(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Cello and piano SKU: BR.EB-9406 Urtext. Composed by Joachim Raff. ...(+)
Cello and piano
SKU:
BR.EB-9406
Urtext. Composed
by Joachim Raff. Edited
by Claus Kanngiesser.
Solo instruments;
stapled. Edition
Breitkopf. Sonata;
Romantic. Score. 80
pages. Duration 27'.
Breitkopf and Haertel #EB
9406. Published by
Breitkopf and Haertel
(BR.EB-9406).
ISBN
9790004188804. 9 x 12
inches.
Raff's
Cello Sonata op. 183
appeared in print in late
1873; at a time when
Raff's success was at its
zenith with Symphonies
Nos. 3 and 5 as well as
many chamber works.
Little is known about the
circumstances of its
genesis and possible
performances. Since Raff
did not dedicate this
sonata to any
distinguished artist,
unlike most of his other
chamber works, it
apparently lacked a
drawing card for
distribution. While Raff
composed several
well-known works for
violin and piano, the
present cello sonata is
one of his few
outstanding works for
cello and piano.
Incidentally, in the
first edition, the score
is headed for piano and
cello, as was quite often
the case in the 19th
century, for instance
also with Brahms's
sonatas. This is also
evident in the music:
Cello and piano are equal
partners that develop the
musical material and are
challenged both
technically and
artistically. This
current edition contains
an Urtext cello part as
well as a part with
markings by Claus
Kanngiesser. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
With a
preface by Severin Kolb.
Contains 2 cello
parts.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Piano; Violin; Cello SKU: AP.12-0571540805 Composed by Tom Coult. Piano T...(+)
Piano; Violin; Cello
SKU:
AP.12-0571540805
Composed by Tom Coult.
Piano Trio; Trio. Score.
Faber Music
#12-0571540805. Published
by Faber Music
(AP.12-0571540805).
ISBN 9780571540808.
English.
Accelerati
on, deceleration, and the
inconsistent nature of
time are at the heart of
Piano Trio The
Chronophage by Tom Coult.
Throughout the 17-minute
work, cello and piano
lines constantly speed up
or slow down relative to
one another, while the
violin has only one
role---to accelerate
throughout. The listener
feels clunky gear
changes, as previously
reliable demarcations of
time seem unsteady, even
unsafe. The trio's
subtitle comes from The
Corpus Clock in
Cambridge, a clock that
plays with exactly this
perception. Completely
accurate every five
minutes, the clock
lurches unevenly from
second to second, the
grinding mechanism driven
by the terrifying metal
insect escapement known
as the Chronophage (from
the Greek meaning of
time-eater).
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by
Anna
Catharina Nimczik. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. Op. 112. 16
pages.
Schott Music #SE1023.
Published by Schott Music
Cello; Piano Accompaniment - very easy to easy SKU: HL.49045784 Cello ...(+)
Cello; Piano
Accompaniment - very easy
to easy
SKU:
HL.49045784
Cello
and Piano. Composed
by Marie Dare. Edited by
Anna Catharina Nimczik.
This edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 20 pages.
Schott Music #SE1026.
Published by Schott Music
(HL.49045784).
ISBN
9790001163231. UPC:
841886029897.
9.0x12.0x0.071
inches.
The Schott
Student Edition presents
motivational teaching
repertoire in five
levels, from easy to
advanced. These editions
feature easy-to-read
printing along with tips
and suggestions from
highly experienced music
educators. The Serenade
& Valse by the
relatively unknown
composer Marie Dare is an
attractive addition to
the repertoire in the
first years of study
(Level 2) and can be
played entirely in first
position. The Gavotte op.
112 by Sebastian Lee is a
multi-faceted work for
intermediate students
(Level 3). Musically the
Gavotte offers the
possibility to present
different characters. The
piano part is
intentionally simple and
is limited to a
supporting
accompaniment.
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
Cello & Piano SKU: SU.46100050 For Cello & Piano. Composed by Andr...(+)
Cello & Piano
SKU:
SU.46100050
For
Cello & Piano.
Composed by Andrew
Waggoner. Strings, Cello.
Score & Parts. Subito
Music Corporation
#46100050. Published by
Subito Music Corporation
(SU.46100050).
Soprano voice, violin, cello and piano - difficult SKU: HL.49018711 Fo...(+)
Soprano voice, violin,
cello and piano -
difficult
SKU:
HL.49018711
For
soprano and piano
trio. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2002. 86 pages. Duration
15'. Schott Music
#ED20066. Published by
Schott Music
(HL.49018711).
ISBN
9790001145190. UPC:
884088794019.
9.25x12.0x0.244 inches.
English.
In a
magazine with reports on
mental institutions,
Thomas Larcher came
across interviews with
patients: 'These
sentences are of a strong
inner power, yet do not
claim to convey an
overall picture of these
people. There rather
appear snatches from
their world like a
stroboscope.' The soprano
part in Larcher's
composition attends to
these texts in a very
restraint, often
introverted manner, but
they continue to have an
effect in the
instrumental parts, like
catalysts of seemingly
disturbing processes. The
world premiere with
Juliane Banse, Christian
Tetzlaff, Nikolaj
Schneider and the
composer on the piano
took place at the
renowned festival
'Spannungen' in the power
station of Heimbach in
2002. Recently, a
recording has been
released by ECM New
Series.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.50566000 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.50566000
For
Cello and Piano.
