Mamma Mia! Fanfare [Conducteur] - Intermédiaire Music Sales
Fanfare Band - Grade 4 SKU: BT.1105-04-120-MS The Musical. Compose...(+)
Fanfare Band - Grade 4
SKU:
BT.1105-04-120-MS
The Musical.
Composed by Björn
Ulvaeus, Benny Andersson.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1105-04-120 MS.
Published by Music Sales
(BT.1105-04-120-MS).
On the 6th of
April 1999, exactly 25
years after ABBA had won
the Eurovision Song
Contest with the song
Waterloo, the musical
Mamma Mia! opened in
London. The funny and
appealing love story,
based on 22 ABBA
classics, became an
immediate success.
Arranger Peter Kleine
Schaars has selected five
of the most famous titles
from the musical, added
the hit Waterloo and used
his musical imagination.
The result is a catchy
ABBA medley that will
appeal to young and
old.
Op 6 april
1999, precies 25 jaar
nadat Abba het Eurovisie
Songfestival won met
Waterloo, werden
in Londen de deuren
geopend voor de musical
Mamma Mia! Al snel
werd het onderhoudende
liefdesverhaal -
gebaseerd op 22
klassiekersvan Abba - een
groot succes. Peter
Kleine Schaars
selecteerde vijf titels
uit de musical, voegde de
wereldhit Waterloo
toe en liet zijn muzikale
fantasie de vrije loop.
Het resultaat is een
dynamische Abba-medleymet
de nummers Mamma
Mia, Knowing Me,
Knowing You,
Money, Money,
Money, Dancing
Queen, I Do, I Do,
I Do en
Waterloo.
2
5 Jahre nachdem ABBA den
Grand Prix d'Eurovision
mit dem Lied
Waterloo gewonnen
hatte, fand die
Uraufführung des
Musicals Mamma Mia! in
London statt. Die
mitreißende
Liebesgeschichte,
basierend auf 22
ABBA-Klassikern, wurde
schnell zu einem
großen Erfolg. Peter
Kleine Schaars wählte
die sechs berühmtesten
Titel aus dem Musical,
ergänzte sie um den
Welthit Waterloo,
und ließ seiner
musikalischen Phantasie
freien Lauf. Das Ergebnis
ist ein raffiniertes
ABBA-Medley, das Jung und
Alt
anspricht.
Fanfare Band - Grade 4 SKU: BT.1105-04-020-MS The Musical. Compose...(+)
Fanfare Band - Grade 4
SKU:
BT.1105-04-020-MS
The Musical.
Composed by Björn
Ulvaeus, Benny Andersson.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1105-04-020 MS.
Published by Music Sales
(BT.1105-04-020-MS).
On the 6th of
April 1999, exactly 25
years after ABBA had won
the Eurovision Song
Contest with the song
Waterloo, the musical
Mamma Mia! opened in
London. The funny and
appealing love story,
based on 22 ABBA
classics, became an
immediate success.
Arranger Peter Kleine
Schaars has selected five
of the most famous titles
from the musical, added
the hit Waterloo and used
his musical imagination.
The result is a catchy
ABBA medley that will
appeal to young and
old.
Op 6 april
1999, precies 25 jaar
nadat Abba het Eurovisie
Songfestival won met
Waterloo, werden
in Londen de deuren
geopend voor de musical
Mamma Mia! Al snel
werd het onderhoudende
liefdesverhaal -
gebaseerd op 22
klassiekersvan Abba - een
groot succes. Peter
Kleine Schaars
selecteerde vijf titels
uit de musical, voegde de
wereldhit Waterloo
toe en liet zijn muzikale
fantasie de vrije loop.
Het resultaat is een
dynamische Abba-medleymet
de nummers Mamma
Mia, Knowing Me,
Knowing You,
Money, Money,
Money, Dancing
Queen, I Do, I Do,
I Do en
Waterloo.
2
5 Jahre nachdem ABBA den
Grand Prix d'Eurovision
mit dem Lied
Waterloo gewonnen
hatte, fand die
Uraufführung des
Musicals Mamma Mia! in
London statt. Die
mitreißende
Liebesgeschichte,
basierend auf 22
ABBA-Klassikern, wurde
schnell zu einem
großen Erfolg. Peter
Kleine Schaars wählte
die sechs berühmtesten
Titel aus dem Musical,
ergänzte sie um den
Welthit Waterloo,
und ließ seiner
musikalischen Phantasie
freien Lauf. Das Ergebnis
ist ein raffiniertes
ABBA-Medley, das Jung und
Alt
anspricht.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/37. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05018_01.
Published by Baerenreiter
Verlag (BA.BA05018-01).
