SKU: HL.49006334

ISBN 9790001068635. 9.0x12.0x0.396 inches.

3 (auch Picc.) * 1 * Engl. Hr. * 2 (1. mit Kontaktmikr.) * Bassklar. * 2 - 2 * 2 * 1 (oder Wagnertb.) * 0 - S. (I: Vibr. * Marimbula [oder Psalter] * 3 Gl.; II: 3 Tomt. * Log Drums * Woodbl. * Guiro * hg. Bambusstabe; III: 3 hg. Beck. * gr. Tr. [mit Ped.] * 8 Boo-bams [oder Marimba mit Dampfer]; IV: 3 Tamt. * Dobaci * Flex. * 2 Mar. * hg. Donnerblech * Rohrengl.) (4 Spieler) - Git. (mit Kontaktmikr.) * Mand. (mit Kontaktmikr.) * Hfe. * Klav. * prap. Klav. (mit Kontaktmikr.) - Str. (0 * 0 * 4 * 3 * 2).

SKU: HL.49006193

ISBN 9790001067331. 9.0x12.0x0.336 inches.

For many people, Kurt Godel (1906-1978) is the most important logician of the 20th century. His epistemological theorem: 'In any sufficiently powerful logical system statements can be formulated which can neither be proved nor disproved within the system, unless possibly the system itself is inconsistent' was the central issue of Hans Magnus Enzensberger's poem Hommage a Godel which served as subject matter for the Second Violin Concerto of Hans Werner Henze.

3 (auch Picc.) * 1 * Engl. Hr. * 2 (1. mit Kontaktmikr.) * Bassklar. * 2 - 2 * 2 * 1 (oder Wagnertb.) * 0 - S. ( I: Vibr. * Marimbula [oder Psalter] * 3 Gl.; II: 3 Tomt. * Log drums * Woodbl. * Guiro * hg. Bambusstabe; III: 3 hg. Beck. * gr. Tr. [mit Ped.] * 8 Boo-bams [oder Marimba mit Dampfer]; IV: 3 Tamt. * Dobaci * Flex. * 2 Mar. * hg. Donnerblech * Rohrengl.) (4 Spieler) - Git. (mit Kontaktmikr.) * Mand. (mit Kontaktmikr.) * Hfe. * Klav. * prap. Klav. (mit Kontaktmikr.) - Str. (0 * 0 * 4 * 3 * 2).

SKU: M7.KC-3003-50

ISBN 9782848580319.

SKU: HL.49047113

ISBN 9781705189269. UPC: 842819117520. 0.096 inches.

The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano.