(Transcription of Three Suites for Cello). Composed by Benjamin Britten (1913-19...(+)
(Transcription of Three
Suites for Cello).
Composed by Benjamin
Britten (1913-1976). For
Viola Alone. Masterworks;
Part(s); Solo; String -
Viola Alone. Faber
Edition. Form:
Transcription. 20th
Century; Masterwork.
Published by Faber Music
Piano SKU: PA.H07957 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07957
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07957_00. Published by
Editio Baerenreiter Praha
(PA.H07957).
ISBN
9790260104464. 31 x 23.5
cm inches.
Piano
Sonata No. 3 was written
in 1960 during the
composer's studies at
HAMU (Music Faculty of
the Academy of Performing
Arts in Prague) under
Emil Hlobil. The first
half of the 1960s was the
period during which
Fiser's musical language
underwent fundamental
change as he rapidly
cultivated his own,
distinctive style,
established in Fifteen
Prints after Durer's
Apocalypse. This sonata
thus also includes
several essential traits
which shift his
compositional development
further. The work has two
movements, however, its
internal structure
abandons traditional
form. The piece is
divided into several
short, mutually
contrasting sections,
whereby the distinctions
between the adjacent
parts are emphasised by
the thematic and chordal
treatment. These
contrasts are also
supported by the chosen
dynamics, tempo and other
expressional means. The
harmony is largely based
on traditional chords or
their condensed form
while, in certain
passages, we will
nevertheless come across
semitone clusters or
fourth chords. The melody
is still chiefly
diatonic; at times Fiser
uses chromatic sequences.
These new elements in
Sonata No. 3 indicate an
attempt to simplify his
writing and ensure
greatest transparency and
impact. This endeavour
became a basic
characteristic of Fiser's
compositions from the
mid-1960s onwards.
The sonata
originally bore the
postscript Fantasia,
which was subsequently
taken out by the
composer. It was first
performed by Ales Bilek
in 1961. The new setting
for this piece is based
on the single edition to
date (Panton, 1967); only
with regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edi...(+)
Cantata for a
wedding. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Solvej Donadel. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas;
Wedding. Full score.
Composed 1708. 36 pages.
Duration 14 minutes.
Carus Verlag #CV
31.196/00. Published by
Carus Verlag
(CA.3119600).
Choral (SSAA a cappella) - intermediate SKU: HL.49018916 SSAA a cappel...(+)
Choral (SSAA a cappella)
- intermediate
SKU:
HL.49018916
SSAA a
cappella. Composed by
Kurt Bikkembergs. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2009. 8 pages.
Duration 2'. Schott Music
#C54131. Published by
Schott Music
(HL.49018916).
ISBN
9790001174718.
7.5x11.0x0.048 inches.
English.
The
Belgian composer and
conductor Kurt
Bikkembergs (*1963) has
added to the repertoire
for women's choir again:
With 'The Maiden and the
Sea' based on a text by
Rene Geldof, he presents
a revised and translated
English version of his
work 'Het meisje en de
zee' written in 1994. It
is a choral setting in
which Bikkembergs has
onomatopoeic and spoken
elements alternate with
mysterious chordal sounds
and combines them in a
skilful manner - a
fascinating composition
for performers and
audience alike.
New Orleans Funk Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-1216332-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 4
SKU:
BT.DHP-1216332-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 22 pages.
De Haske Publications
#DHP 1216332-215.
Published by De Haske
Publications
(BT.DHP-1216332-215).
English-German-French-
Dutch.
Funk is a
very rhythmic music style
that finds its origin in
the 1960s. The American
artist James Brown and
the New Orleans-based
group The Meters are
considered the founders
of this genre. Funk is
characterized by an
independentbass line that
emphasizes each first
beat of the bar (the
one), as well as by a
rhythmic combination of
syncopated melodies and
accompaniments with lots
of harmonic additions.
This style-conscious
composition by Peter
KleineSchaars contains a
healthy blend of the
harmonic ingredients as
well as the rhythmic
challenges of funk music.
