. For C instrument
solo (or duet) and piano
accompaniment. Format:
instrumental solo/duet
book. With standard
notation, solo part,
harmony part and piano
accompaniment. Christian.
9x12 inches. Published by
Hope Publishing Company.
Composed by Edward Elgar (1857-1934). Edited by Rupert Marshall-Luck. Sheet mu...(+)
Composed by Edward Elgar
(1857-1934). Edited by
Rupert
Marshall-Luck. Sheet
music.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1367. Published
by
G. Henle
Piano Accompaniment;
Violin (Score & Parts) -
difficult
SKU:
HL.49018055
Memorial for the
Columbia Astronauts
Violin and Piano
Reduction. Composed
by Peter Eö, s, and
tvö. This edition:
Saddle stitching. Sheet
music. String. Classical.
Softcover. Composed
2006/2007. 80 pages.
Duration 21'. Schott
Music #ED20258. Published
by Schott Music
(HL.49018055).
ISBN
9790001149044. UPC:
884088556327.
9.0x12.0x0.313
inches.
Eotvos
wrote this piece in
memory of the seven
astronauts who lost their
lives in the Space
Shuttle Columbia tragedy
in 2003. The number 7
determines the musical,
rhythmic and formal
structure of the work: 49
musicians are divided
into seven groups, and as
well as the solo violin
there are six further
violins arranged
correspondingly around
the hall; and the solo
violin itself portrays
each of the astronauts
and their different
origin, from America via
Israel to India, in
folkloristically tinged
cadenzas.'The violin
concerto Seven is a very
personal monologue and
the musical expression of
my sympathy towards the
seven astronauts who lost
their lives while
exploring space in
fulfilment of a
fundamental dream of
mankind.' (Peter
Eotvos)
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Il Diavolo Violon et Piano SATB, Orchestre Editorial de Musica Boileau
Violin and piano SKU: BO.B.3673 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3673
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3673).
It is a work
for violin and piano
inspired directly by
Paganini's Capriccio No.
13, known as La risata
del diavolo and one of
the most renowned
capriccios from the
series of twenty-four
composed by the
celebrated Genovese
violinist and composer.
In my version for violin
and piano, I have singled
out the two essential
features of the work: the
third notes on a double
string that emulate the
devil's laughter, and the
quick eighth notes that
follow, all of it within
a light and humorous
chromaticism.
Il
diavolo begins with a
slow and fragmented but
suggestive violin
cadenza. It then follows
the Allegro deciso, built
on the two features
mentioned above. In the
central part, yet another
violin cadenza of a
similar character but
which recalls the devil's
laughter more evidently.
The Allegro deciso goes
on up to a carefree and
virtuosic
finale.
Concerto Violon et Piano SATB, Orchestre Alfred Lengnick
Violin and Piano SKU: BT.AL-0855 Composed by Edmund Rubbra. Book Only. 62...(+)
Violin and Piano
SKU:
BT.AL-0855
Composed
by Edmund Rubbra. Book
Only. 62 pages. Alfred
Lengnick & Co #AL 0855.
Published by Alfred
Lengnick & Co
(BT.AL-0855).
English.
The
Concerto for Violin
and Orchestra Op.103
was written in 1958 and
is yet another superb
orchestral work by Edmund
Rubbra. Typically, this
is a work that calls more
on musicality than on
virtuosity, although
Rubbra knewthe violin
well for having long
partnered his wife and
for having long played in
a trio with William
Pleeth. Rubbra's
familiarity with the
instrument certainly
helped him avoiding
technical
‘tricks’ and
concentrating his
creativeenergies more on
an inward-looking solo
part than an
outward-dashing virtuosic
one!
This is an
arrangement for Solo
Violin with Piano
Accompaniment. The solo
violin part is also
included on a separate
insert.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Violin and piano - advanced SKU: HL.49017953 Composed by Johanna Senfter....(+)
Violin and piano -
advanced
SKU:
HL.49017953
Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Op. 32. 80
pages. Schott Music
#VLB134. Published by
Schott Music
(HL.49017953).
