For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Piano, Voix et Guitare [Partition] - Débutant Hal Leonard
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names,...(+)
Keyboard/vocal/chords
songbook for voice and
keyboard. With lyrics,
chord names, big note
notation and registration
guide. Series: Hal
Leonard E-Z Play Today.
488 pages. Published by
Hal Leonard.
By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level:...(+)
By Bill Piburn. For
Guitar (Fingerpicking).
Solos. Bluegrass and
Country. Level:
Intermediate. Book. Size
9.5x11.75. 384 pages.
Published by Mel Bay
Publications, Inc.
For Saxophone. Composed by Various. Arranged by Robert De Smet. Music Sales Amer...(+)
For Saxophone. Composed
by Various. Arranged by
Robert De Smet. Music
Sales America. Classical
Period, Folk and
Broadway. Saxophone solo
book (no accompaniment,
softcover). 96 pages.
Music Sales #AM33705.
Published by Music Sales
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings. Baroque,
classical period,
romantic period and
americana. 240 pages.
9x12 inches. Published by
Music Sales.
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches.
Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’.
Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension...(+)
Composed by Carson Cooman
(1982-). Sacred, Advent,
All Saints' Day,
Ascension, Christmas,
Eastertide, Epiphany,
General, Holy Communion,
Holy Week, Lent,
Missions, New Year,
Pentecost, Patriotic,
Reformation,
Thanksgiving. Lorenz
Publishing Company
#70/2013L. Published by
Lorenz Publishing Company
(LO.70-2013L).
Choral (digital production kit) SKU: HL.35028867 Composed by Joseph M. Ma...(+)
Choral (digital
production kit)
SKU:
HL.35028867
Composed
by Joseph M. Martin.
Harold Flammer Christmas.
Advent, Cantata,
Christmas. Published by
Shawnee Press
(HL.35028867).
UPC:
884088888633. 5.25x7.5
inches.
From the
composer of Festival
of Carols and The
Winter Rose comes a
cantata that celebrates
the legacy of early
American carols and
hymnody. Composed in the
spirit of folk music, the
cantata combines
traditional sounds with
more rustic elements
creating a blend that is
fresh and pleasing.
Popular American carols
like Away In a
Manger and O
Little Town of
Bethlehem dance with
traditional spirituals
such as Children, Go
Where I Send Thee and
Go, Tell It on the
Mountain. Sacred Harp
tunes are re-tooled for
Advent and stand
alongside new versions of
Shaker hymns and
Appalachian melodies.
Thoughtful narration
weaves the movements
together in a meaningful
tapestry of song and
Scripture. Two orchestral
options are available
allowing maximum
flexibility in
performance. A full line
of support products is
also available. Available
separately: SATB, CD-ROM
Full Orchestration (Score
& Parts for Flute 1 & 2,
alto recorder,
Oboe/English Horn,
Clarinet 1 & 2, Bassoon,
Horn 1 & 2, Trumpet 1-3,
Trombone 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion, Acoustic
Guitar, Banjo, Harp,
Piano, Synth, Solo
fiddle, Violin 1 & 2,
Viola, Cello, Double
Bass), Printed Full
Orchestration,
Appalachian Consort
Orchestration (Score &
parts for Flute, Violin,
Cello, Mandolin, Guitar,
Percussion and Piano),
StudioTrax CD
(accompaniment only),
SplitTrax CD, Listening
CD, 10-Pack Listening
CDs, Preview Pack
(Book/CD combo),
RehearsalTrax CDs (part
predominant,
reproducible), Digital
Resource Kit (PowerPoint,
Choir Devotionals,
Poster, Program, Flyers,
Children's Program PDFs).
Duration: approx. 40
min.
Organ SKU: SU.80101473 For Organ. Composed by Christian Carey. Key...(+)
Organ
SKU:
SU.80101473
For
Organ. Composed by
Christian Carey.
Keyboard, Organ. Score.