On the one hand, New
Orleans Funk is an
educational exercise with
the rhythmic cells 9,10,
14, 15 and 16: on the
otherhand, it is a funky
highlight of your
rehearsal or
concert!
Funk is
een sterk ritmische
muziekstijl die in de
jaren zestig van de
vorige eeuw is ontstaan.
De Amerikaanse muzikant
James Brown en de uit New
Orleans afkomstige groep
The Meters worden
beschouwd als de
grondleggers van
ditgenre. Naast een
zelfstandige baslijn die
elke eerste tel van de
maat (the one) stevig
benadrukt, wordt funk
gekenmerkt door een
ritmisch samenspel tussen
syncopische melodieën
en begeleidingen met veel
harmonische
toevoegingen.Deze
stijlbewuste compositie
van Peter Kleine Schaars
bevat zowel de
harmonische
ingrediënten als de
ritmische uitdagingen die
erbij horen. Enerzijds is
New Orleans Funk een
pedagogische oefening met
de ritmische cellen 9,10,
14,15 en 16, anderzijds
is het werk een funky
hoogtepunt van uw
repetitie of
concert!
Funk ist
ein sehr rhythmischer
Musikstil, der seinen
Ursprung in den 1960er
Jahren hatte. Der
amerikanische Künstler
James Brown und die aus
New Orleans stammende
Band The Meters gelten
als die Begründer
dieses Genres.
Funkzeichnet sich durch
eine unabhängige
Basslinie aus, die jeden
ersten Taktschlag (the
one“) betont, sowie
durch eine rhythmische
Kombination von
synkopierten Melodien und
Begleitungen mit
zahlreichen harmonischen
Ergänzungen.Diese
stilkonforme Komposition
von Peter Kleine Schaars
enthält eine gute
Mischung aus harmonischen
Zutaten sowie
rhythmischen
Herausforderungen der
Funkmusik. Einerseits ist
New Orleans Funk ein
pädagogisches
Übungsstück aus
denRhythmus-Einheiten 9,
10, 14, 15 und 16,
andererseits ist es auch
ein funkiges Highlight
für Proben oder
Konzerte!
Piano Solo SKU: IS.PN7495EM Composed by Louis Anthony deLise. Keyboards -...(+)
Piano Solo
SKU:
IS.PN7495EM
Composed
by Louis Anthony deLise.
Keyboards - Piano.
Metropolis Music
Publishers #PN7495EM.
Published by Metropolis
Music Publishers
(IS.PN7495EM).
ISBN
9790365074952.
Loui
s Anthony deLise is an
American composer,
pianist, and
percussionist. The
compositions in A Gift of
Moments are typical of
deLise’s composing
style that often features
the juxtaposition of
disparate musical
elements like serial
technique, frequently
changing meters, the
urgency and drive of rock
and roll, and the lush
harmonies of
1960’s West Coast
Jazz. Dr. deLise was
Adjunct Lecturer of
Theory and Composition at
the Boyer College of
Music and Dance (in
Philadelphia,
Pennsylvania). He is the
author of The
Professional Songwriter,
a textbook on
songwriting. The title, A
Gift of Moments, comes
from something a friend
wrote about her deceased
husband. She described
their too-short time
together as, a gift of
moments. (Time with
someone you love is
always too short,
isn’t it?) Since
February 2020, (since
I’ve been locked
down at home with my
patient and loving wife,
Theresa), like the rest
of us, I’ve been
reminded each day of just
how delicate life is. My
friend’s comment
about her lost love has
gradually revealed itself
as a worthy title for the
collection of music I was
creating during this time
of lockdown. All of the
pieces in this collection
are in some way about
love: of a mate, of
family, our way of life,
and those beliefs we
consider particular to
us. The compositions are
varied in style as they
encompass musical
gestures reflective of
the many disparate
musical traditions alive
in my soul. With this
unapologetically
sensitive, perhaps even
nostalgic, music of mine
I intend to blur the
arbitrary boundaries of
genre classification,
like classical or pop;
ambient or orchestral.
Special thanks to Vivian
Barton Dozor, a
wonderfully talented
cellist who provided
insight into bowing and
phrasing for the cello
parts.