ISBN
9790001157506. UPC:
841886013186.
9.25x12.0x0.276
inches.
Johanna
Senfter (1879-1961) was a
pupil of Max
Reger.Beginning with an
expressive violin theme
in a densely packed,
'Brahms-like' piano
setting, the classical
four-movement work
centres around two
capricious and playful
movements: Lustig, nicht
zu schnell is how the
second movement begins, a
fugal gem working with
all kinds of contrapuntal
tricks. This is followed
by a scherzo-like,
wittily flirting Rasch.
The finale begins with a
melodically simple tune
in an almost
folksong-like tone which,
by a sequence of
character variations,
builds to a grand gesture
which eventually leads
back to the initial
cantabile - with the
sonata coming to a quiet
end. A valuable addition
to the chamber music
repertoire.
Piano Accompaniment; Violin SKU: HL.50513343 Composed by E. Rubbra. Lengn...(+)
Piano Accompaniment;
Violin
SKU:
HL.50513343
Composed
by E. Rubbra. Lengnick
Publishing. Classical.
Book Only. Alfred
Lengnick & Co #AL0855.
Published by Alfred
Lengnick & Co
(HL.50513343).
The Concerto
for Violin and Orchestra
Op.103 was written in
1958 and is yet another
superb orchestral work by
Edmund Rubbra. Typically,
this is a work that calls
more on musicality than
on virtuosity, although
Rubbra knew the violin
well for having long
partnered his wife and
for having long played in
a trio with William
Pleeth. Rubbra's
familiarity with the
instrument certainly
helped him avoiding
technical 'tricks' and
concentrating his
creative energies more on
an inward-looking solo
part than an
outward-dashing virtuosic
one!
This is an
arrangement for Solo
Violin with Piano
Accompaniment. The solo
violin part is also
included on a separate
insert.
Piano Accompaniment; Violin SKU: HL.50600872 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.50600872
Violin
and Piano. Composed
by Marius Felix Lange.
String. Classical.
Softcover. 24 pages.
Sikorski #SIK8741.
Published by Sikorski
(HL.50600872).
8.25x11.75x0.077
inches.
The operas
of Marius Felix Lange,
especially “Snow
White,†“The
Canterville Ghost,â€
“Die
Schneekönigin,â€
“Das Opernschiff
oder Am Südpol, denkt
man, ist es heisseâ€
have been incredibly
successful. Many of his
operas have also been
performed on foreign
stages, including those
in Switzerland and
France. Other points of
emphasis in Lange's work
include orchestral
compositions and Lieder.
The American violinist
Hilary Hahn had an
unusual yet very clever
idea in 2012 when she
requested encore pieces
from present-day
composers. The cycle
“In 27 Pieces: The
Hilary Hahn
Encores†were
consecutively premiered
by the violinist until
the end of the 2012/13
season and recorded on
CD. Amongst the
submissions selected by
Hilary Hahn during the
course of an online
contest, Marius Felix
Lange's violin piece
“Nutcracker's
Nightmareâ€
immediately ended up
amongst the ten
best-placed works. The
title “Nutcracker's
Nightmare†recalls
E.T.A. Hoffmann's famous
fairytale “The
Nutcracker and the Mouse
King,†the gloomily
imaginative story in
which a wooden toy is
awakened to life and has
to fight against the
powers of darkness.
Strings Piano
Accompaniment; Violin -
Henle Level 8
SKU:
HL.51480587
Urtext
Edition with Marked and
Unmarked String Part.
Composed by Maurice
Ravel. Edited by
Jean-Francois Monnard.
Arranged by Frank Peter
Zimmermann and Pascal
Roge. This edition:
Paperback/Soft Cover.
Sheet Music. Paperbound.
Henle Music Folios. With
marked and unmarked
string parts. Classical.
