Violin or Flute and Piano SKU: BT.EMBZ14067 Composed by G. Klzala, Janos ...(+)
Violin or Flute and Piano
SKU: BT.EMBZ14067
Composed by G. Klzala,
Janos Malina, and Pietro
Antonio Locatelli. EMB
Urtext. Book Only.
Composed 1996. 176 pages.
Editio Musica Budapest
#EMBZ14067. Published by
Editio Musica Budapest
(BT.EMBZ14067).
English-German-Hungari
an.
The present
volume in the EMB Urtext
series is the first
complete practical
edition of the set of
trio sonatas for two
violins or two flutes by
the prominent Italian
violin player of the late
Baroque. The six trio
sonatas do not belong to
the usual Corellian type
but introduce bold
novelties with regard to
form, harmony and melody
alike. The sixth sonata
proves to be particularly
interesting since each of
the solo instruments
conducted in canon have
their own continuo
part.
(Manuscrit autographe, novembre 1824). By Franz Schubert (1797-1828). Edited by ...(+)
(Manuscrit autographe,
novembre 1824). By Franz
Schubert (1797-1828).
Edited by Philippe
Muller. Alto et
piano-forte / Piano et
arpeggione / Violoncelle
et piano. For Viola,
Piano, Cello. Facsimiles.
Collection Dominantes.
Grade 0. 96 pages
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str)
SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Hannover, March
13, 1972
Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07).
ISBN
9790004206591. 7 x 9.5
inches.
Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Piano - intermediate to difficult SKU: HL.49005500 A selection of 28 o...(+)
Piano - intermediate to
difficult
SKU:
HL.49005500
A
selection of 28 original
compositions.
Composed by Robert
Schumann. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 64
pages. Schott Music #ED
5181. Published by Schott
Music (HL.49005500).
ISBN 9790001059176.
9.0x12.0x0.236 inches.
Schott Piano
Collection.
Sonate
pour la Clarinette avec
accompagnement de 2
Violons, Alto and
Violoncelle.
Erstausgabe. Composed
by Giacomo Meyerbeer.
Edited by Dieter
Klöcker. This edition:
urtext edition. Stapled.
Barenreiter Urtext. First
edition. Score, Set of
parts. Duration 13
minutes. Baerenreiter
Verlag #BA08731.
Published by Baerenreiter
Verlag (BA.BA08731).
ISBN 9790006506194. 30
x 23 cm inches. Key:
E-flat major.
This
scholarly-critical volume
is the first published
edition of Meyerbeer's
Clarinet Quintet, which
vanished in World War ll
and only recently
resurfaced in the estate
of the clarinetist Carl
Bärmann. Meyerbeer
wrote the piece in Vienna
in 1813 for his friend
Heinrich Bärmann, a
celebrated clarinettist
to whom C. M. von Weber
also dedicated several
works. The extremely
novel and virtuoso
handling of the clarinet
was unusual for its day:
Meyerbeer allows it to
stand out clearly from
the string ensemble and
pushes it to the utmost
limits of its technique.
The Work enriched the
meager chamber music
repertoire for the
clarinet in the 19th
century. Our
scholarly-critical
edition makes this
masterpiece available to
performers for the first
time in print. Besides
the musical text, it
offers a critical report
and a detailed preface
discussing the work's
genesis. The parts have
been given performance
markings by Dieter
Klöcker.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: H2.MH3131PK Book and audio CD. Published by Musikk-Husets Forlag (H2...(+)
SKU: H2.MH3131PK
Book and audio CD.
Published by
Musikk-Husets Forlag
(H2.MH3131PK).
En samling
pianoverker av norske
samtidskomponister. CD
-en inneholder samtlige
stykker innspilt av Tori
Stodle.
FRA
FORORDET:
Studier
av eksisterende laereverk
i klaver avdekker at
samtidsmusikkenskar ikke
er tilfredsstillende. Med
unntak av noen meget fa
hefter,ivaretar de fleste
laereverk som finnes pa
markedet i liten
gradsamtidsmusikken. Det
er langt mellom stykker
som inneholder
andrekvaliteter enn de
den romantiske
klavertradisjonen star
for.
