Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.