Softcover. 25 pages. G.
Henle #N587. Published by
G. Henle (HL.51480587).
ISBN 9790201805870.
UPC: 888680044091.
10.0x13.0x0.15
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano; Violin - easy to intermediate SKU: HL.49019369 Violin and Piano...(+)
Piano; Violin - easy to
intermediate
SKU:
HL.49019369
Violin
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Op. 30/3. 6
pages. Schott Music
#ED21475. Published by
Schott Music
(HL.49019369).
ISBN
9790001189705. UPC:
888680930141.
'Song
s Without Words' - that's
what Felix Mendelssohn
Bartholdy (1809-1847)
called his lyrical piano
pieces, romantic
miniatures in which the
composer wanted to 'sing'
on the keyboard
instrument. With them, he
invented an entirely new
form of chamber music
playing in the 19th
century. These 'Songs'
are also perfectly
suitable for duet
playing: for a melodic
instrument with piano
accompaniment. The 'Song
Without Words' Op 30/3 is
a rewarding lyrical solo
piece.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025319 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025319
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Bote & Bock #M202536292.
Published by Bote & Bock
(HL.48025319).
UPC:
196288175384.
Note
by the
composer:“This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. Thebasis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.1459743 For Violin ...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.1459743
For Violin and
Piano. Composed by
Felix Bartholdy
Mendelssohn. Arranged by
Endre Granat. LKM Music.
Classical. Softcover.
Lauren Keiser Music
Publishing #S511048.
Published by Lauren
Keiser Music Publishing
(HL.1459743).
ISBN
9798892703895. UPC:
196288210955.
9.0x12.0x0.183
inches.
The Scherzo
is a movement by Felix
Mendelssohn from the
incidental music to the
play by William
Shakespeare's A Midsummer
Night's Dream. The play
inspired Mendelssohn to
compose the music because
it was a childhood
favorite. There are two
works by Mendelssohn
called A Midsummer
Night's Dream; the
Overture composed in 1826
and the Incidental Music
added in 1842. The
Scherzo was originally
scored for orchestra. The
brilliant transcription
for violin and piano is
by Willy Burmester.
Piano Accompaniment; Violin (VIOLIN/PIANO) SKU: HL.48025287 Violin and...(+)
Piano Accompaniment;
Violin (VIOLIN/PIANO)
SKU: HL.48025287
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical, Ragtime,
Tango. Softcover. 6
pages. Duration 120
seconds. Bote & Bock
#M202534960. Published by
Bote & Bock
(HL.48025287).
UPC:
196288172116.
9.0x12.0x0.048
inches.
Black Cat -
behind the title, one may
rightly assume an
allusion to the
composer's surname, which
comes from the Russian
language. Elena
Kats-Chernin indulges her
passion for ragtime and
tango in this ironically
nostalgic miniature. The
customers of the famous
Parisian Belle Époque
cabaret “Le Chat
Noir†would have
been pleased! The sensual
mewing of the black cat
is expressed in the
portamenti of the violin
part, even better than in
the version for piano
solo (BB3434), which is
available as well.
Violin and piano - difficult SKU: HL.49044532 For Violin and Piano...(+)
Violin and piano -
difficult
SKU:
HL.49044532
For
Violin and Piano.
Composed by Jorg Widmann.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2010-2013. 98
pages. Duration 30'.
Schott Music #VLB152.
Published by Schott Music
(HL.49044532).
ISBN
9790001176071. UPC:
888680080570.
9.0x12.0x0.24
inches.
I wrote the
first movement of my
Sommersonate in the
summer of 2010, and
though a self-contained
work, it called out for
continuation or a
companion piece. I
imagine the first
movement, marked
moderato, to be bright,
free, weightless,
transparent, flooded in
sunlight. In contrast,
the newly composed second
movement is nocturnal and
cryptic, with a
restrained glow. A
Romance, a (summer) night
piece. Jorg Widmann.