Piano SKU: PA.H07911 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07911
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07911_00. Published by
Editio Baerenreiter Praha
(PA.H07911).
ISBN
9790260104457. 31 x 23.5
cm inches.
Lubos
Fiser (1935-1999) was one
of the most talented
Czech composers of his
generation. Born in
Prague, he studied at the
Prague Conservatoire from
1952-1956 and then at the
Academy of Music. He was
known to the public for
his many film scores but
it was his other
compositions, many of
them written under
difficult political
conditions, which mark
him out as a composer of
significance.
Fise
r's eight piano sonatas
have a special place in
his oeuvre. Fiser
subsequently eliminated
his second sonata (1956)
from his compositional
repertoire. From the
third sonata onwards
(1960), subtitled
Fantasia, the composer
wrote a two-movement
composition, in which he
continued to incorporate
as his fundamental
musical device the
confrontation of sharp
contrasts in tempo and
mood. Beginning with his
fourth sonata
(1962-1964), Fiser
created a single-movement
work in an expressive,
formally focused
composition which betrays
a progression towards
greater compactness of
musical shape in a
concise yet effective
musical testimony. The
fifth sonata was written
in 1974, the sixth sonata
in 1978. The seventh
sonata from 1985 was
dedicated to Frantisek
Maxian, the eighth sonata
was written in
1995.
Piano Sonata
No.1 was written in 1955.
Fiser worked on it during
his last year at the
Prague Conservatoire
under the supervision of
Emil Hlobil. The piece is
one of Fiser's early
works which still respect
a traditional
compositional approach.
Unlike his major and late
piano sonatas, this
sonata has three
movements, each
representing the
traditional
Classical-Romantic form.
The sonata was premiered
by Fiser's fellow-student
and friend Antonin
Jemelik in Theatre D34 on
30 January
1956.
The new
setting for this piece is
based on the single
edition to date (SNKLHU,
1957); only with regard
to a few inconsistencies
in the score was it
necessary to consult the
composer's manuscript
(kept at the National
Museum - Czech Museum of
Music, acquisition number
297/2006).
Cello and Piano SKU: BT.EMBZ2990 Für Violoncello (Viola) und Klavie...(+)
Cello and Piano
SKU:
BT.EMBZ2990
Für
Violoncello (Viola) und
Klavier. Composed by
Ferenc Farkas. Book Only.
Composed 1960. 6 pages.
Editio Musica Budapest
#EMBZ2990. Published by
Editio Musica Budapest
(BT.EMBZ2990).
Arioso for
cello and piano by Ferenc
Farkas (1905-2000) is one
of the composer s
earliest-known
compositions. He wrote
the piece in 1926 during
his student years,
although it was
originally intended to be
the slow movement of a
viola sonata which was
never published. Only
later did Farkas rework
it as a stand-alone work
for cello. The
composition, like
Kodály's Adagio which
was published 20 years
prior and also written
for cello, focuses on the
singing melody of the
string instrument while
simultaneously showing
Farkas creative
preference for
Mediterranean colors and
Latin proportion.
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).
Trombone ABC Trombone EMB (Editio Musica Budapest)
Trombone SKU: HL.50510337 For tenor trombone in B flat (Pupil's Book)<...(+)
Trombone
SKU:
HL.50510337
For
tenor trombone in B flat
(Pupil's Book).
Composed by Ferenc
Steiner. EMB.
Instruction. Book Only.
126 pages. Editio Musica
Budapest #Z14144.
Published by Editio
Musica Budapest
(HL.50510337).
ISBN
9790080141441. UPC:
073999536621.
9.0x12.0x0.34 inches.
Hungarian, English,
German.
This volume
in the ABC series
continues the best
traditions of
conventional trombone
teaching on the one hand
and at the same time
accommodates to
present-day requirements
and changing tastes. In
concept and
subject-matter it
embraces the entire
material for trombone
teaching at the
elementary level. It
proceeds as far as the
7th position and provides
learners with numerous
studies, scale exercises
and performance pieces.