Zimbel Press #80101473.
Published by Zimbel Press
(SU.80101473).
This anthology
contains 12 varied works
for organ useful for
service or concert.
Includes: Spirituals
Variations I (on three
early American hymns),
Spiritual Variations II
(Where I May Wander),
Spiritual Variations III
(I'm Gonna Live So God
Can Use Me), Chanson
Variations, Prelude on
Add One More Seat to the
Table, Chorale Prelude
and Fugue on a Lullaby,
Offertorium, Postludium,
Golgotha, Fantasy on
Rondeau Carol, and Three
and a Half Little Carol
Settings. Two of the
works are based on
original hymn tunes by
the composer, and the
hymns are included for
congregational use.
Instrumentation: Organ
Composed: 2008-2020
Published by: Zimbel
Press.
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0258-99-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0258-99-010
Composed by James Curnow.
Praise and Adoration
Series. Set (Score &
Parts). Composed 1999.
Curnow Music #CMP
0258-99-010. Published by
Curnow Music
(BT.CMP-0258-99-010).
FANFARE
PRELUDE: O GOD OUR HELP
IN AGES PAST is based on
the hymn-tune “St.
Anne,†which was
used by G.F.Handel in the
Chandos anthem “O
Praise the Lord,â€
and by J.S.Bach in his
triple fugue in E-flat
“The St. Anne
Fugue.†James
Curnow’s FANFARE
PRELUDE: O GOD OUR HELP
IN AGES PAST captures the
thoughts of this
magnificent hymn, which
speaks of our
country’s reliance
upon God. The unusual 4/4
meter setting with
artfully crafted
re-harmonizations and
lush counterpoint gives
each listener cause to
reflect on the importance
and meaning of this
melody to patriotic
Americans
everywhere.Inspired!
For Flute. Composed by Various. Music Sales America. Classical Period, Folk and ...(+)
For Flute. Composed by
Various. Music Sales
America. Classical
Period, Folk and
Broadway. Flute solo book
(no accompaniment,
softcover). 93 pages.
Music Sales #AM38365.
Published by Music Sales
Chamber Music Piano SKU: PR.110418490 Composed by Carter Pann. 16 pages. ...(+)
Chamber Music Piano
SKU: PR.110418490
Composed by Carter Pann.
16 pages. Duration 16
minutes. Theodore Presser
Company #110-41849.
Published by Theodore
Presser Company
(PR.110418490).
ISBN
9781491137260. UPC:
680160690022.
Carte
r Pann writes, the piece
might have been titled
Three Improvisations, but
there is an expressive
inertia baked in to these
works which makes them
truer as rhapsodies. This
description tells us much
about the work, whose
movements are an
enterprising tango, a
bombastic central
movement with virtuosic
thrust, and a and a hymn
heard from afar without
any sense of marked
time. Three Rhapsodies
was commissioned by the
American Composers Forum
with complete support
from the Thelma E. Hunter
Fund. The premiere
performance took place in
Kilbourn Hall at the
Eastman School of Music
in Rochester, New York by
pianist Marina Lomazov.As
with all of my piano
works, this was very much
an at-the-piano
compositional experience.
As a pianist I cannot
imagine writing a solo
work away from the
instrument (though at
times that would be quite
convenient).The whole
work explores a palette
of impassioned emotions
– sometimes
veiled, sometimes
emboldened, or even
outrageous at times.
There are technical
freedoms in each
movement, allowing the
pianist to stretch their
interpretive inclinations
to great lengths. In this
way the piece might have
been titled Three
Improvisations, but there
is an expressive inertia
baked in to these works
which make them truer as
rhapsodies.The first
movement is a tango with
real wanderlust. The
second reminds me of
Rachmaninoff’s
Polka de W.R. in its
bombast, but also
Chopin’s sixteenth
prelude with its sheer
virtuosic thrust. The
third is a hymn heard
from afar with no
rhythmic drive, only
sheened sonority.