EPTA-Norge
onsket a bidra til at
klaverelever pa
mellom-trinnetskulle fa
noen helt nye stykker a
spille! Norsk kulturrad
bidro til avirkeliggjore
ideen. 10 norske
komponister takket ja til
oppgaven, ogher er
resultatet.
God
spillelyst!
Med
vennlig hilsen Einar
Steen-Nokleberg og Tori
Stodle EPTA-Norge
K
omponistene og deres
uttalelse om stykkene i
heftet:
RAG-SONATA -
Maja Solveig Kjelstrup
Ratkje Dette lille
stykket folger form som
en sonate, med klare
hoved- ogside-tema.
Temaene horer sammen, og
maten de er utledet pa
folgerklassiske
prinsipper som omvending
og variasjon. Pa
overflaten er deten
tydelig inspirasjon fra
ragtime-musikk, derfor
ogsa tittelen
Rag-sonata.
MOMENTS
- Ketil Vea Satsen er
en slags assosiasjon til
klaverets
uttrykkstradisjoner -
memories om instrumentets
idiomatiske muligheter
slik jeg har bruktdem,
men uten a pedagogisere,
bortsett fra at jeg
bevisst har
unngatttekniske
vanskeligheter, likevel
slik at satsen kunne gis
en bredklanglig
utpensling. Hele verket
bygger pa motivene i de
to forstetakter. Satsens
emosjonelle foringer vil
jeg ikke si noe naermere
om,de er ikke avgjorende
for
interpretasjonen.
I
NVENSJON OG KORAL -
Eyvind Solas Invensjon
og Koral er
karakterstykker. Bade
fortid og natid
ertilstede i denne
musikken, men den handler
mer om uttrykk enn om
stilog teknikk. Hva slags
uttrykk? Det er opp til
den enkelte utover afinne
ut av. For her ligger
utfordringen!
ANDAN
TE CANTABILE - Trygve
Madsen Dette stykket
er bare en ovelse i
finger-legato-spill, en
sterkt forsomt og snart
glemt
ovelse
KONTINUUM -
Bjorn Kruse Kontinuum
betyr en organisk
sammenheng, eller en
utvikling fra noetil noe
annet hvor overgangen er
gradvis glidende. I dette
stykketville jeg prove en
spilleteknikk som handler
nettopp om dette, a
bindetonene sammen
enkeltvis i en slags
flytende strom, stadig pa
vei motnoe
annet.
SPILL -
Magne Hegdal 'Spill'
er en kombinasjon av
spontane ideer og streng
struktur. Dettilfeldige
kommer til uttrykk i
musikkens stadige
tilbakevending
tiltidligere situasjoner
(steder vi har vaert
for). Det er som a
leteetter vegen i en
labyrint; eller som i et
spill der terningen
forlangerat en ma ga
tilbake til et tidligere
punkt i forlopet. Jeg
synesmusikken har et litt
uvirkelig preg - kanskje
som et spill
itussmorke...
Spilleanvisningene i
parentes er ment som
forslag ellersom
paminnelser.
4
MINIATYRER - Eivind
Buene Musikken i 4
Miniatyrer foreligger i
to versjoner: Som her,
ifire enkeltsatser, og
som Studie no. 3, hvor
materialet i de
fireminiatyrene utfolder
seg mer eller mindre
simultant. I 4 Miniatyrer
blir de musikalske
problemstillingene
utforsket med
tydeligeavgrensninger.
Miniatyr no. 1, 2 og 4
byr pa noen
rytmiskeutfordringer,
mens no. 3 har en enkel,
gjennomsiktig struktur,
ogdermed ogsa andre
utfordringer for
pianisten. I den forste
satsenforflytter en
akkord seg i paralleller
i en ustabil og
springenderytmikk,
samtidig som den vokser
fra to - til firklang.