The pieces include many
European folk melodies,
extracts from classical
works well adapted for
the trombone, and a
number of contemporary
compositions written
specifically for this
instrument. The textual
instructions are given in
three languages: German,
English and Hungarian.
The piano accompaniment
to this volume is
published separetely
(14144P)The trombonist
Ferenc Steiner was born
in 1931. From 1960 to
1991 he was a member of
the Hungarian State Opera
and the Philharmonic
Society as well as the
Hungarian Brass Ensemble.
Education played a major
role in the life of
Ferenc Steiner as an
author and editor of
numerous pedagogical
editions. He began
teaching at the School of
Music in Pecs, then moved
on to the College for
Officers of the Hungarian
Defense Forces and later
continued his teaching
activity at the Liszt
Academy in Budapest until
2001. He has passed away
on the 25th of March in
2011.
Organ SKU: HL.14005630 Composed by C.S. Lang. Music Sales America. Sacred...(+)
Organ
SKU:
HL.14005630
Composed
by C.S. Lang. Music Sales
America. Sacred. Book
[Softcover]. 8 pages.
Music Sales #NOV590307.
Published by Music Sales
(HL.14005630).
8.25x11.75x0.06
inches.
The
Prelude and Fugue
In G Minor (Op.
84) was first published
in 1960. It is scored for
solo
Organ.
Craig
Seller Lang
(1891-1971) was a British
composer, organist and
musical pedagogue, who
was born in New Zealand.
He studied at the Royal
College of Music before
becoming a teacher at
Christ's Hospital School.
His compositions were
mostly written with a
student performer in
mind. He is best
remembered for his
seminal educational Organ
books, but he also
created prolific volumes
of material in both
sacred and secular choral
genres.
Score Orchestra SKU: HL.14032248 Composed by Aulis Sallinen. Music Sales ...(+)
Score Orchestra
SKU:
HL.14032248
Composed
by Aulis Sallinen. Music
Sales America. Classical.
Book [Softcover]. 150
pages. Edition Wilhelm
Hansen #NOV890171.
Published by Edition
Wilhelm Hansen
(HL.14032248).
ISBN
9780853605331.
8.25x11.75x0.505
inches.
Aulis
Sallinen was born in 1935
in Salmi on the northern
shore of Lake Ladoga
(which the Soviet Union
claimed in 1944). His
early musical experience
was playing the violin.
Improvising (including
jazz) on the piano led
him to write his first
compositions as a
teenager. After studying
with Aarre Merikanto and
Joonas Kokkonen at the
Sibelius Academy, he
joined the staff there.
He was Administrator of
the Finnish Radio
Symphony Orchestra
(1960-69); Secretary and
member of the Board
(1958-73), then Chairman
(1971-73) of the Finnish
Composers' Society;
member of the board of
TEOSTO (Finnish copyright
society) from 1970-84,
then Chairman from
1988-90; he also served
for several years on the
Board of the Finnish
National Opera. Here is
the Facsimile of the
Sixth Symphony that was
composed over 1989-1990,
and commissioned and
first performed by the
New Zealand Symphony
Orchestra.
Piano SKU: BT.MUSM570366484 Composed by Anthony Gilbert. Classical. Book ...(+)
Piano
SKU:
BT.MUSM570366484
Composed by Anthony
Gilbert. Classical. Book
Only. 3 pages. University
of York Music Press
#MUSM570366484. Published
by University of York
Music Press
(BT.MUSM570366484).
English.
Even
more than
Schoenberg’s or
Webern’s,
Berg’s music made
an enormous impact on me
during the late 1950s and
early 1960s when studying
with Alexander Goehr.
Work on this little piece
was commenced on the 25th
anniversary of
Berg’s death, and
to commemorate the first
performance of his Piano
Sonata in April 1911 it
was first performed in
April 1961, by the
pianist and composer
Madeleine Coates Russell
at a our own
‘society for
private
performances’ in
London. Its shape is
simple - a stage-by-stage
progression from slow and
gentle to a dense climax
at double speed, then a
return to the spirit, if
not the material, of the
opening. Its public
première, the first of
any of mycompositions,
was given by Susan
Bradshaw at a Macnaghten
Concert in November 1961.