ISBN 9790006461776. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Complete Edition) SKU: HL.49042448 Carl Maria von Weber Com...(+)
Orchestra (Complete
Edition)
SKU:
HL.49042448
Carl
Maria von Weber Complete
Edition - Series 3 Volume
10b. Composed by Carl
Maria von Weber. Edited
by Oliver Huck. This
edition: Full-cloth
binding. Sheet music.
Carl Maria von Weber -
Samtliche Werke.
Classical. Score. 1206
pages. Schott Music
#WGA1039-30. Published by
Schott Music
(HL.49042448).
ISBN
9783795793500.
10.0x13.25x0.866
inches.
Contents:
The Edition * The present
volume * Abbreviations
and library sigla * Cast
and instrumentation *
Text of the Works: Der
Weinberg an der Elbe,
pageant in one act by
Friedrich Kind (WeV F.11)
* Liebe um Liebe, drama
in one act by August
Rublack (WeV F.19) *
Festspiel zur Nachfeier
der Vermahlung des
Prinzen Johann von
Sachsen mit Prinzessing
Amalia von Baiern by
Ludwig Robert (WeV F.24)
* Critical Notes: Origins
and provenance of the
Work * Summary of
Sources, Description and
Evaluation * Editorial
Report * Appendix *
Indices.
Baritone voice & Piano SKU: SU.80102990 For Baritone & Piano. Comp...(+)
Baritone voice & Piano
SKU: SU.80102990
For Baritone &
Piano. Composed by J.
Michael Ching.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Score. Subito Music
Corporation #80102990.
Published by Subito Music
Corporation
(SU.80102990).
The four
Anglo-Saxon riddles are
set for baritone voice
and piano in four
movements. The audience
won't know the answers
unless you tell them.
Each riddle is of 1 to 3
minutes duration. 16
pages Published by:
Columbia University Music
Press.
SSA Choir SKU: BT.MUSM570366040 Composed by Paul Robinson. Classical. Voc...(+)
SSA Choir
SKU:
BT.MUSM570366040
Composed by Paul
Robinson. Classical.
Vocal Score. 5 pages.
University of York Music
Press #MUSM570366040.
Published by University
of York Music Press
(BT.MUSM570366040).
English.
Paul
Robinson 's The Triadic
Riddles Of Water And Ice
for three voices (SSA).
Duration: 2 minutes
Composed: 1998 Also
published as part of
UYMP's Songspin Songbook,
ISMN M 57036 603 3. The
Anglo Saxon riddles are
perhaps more familiar to
us than the source from
which this riddle is
taken (Symphosius). I
have always sought
opportunities to set
Latin and given the
international character
of the summer school for
which it was written,
Latin was a useful lingua
franca. First performed
in July 1998 by Trio
Mediaeval on the Hilliard
Summer School at St.
Johns College,
Cambridge.
Cantatas BWV 207a,
appendix to cantata 207a:
Marche/ BWV 215.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: Complete
edition. Paperback. New
Bach Edition (NBA) I/37.
Complete edition,
Critical commentary,
anthology. BWV 207A, A,
BWV 215. 101 pages.
Baerenreiter Verlag
#BA05018_40. Published by
Baerenreiter Verlag
(BA.BA05018-40).
ISBN
9790006545490. 23.8 x
17.2 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
German title: De
profundis. Sacred vocal
music, Psalms. Single
Part, Violin 1. Composed
1724. ZWV 50. 4 pages.
Duration 13 minutes.
Carus Verlag #CV
40.064/11. Published by
Carus Verlag
(CA.4006411).
ISBN
9790007060121. Key: D
minor. Language:
Latin/English.
The
Bohemian composer Jan
Dismas Zelenka was a
double bass player and
church music composer at
the Saxon court of the
Elector August the Strong
and his son Friedrich
August II. In the years
after 1721 he composed an
extensive repertoire of
Catholic church music
together with the
Kapellmeister Johann
David Heinichen. These
works, together with the
Dresden operas composed
by Johann Adolf Hasse in
quick succession from
1731 onwards, established
the reputation of the
Saxon court as one of the
most important musical
centers of the late
Baroque period. Zelenka
composed this psalm
setting De profundis in D
minor ZWV 97 in 1724 on
the death of his father,
including a concluding
Requiem verse. This was
later replaced by the
lesser doxology so that
the work can be performed
in the office of
Christmas week. Both
endings are included in
this new edition. Three
trombones, used as an
independent instrumental
group, give the work a
special tonal color.
Score and part available
separately - see item
CA.4006400.
Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
German title: De
profundis. Sacred vocal
music, Psalms. Choral
Score. Composed 1724. ZWV
50. 12 pages. Duration 13
minutes. Carus Verlag #CV
40.064/05. Published by
Carus Verlag
(CA.4006405).
ISBN
9790007060107. Key: D
minor. Language:
Latin/English.