Composed by Camille
Saint-Saens. Editions
Durand. Classical.
Softcover. 28 pages.
Editions Durand
#DF1668901. Published by
Editions Durand
(HL.50566000).
ISBN
9781705150009. UPC:
196288016724.
9.0x12.0x0.115
inches.
“Musi
que françaiseâ€
is a series designed for
students and teachers as
well as professionals.
These editions offer
masterworks in French
music, with performance
suggestions and
historical and stylistic
commentary by noted
scholars. The second half
of the 19th century saw
the growth in popularity
of instrumental Romances.
These, which one could
categorise as morceaux de
salon, continued the
characteristics of the
vocal Romance, which was
born in the middle of the
Age of Enlightenment and
which, at the beginning
of the Romantic period,
had achieved great
success among composers,
performers and audience
alike.
Cello and Piano SKU: HL.14016246 Composed by Ludwig van Beethoven. Arrang...(+)
Cello and Piano
SKU:
HL.14016246
Composed
by Ludwig van Beethoven.
Arranged by Hugo Cole.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV120308. Published by
Music Sales
(HL.14016246).
8.25x11.75x0.054
inches.
It is a
surprising fact of
Beethoven's life that of
all the categories of
pieces he composed, there
are more settings of
Irish songs than of any
other type of music.
Scottish poet Robert
Burns convinced a
Scottish music publisher
to commission Beethoven
to set his own words to
Irish airs. The death of
Burns in 1796 ended the
project, but Beethoven
went on to harmonise and
arrange the songs in 1814
through 1816, mainly, and
they were published,
though never achieved as
great a popularity as a
rival set by Thomas
Moore.This simplified
version for easy Cello
and Piano was arranged by
composer Hugo Cole, an
accomplished cellist who
was for many years a
music critic for
theGuardian
newspaper.
Cello and piano (VC/PF) - difficult SKU: HL.49007557 Composed by Wilhelm ...(+)
Cello and piano (VC/PF) -
difficult
SKU:
HL.49007557
Composed
by Wilhelm Killmayer.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1989.
41 pages. Duration 20'.
Schott Music #ED 7829.
Published by Schott Music
(HL.49007557).
ISBN
9790001081214. UPC:
196288050568.
9.0x12.0x0.125
inches.
'Humour
plays a role, and my
pieces are also an
attempt to entertain
people.' Words not often
associated with
contemporary music, but
Wilhelm Killmayer wants
to place fun and
seriousness side by side.
Different tonal spheres
are found in the
'Impromptu' and the
jaunty 'Scherzo lento'
which uses tap tones for
example. The 'Chorale'
that follows allows the
music to drift seamlessly
into atonality. In the
fourth romance 'Im
Schumannschen Ton' ('The
Schumann Sound'), a
diatonic melody is
complicated so much that
the ending distorts to
the beginning, 'just like
man combines many
different qualities'.In
the concluding
'Capriccio', shifting
time signatures and
dynamic
fluctuations are
combined in a virtuoso
manner. A humourous piece
which demands the purest
concentration from the
players.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893),
arranged by John York,
edited by David Brown,
Raphael Wallfisch. Set of
performance parts for
cello and piano. Urtext.
With bowings, fingerings,
introductory text and
performance notes. Op. 33
(original version). 42
pages. Published by C.F.
Peters.
)
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Violoncello and Piano (Violin An Cello) SKU: HL.50511950 Composed by Anto...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511950
Composed
by Antonio Caldara.
Baroque. EMB. Editio
Musica Budapest #Z12043.
Published by Editio
Musica Budapest
(HL.50511950).
ISBN
9790080120439. K/4
(23,5x31) inches. Antonio
Caldara; Laszlo Mezo;
Gyorgy Orban.
The
two manuscripts in oblong
size (by the same hand)
entitled Sinfonia a
Violoncello Solo which
served as the basis for
the present edition are
being kept in the
Osterreichische
Nationalbibliothek in
Vienna under shelf mark
E.M.29. Apart from the
continuo realization and
modifications in the
sense of present-day
notation carried out
tacitly all other changes
are listed in the
footnotes, editorial
additions have been put
in square brackets. The
bass part was supported
in contemporary practice
by a melody instrument.
If performing with piano
accompaniment, the
supporting of the bass is
not necessary. In case of
harpsichord
accompaniment, however,
it is recommended to play
the bass on bassoon
instead of violoncello.
Territorial restrictions
may apply. Please ask
before ordering.
Cello and piano - difficult SKU: HL.49005942 Composed by Bernd Alois Zimm...(+)
Cello and piano -
difficult
SKU:
HL.49005942
Composed
by Bernd Alois
Zimmermann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 2 Exemplare
zur Auffuhrung notig.
Composed 1967. 40 pages.
Duration 20'. Schott
Music #ED 6004. Published
by Schott Music
(HL.49005942).
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).