It was awarded Morley
College’s Fricker
Composition Prize. -
Anthony Gilbert Recorded
on Prima Facie PFCD007
'Piano Music' by Richard
Casey/Ian Buckle.
Duration: 2'30.
Score
and Parts. Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Classical. Softcover. Op.
28. Duration 24'. Schott
Music #ED21076. Published
by Schott Music
(HL.49019413).
ISBN
9790001176477. UPC:
841886016729.
The
composer Johanna Senfter
(1879 1961) from
Oppenheim concerned
herself with chamber
music for strings all her
life, even studied violin
in Frankfurt herself. Max
Reger then gave her
lessons in Leipzig, first
privately, then in his
composition class at the
conservatoire and valued
her 'extraordinary
compositional talent'.
The strict teacher more
and more became a
committed promoter of the
works by Johanna Senfter.
For a period of 50 years,
the composer concerned
herself with the string
quartet genre, from
Quartet No. 1 in D minor
Op. 4, composed shortly
after the turn of the
century, to the sixth and
last Quartet in C minor
Op. 115 which was
performed for the first
time in 1960, one year
before her death. The
Quartet in F sharp minor
Op. 28 is her second
quartet which was
premiered in Darmstadt on
5 November 1922. In this
work, as in later works,
Senfter combined
traditional form models -
here Baroque movements
like gavotte, saraband,
gigue - with expressive,
late Romantic musical
language. The work,
consisting of six short
movements, may without
doubt be regarded as a
valuable addition to the
quartet repertoire.
Children's Choir a cappella - Grade 3 SKU: BT.EMBZ3480 Composed by Lajos ...(+)
Children's Choir a
cappella - Grade 3
SKU: BT.EMBZ3480
Composed by Lajos Bardos.
Hymns & Chorals. Book
Only. Composed 1960. 4
pages. Editio Musica
Budapest #EMBZ3480.
Published by Editio
Musica Budapest
(BT.EMBZ3480).
Violin, Cello and Orchestra - Grade 5 SKU: HL.14043771 Composed by Per N&...(+)
Violin, Cello and
Orchestra - Grade 5
SKU: HL.14043771
Composed by Per Nø,
rd, and rgå. Music
Sales America. Classical.
Softcover. Composed 2015.
54 pages. Edition Wilhelm
Hansen #WH32728.
Published by Edition
Wilhelm Hansen
(HL.14043771).
ISBN
9788759836910.
12.0x16.75x0.44 inches.
English.
Three
Nocturnal Movements - For
Violin Solo, Violoncello
Solo And Orchestra by Per
Norgard (2015). Based on
Remembering Child for
Viola and
Orchestra(1986).
Premiered by Peter
Herresthal (violin) and
Jakob Kullberg (cello)
with Bergen Philharmonic
June 6th 2015 in Bergen,
Norway. The original
version was premiered by
Pinchas Zukerman and the
St. Paul' s Chamber
Orchestra, conducted by
Arturo di Mecke, on
September 12th 1986.
Programme Note: The news
of the tragic death of
Samantha Smith reached me
in the early stages of
preparation for the
commissioned work for
viola and chamber
orchestra. Already an
admirerer of this
childworker for peace and
nuclear disarmament, I
completed mywork strongly
inspired by this unique
and uniquely symbolic
fate of our time. Music
from humble sources -
including my composition
Beach Poppy , a choral
work from 1960 - are
woven into the texture of
the composition. I was
guided by the original
meaning of the word
remembering (making
whole, healing) in
opposition to
dismembering (tearing
apart): The healing power
of the child. (Per
Norgard).
Tábort'znél - Débutant EMB (Editio Musica Budapest)
Mixed Voices a cappella - Grade 1 SKU: BT.EMBZ3426 Composed by Lajos Bard...(+)
Mixed Voices a cappella -
Grade 1
SKU:
BT.EMBZ3426
Composed
by Lajos Bardos. Hymns &
Chorals. Book Only.
