(Genuine Electric Blues Guitar Techniques, Tips, and Concepts). By Albert Cummin...(+)
(Genuine Electric Blues
Guitar Techniques, Tips,
and Concepts). By Albert
Cummings.
Instructional/Guitar/DVD.
DVD. Guitar tablature.
Published by Hal Leonard
Little Tree Chorale 2 parties 2 parties, Piano [Octavo] Alfred Publishing
Lyrics by e.e. cummings, music by Jay Althouse, Sally K. Albrecht. Octavo for 2-...(+)
Lyrics by e.e. cummings,
music by Jay Althouse,
Sally K. Albrecht. Octavo
for 2-Part choir choir
and piano accompaniment.
Series: Alfred Choral
Designs. 8 pages.
Published by Alfred
Publishing.
High Voice & Piano SKU: SU.91480340 For high Voice & Piano. Compos...(+)
High Voice & Piano
SKU: SU.91480340
For high Voice &
Piano. Composed by
Dan Locklair.
Vocal/Choral, Solo Voice.
Choral Octavo. Composed
2006. Duration 10'.
Subito Music Corporation
#91480340. Published by
Subito Music Corporation
(SU.91480340).
Text:
e.e. cummings.
High
voice, Piano Duration:
10' Text: e.e. cummings
Composed in: 2006
Published by: Subito
Music Publishing.
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by julian wachner ...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Arranged by
julian wachner and
william h. cummings.
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.8337).
Poem by e.e. cummings, composed by Eric Whitacre (1970-). Octavo for SSAATTBB ch...(+)
Poem by e.e. cummings,
composed by Eric Whitacre
(1970-). Octavo for
SSAATTBB choir (A
Cappella). With piano
rehearsal part. Series:
Walton Choral. 16 pages.
Published by Walton
Music.
(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument wit...(+)
(5 Songs for High Voice
and Orchestra). By Ricky
Ian Gordon. Solo
instrument with
accompaniment. For Voice,
Piano. E. e. cummings.
East Lansing, MI;
Soprano, Melanie Helton,
conducted by Raphael
Jimenez.. Contemporary.
Performance score.
Standard notation.
Duration 21 minutes.
Published by Theodore
Presser Company
Soprano voice and piano - difficult SKU: HL.49007445 Nach Edward Estli...(+)
Soprano voice and piano -
difficult
SKU:
HL.49007445
Nach
Edward Estlin
Cummings. Composed by
Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1961.
12 pages. Duration 8'.
Schott Music #ED 7683.
Published by Schott Music
(HL.49007445).
ISBN
9790001080002.
9.0x12.0x0.062 inches.
English.
Composed by
Michael John Trotta. E.e.
cummings. Mjts.
Performance Score. With
Standard notation. 20
pages. Duration 5
minutes, 11 seconds. Carl
Fischer Music #CM9565.
Published by Carl Fischer
Music (CF.CM9565).
ISBN 9781491153611.
UPC: 680160911110. 6.75 x
10.5 inches. Key: E
minor. English. Text:
E.E. Cummings. E. e.
cummings. E.e.
cummings.
Trotta's
unique juxtaposition of
texts from the past
(Requiem?text in
the?Liber Usualis) with
the present (e.e.
cummings poem?i carry
your heart) results in a
compelling, lush
composition accessible to
mixed choirs of all
sizes. With optional oboe
and solo or small group,
i carry your heart?is
appropriate for concert,
festival, retirement or a
special tribute. It is
certain to be adored and
appreciated by all.
Highly
recommend!. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the Introit
from the Requiem in the
Liber Usualis in the
men's voices using the
text by E. E. Cummings.
The women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text, set simply
in a homophonic style.
The final section blends
the two styles into a
prayer of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates
the Introit from
the Requiem in
the Liber
Usualis in the men's
voices using the text by
E. E. Cummings. The
women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features
the Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance.This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.Director
of Choral Activities Dr.
Greg Ramsdell sought to
pay tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our
song. INSERT GRAPHIC
HERE - I e mailed you on
5-14.
(from Studentenmesse). By Antonio Lotti. Arranged by Patrick M. Liebergen. (3 P...(+)
(from Studentenmesse). By
Antonio Lotti. Arranged
by Patrick M. Liebergen.
(3 Part Mixed A
Cappella). Discovery
Choral. 8 pages.
Published by Hal Leonard.
Choral Score -
(SATB/SATB/SATB/SATB) -
Latin. Composed by
Janusz Krzysztof Korczak.
This edition: Saddle
stitching. Sheet music.
Choral. General Worship,
Latin, Sacred. Octavo.
Composed 2016. 16 pages.
Duration 4'. Schott Music
#C59048. Published by
Schott Music
(HL.49045600).
ISBN
9790001166249. UPC:
841886032675. 7.5x10.75
inches. Latin. Book of
Wisdom
18:14-15.
The
composer, chorus and
organist Janusz Krzysztof
Korczak, who was born in
Krakow in 1994, was
awarded the 3rd prize at
the International
Composition Competition
Musica Sacra Nova 2016
for his choral piece Cum
enim quietum silentium
contineret omnia, ....
This sophisticated
Latin-language choral
work is designed for four
four-part ensembles (SATB
/ SATB / SATB / SATB) a
cappella,for which the
Polish composer delivers
an exact arrangement. The
Korczak, which is divided
into a number of musical
thematic sections, for
which Korczak foresees a
maximum of four singers
per voice within the
individual ensembles,
has, according to his own
statement, musically
implemented a kind of
programmatic
visualization of the
underlying words from
Liber Sapientiae 18,
14-15b searched. And so
there are lecture notes
such as delicate or sharp
whispering, singing with
closed and open mouth, ad
libitum to declaiming
parts, a general pause
with explicit seconds,
strong dynamic accents
and an abrupt descending
Glissando at the end of
thestriking features of
this 16-voice A
-cappella-choral work.
Ideal literature for
singers with a high
degree of
experimentation.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Clarinet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Flute" From A
Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Cum ergo fleret Chorale SATB SATB/SATB (Double) [Conducteur] - Intermédiaire Carus Verlag
SATB/SATB choir - Level 3 SKU: CA.116300 Composed by Samuel Scheidt. Edit...(+)
SATB/SATB choir - Level 3
SKU: CA.116300
Composed by Samuel
Scheidt. Edited by Ursula
Herrmann. This edition:
Paperbound. German title:
Cum ergo fleret. Sacred,
Motets; Use during church
year: Easter and
Eastertide. Full score.
Duration 2 minutes. Carus
Verlag #CV 01.163/00.
Published by Carus Verlag
(CA.116300).
ISBN
9790007001308. Key: G
dorian. Language:
Latin.
Vocal SKU: HL.49005409 Nr. 9 Cum factus esset Jesus (Luk. 2, 42-52)(+)
Vocal
SKU:
HL.49005409
Nr. 9
Cum factus esset Jesus
(Luk. 2, 42-52).
Composed by Paul
Hindemith. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Sacred. Composed 1959. 12
pages. Duration 3' 30''.
Schott Music #ED5091.
Published by Schott Music
(HL.49005409).
ISBN
9790001058186. UPC:
073999664874.
9.0x12.0x0.066 inches.
Latin.