Enkelte lengretoner blir
liggende i bakgrunnen som
en kontrast. Andre sats
spiller pakontrasten
mellom en ensom melodi i
ytterregisteret og
brutale, korteanslag i
midtregisteret. Her er
ogsa store sprang et
tema. Tredje satser en
liten koral, hvor
forholdet mellom melodi
og harmoni folger
helttradisjonelle
monstre. I den fjerde
satsen smyger en rytmisk
ustabilmelodi seg rundt
en jevn, hard puls med
gjentatte
toner.
DYRISK
STYKKER - Wolfgang
Plagge I tillegg til a
vaere musikalske og
humoristiske utfordringer
erstykkene rent
pedagogisk sett ogsa
tenkt a forberede elevene
pasamspill- og
kammermusikk-situasjoner.
Elevene blir utfordret
til aflytte sine egne
grenser ved at de far
oppgaver som krever andre
formerfor
informasjonsopptak.
Elevenes fysiske sa vel
som mentaleaksjonsradius
utvides.
VENT! -
Synne Skouen Hva er
dette lille stykket? En
smakranglete dialog? Et
forsok pa astanse noe
eller noen i flukten? En
beskrivelse av ulike
temperamenter?- Eller
kanskje bare en ovelse i
a frasere, og lytte
mellomnotelinjene?
INTERMEZZO - Terje
Bjorklund I Intermezzo
forenes tre korte motiver
av tre komponister
fra1900-tallets
klaver-litteratur (minst
to av disse burde vaere
velkjentefor pianister).
jeg har lenge folt at
disse tre motivene horer
sammen, og med denne
bestillingen fikk jeg
anledning til a forene
dem.Intermezzo
(mellomspill) beskriver
vandringen fra det ene
motivet ogtil det neste.
Musikken kan godt spilles
som om den var
improvisert.
Ensemble (Score) - difficult SKU: HL.49007211 Composed by Hans Werner Hen...(+)
Ensemble (Score) -
difficult
SKU:
HL.49007211
Composed
by Hans Werner Henze.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Filmmusik
zu Alain Resnais' Film
'L'amour a mort'Alain
Resnais hatte mich
gebeten, das Vor-,
Zwischen- und Nachspiel
der Filmmusik so zu
schreiben, dass diese den
drei Hauptabschnitten,
Satzen bzw. Strukturen
untergeordnet waren: Das
Vor-spiel war sonaten.
Classical. Score.
Composed 1984. 62 pages.
Duration 12'. Schott
Music #ED 7401. Published
by Schott Music
(HL.49007211).
ISBN
9790001077491. UPC:
073999780147.
Hans
Werner Henze used
original music by
Scarlatti, Handel and
Vivaldi to evoke the
baroque lifestyle for a
TV film of Jose
Montes-Baquer based on
the novella Concierto
Barocco by the Cuban
Alejo Carpentier; the
film music of L'amour a
mort by the French master
director Alain Resnais
was turned into a sonata
by Henze.
Und Doch... Quatuor à cordes: 2 violons, alto, violoncelle Bote and Bock
Score and Parts String Quartet (Score & Parts) SKU: HL.48025044 String...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.48025044
String Quartet Score
and Parts. Composed
by Iris ter Schiphorst.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 80 pages.
Duration 520 seconds.
Bote & Bock #M202535967.
Published by Bote & Bock
(HL.48025044).
UPC:
196288021735.
For
its farewell season after
35 years, the Nomos
Quartet from Hanover
created a concert series
in 2019 around the works
by Ludwig van Beethoven,
who had set standards in
the field of string
quartets. For this event,
the ensemble commissioned
a new work from Irister
Schiphorst, in which the
composer at first studied
Beethoven's first
contribution to the
genre. However, her
distance from the
reference piece became
greater than initially
planned, and the question
that moved centre-stage
was: 'How does
Beethoven's music
resonate in me at all? Is
it musical gestures,
themes or moods?' The
tonal result of this
composing
self-exploration is -
rich in contrast, often
noise-like and pushing
the dynamic range to its
limits - the personal
reformulation of
Beethovian 'pathos
formulas',i. e. signs of
passionate experience
embodied in the universal
cultural heritage.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company