Composed 1960. 2 pages.
Editio Musica Budapest
#EMBZ3426. Published by
Editio Musica Budapest
(BT.EMBZ3426).
Flashback Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1094779-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094779-020
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094779-020. Published by
De Haske Publications
(BT.DHP-1094779-020).
9x12 inches.
A
flashback is an
interesting psychological
phenomenon: a seemingly
random trigger can bring
back long-forgotten
memories from the
subconscious mind. The
composer underwent a
similar experience before
writing this piece. He
was asked to write a
piece for The National
Youth Fanfare Band in the
Netherlands, one which he
heard perform many years
ago. All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Deze
compositie is geschreven
ter gelegenheid van Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstukvoor het
Nationaal Jeugd Fanfare
Orkest in opdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
opdit Engelse kerklied
nam hij als
inspiratiebron en hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback“ ist ein
psychologisches
Phänomen: Eine
Erfahrung weckt scheinbar
aus dem Nichts die
Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plötzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44011765 Composed by Jan ...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44011765
Composed
by Jan de Haan. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094779.
Published by De Haske
Publications
(HL.44011765).
A flashback is
an interesting
psychological phenomenon:
a seemingly random
trigger can bring back
long-forgotten memories
from the subconscious
mind. The composer
underwent a similar
experience before writing
this piece. He was asked
to write a piece for The
National Youth Fanfare
Band in the Netherlands,
one which he heard
perform many years ago.
All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstuk voor het
Nationaal Jeugd Fanfare
Orkest inopdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
op dit Engelse kerklied
nam hij als
inspiratiebronen hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback ist ein
psychologisches Phanomen:
Eine Erfahrung weckt
scheinbar aus dem Nichts
die Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plotzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!
Le
flash-back est un
phenomene psychologique.
Des evenements du passe,
imprimes dans la memoire
a long terme,
resurgissent comme une
reponse inconsciente et
soudaine a un stimulus
lie a une experience
anterieure.Cette
œuvre a ete composee
a l'occasion du
cinquantieme anniversaire
de l'Orchestre de Fanfare
National des Jeunes des
Pays-Bas, une formation
talentueuse, dont Jan de
Haan fut lui-meme membre,
au cours des annees 1960.
Jeune musicien, il
eprouvait un profond
respect pour le chef
d'alors, Piebe Bakker
(1929-2002), un homme
passionne, avec un style
de direction tres
stimulant. En revenant
sur cette periode,
quarante ans apres, Jan
de Haan a revecu
lesnombreuses
interpretations de la
piece Deep
Harmony. La melodie
scintillante - extraite
d'un cantique anglais -
lui est alors apparue
comme un flash-back et
c'est comme un eclair
mental qu'il a choisi de
lui redonner vie dans le
passage final de cette
œuvre.
Concert Band (Score) - Level 2.5 SKU: HL.4003186 Composed by Michael Swee...(+)
Concert Band (Score) -
Level 2.5
SKU:
HL.4003186
Composed
by Michael Sweeney.
MusicWorks Grade 2.
Suite. Published by Hal
Leonard (HL.4003186).
UPC: 884088654030.
9.0x12.0x0.081
inches.
John Barnes
Chance composed his
landmark work for band,
Incantation and Dance, in
1960 while in residence
at the high school in
Greensboro, North
Carolina. Commissioned by
the Union County (NC)
Honor Band, Prelude and
Pursuit pays tribute to
this important
composition and its North
Carolina connection. A
haunting chant-like theme
played by the clarinets
sets the tone for the
slow section. Similar to
Chance's work, the fast
section begins with
percussion instruments
introducing thematic
elements later picked up
and developed by the
winds. Intensifying
rhythmic elements, as
well as carefully
controlled random playing
effects, contribute to an
overall sense of
excitement and
anticipation. Themes are
woven throughout various
sections of the band
before the opening chant
motif makes a brief
dramatic appearance near
the end. A great teaching
tool for young players,
Prelude and Pursuit also
provides a rewarding
performance experience.
Dur: 4:50.