The
Bohemian composer Jan
Dismas Zelenka was a
double bass player and
church music composer at
the Saxon court of the
Elector August the Strong
and his son Friedrich
August II. In the years
after 1721 he composed an
extensive repertoire of
Catholic church music
together with the
Kapellmeister Johann
David Heinichen. These
works, together with the
Dresden operas composed
by Johann Adolf Hasse in
quick succession from
1731 onwards, established
the reputation of the
Saxon court as one of the
most important musical
centers of the late
Baroque period. Zelenka
composed this psalm
setting De profundis in D
minor ZWV 97 in 1724 on
the death of his father,
including a concluding
Requiem verse. This was
later replaced by the
lesser doxology so that
the work can be performed
in the office of
Christmas week. Both
endings are included in
this new edition. Three
trombones, used as an
independent instrumental
group, give the work a
special tonal color.
Score available
separately - see item
CA.4006400.
Lebuïnus ex Daventria Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-140
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 48
pages. De Haske
Publications #DHP
1115061-140. Published by
De Haske Publications
(BT.DHP-1115061-140).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115061-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115061-010
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115061-010.
Published by De Haske
Publications
(BT.DHP-1115061-010).
9x12 inches.
English-German-French-Dut
ch.
Much like a
film score, Peter Kleine
Schaars’
composition paints
colourful images while
telling the story of the
Anglo-Saxon monk, Lebu
nus. In around 768 AD,
Lebu nus founded a
mission in the Dutch
province of Deventer in
an effort to convert the
Pagan Saxons. Contrasting
themes describe the
Ijssel Valley, the Saxons
and Lebu nus,
construction on the
church and its subsequent
destruction in a clash
with the Saxons. The
Ijssel-Valley-theme
returns one more time in
a minor key before each
of the themes come
together again for one
rousing finale. Let
battle
commence!
Die
se filmmusikähnliche
Komposition erzählt
die Geschichte des
angelsächsischen
Mönchs Lebu nus, der
um das Jahr 768 im Zuge
der Missionierung der
heidnischen Sachsen eine
Kirche im
niederländischen
Deventer errichtete.
Aufeinander folgende,
kontrastive Themen
beschreiben das
Ijssel-Tal, die Sachsen
und Lebu nus, den
Kirchenbau und die
Zerstörung im Kampf
gegen die Sachsen. Es
erklingt noch einmal das
Ijssel-Tal-Thema in Moll,
bevor im schillernden
Finale alle Themen
zusammenkommen.
Questa
composizione, scritta
nello stile della musica
da film, racconta la
storia del monaco Lebu
nus che nell’anno
768 quando era incaricato
di convertire al
cristianesimo i sassoni
restati pagani, si
occupò anche della
costruzione di una chiesa
a Daventer (Paesi Bassi).
Temi contrastanti che si
susseguono descrivono la
valle di Iissel, i
sassoni e il monaco Lebu
nus. Il compositore
traduce in musica la
costruzione della chiesa
e la sua completa
distruzione ad opera dei
sassoni nel corso di una
battaglia. Il motivo
della valle di Ijssel
è ripreso ancora in
una tonalit minore, prima
che tutti i temi
accompagnino il brano al
suo scintillante
finale.
SKU: CA.5070800 Composed by Johann Adolf Hasse. Edited by Wolfgang Hochst...(+)
SKU: CA.5070800
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Carus digital:
Extra digital products.
Full score (complete
edition / selected
edition). Carus Verlag
#5070800. Published by
Carus Verlag
(CA.5070800).
ISBN
9790007245689.
Joha
nn Adolf Hasse,
Kapellmeister at the
Saxon-Polish court in
Dresden, composed the
Requiem in C major for
the ceremonial exequies
of the deceased Elector
Friedrich August II in
November 1763 in the
Catholic Hofkirche in
Dresden. With this work
he composed a monument in
music to his
long-standing, generous
employer, who was also
King of Poland under the
name August III:
passionate choral
movements, echoes of
historic compositional
styles, expressive vocal
solos and arias which
undeniably reveal Hasse
the opera composer, and
trumpets and timpani in
the orchestra - all these
are the ingredients of a
royal Requiem Mass in the
style of a Missa
solemnis.Hasse's
much smaller-scale
Requiem in B flat, which
we are now publishing for
the first time, was
presumably composed as
early as the second half
of the 1750s. Nothing is
known about the occasion
for which this beautiful
work was composed, or
even whether it was
performed during the
composer's lifetime.
Perhaps the Seven Years
War, in which the
electorate of Saxony was
involved, prevented any
performance. Several
borrowings from it in his
Requiem in C and in the
later Requiem in E flat
show that Hasse held the
work in high
regard.The Hasse
Works Edition (HWA) is
published in
collaboration with the
Hasse-Gesellschaft
Bergedorf e. V. and
is intended to serve both
scholarship and the needs
of performing musicians
with scholarly-critical
editions of Hasse's
music.