(Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 2, K. 10-1). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter Seiffert. For Piano. Henle Music Folios. Softcover. G. Henle #HN1095. Published by G. Henle

Chamber Music Violin

SKU: CF.BF115

Composed by Johann Sebastian Bach. Edited by Rachel Barton Pine. SWS. Collection. With Standard notation. 80 pages. Carl Fischer Music #BF115. Published by Carl Fischer Music (CF.BF115).

ISBN 9781491150993. UPC: 680160908493. 9x12 inches.

Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach” (Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.
here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach” (Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.”.

Organ (Organ)

SKU: HL.48184596

Composed by Johann Sebastian Bach. Leduc. Baroque. Softcover. 72 pages. Alphonse Leduc #AL27718. Published by Alphonse Leduc (HL.48184596).

UPC: 888680906054. 9.0x12.0x0.233 inches.

“Part of the Organ collection by J. S. Bach, this 4th Volume Complete Organ Work - Six Sonatas in Trio form was composed in the 18th century. This volume is now translated in English and French and features the annotation of Marcel Dupré, a French organist, to help the performer get the most of the sheet music. This fourth book contains the six following pieces: - Sonata ? E flat major - Sonata ? C minor - Sonata ? D minor - Sonata ? E minor - Sonata ? C major - Sonata ? G major The preface of these Six Sonatas in Trio form is well written, with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. This volume can be used by intermediate players and above. ”.

(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hogwood). Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For Violoncello and Basso Continuo; Violin and Basso Continuo. Opera Omnia - Vol. 5. Early Music. Critical commentary. Op. 5 (H. 103-108, H. 109-114). 152 pages. Published by Ut Orpheus

Euphonium/Tuba Trio - Advanced

SKU: CY.CC3064

Composed by Henry Purcell. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3064. Published by Cherry Classics (CY.CC3064).

ISBN 9790530110416. 8.5 x 11 in inches.

Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike. Especially delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform. Part three may also be performed on Tuba. For advanced performers.

Trombone Trio - advanced

SKU: CY.CC2793

Composed by Henry Purcell. Arranged by Ralph Sauer. English Baroque. Coil bound score & parts. Published by Cherry Classics (CY.CC2793).

Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike.

Especiall y delightful are the dissonances that the composer intersperses throughout each work.

Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.

For advanced performers.

Keyboard

SKU: HH.HH570-SOL

Composed by Henri-Joseph Rigel. Edited by Michael Talbot. Playing score. Edition HH Music Publishers #HH570-SOL. Published by Edition HH Music Publishers (HH.HH570-SOL).

ISBN 9790708185857.

Rige l’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.

Keyboard

SKU: HH.HH569-SOL

Composed by Henri-Joseph Rigel. Edited by Michael Talbot. Playing score. Edition HH Music Publishers #HH569-SOL. Published by Edition HH Music Publishers (HH.HH569-SOL).

ISBN 9790708185840.

Rige l’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.

Violin and Guitar

SKU: AP.36-M139591

Arranged by Nicolo Paganini and ed./arr. by Erwin Schwarz-Reiflingen. String Duo & Ensemble, Duo, Parts. Master String Series. Part(s). LudwigMasters Publications #36-M139591. Published by LudwigMasters Publications (AP.36-M139591).

ISBN 9798888529737. UPC: 659359734151. English.

Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Paganini kept both his love for the guitar and the noblewoman secret, and these twelve sonatas were written for more intimate settings rather than the larger public performances we often associate with Paganini's virtuosity. Reprint of guitarist Erwin Schwarz-Reiflingen's (1891-1964) edition. Both Op. 2 and Op. 3 are available from the publisher.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Six Sonatas. Composed by Nicolas Chedeville (1705-1782). Edited by Federico Maria Sardelli. This edition: urtext edition. Paperback. Barenreiter Urtext. Attributed to Antonio Vivaldi. Performance score, set of parts. Duration 3 hours. Baerenreiter Verlag #BA08735. Published by Baerenreiter Verlag (BA.BA08735).

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Piano

SKU: BR.EB-4342

Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. This edition: paperback. Solo instruments; Softbound. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic LamondHave a look into EB 4342. Sonata; Classical. Score. 316 pages. Breitkopf and Haertel #EB 4342. Published by Breitkopf and Haertel (BR.EB-4342).

ISBN 9790004162873. 9 x 12 inches.

Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.

The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic Lamond.

Piano

SKU: BR.EB-4341

Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Solo instruments; Softbound. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic LamondHave a look into EB 4342. Sonata; Classical. Score. 260 pages. Breitkopf and Haertel #EB 4341. Published by Breitkopf and Haertel (BR.EB-4341).

ISBN 9790004162866. 9 x 12 inches.

Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.

The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic Lamond.

By Jean-Joseph Mouret (1682-1738). Edited by Viollier. 2 Flutes (without Piano). Six Sonatas

Flute and continuo

SKU: FZ.50144

1734. Composed by Johann Joachim Quantz. This edition: Facsimile. Collection FacsiMusic. Score. Published by Anne Fuzeau Productions - France (FZ.50144).

ISBN 9790049501446. 21.00 x 29.70 cm inches.

This facsimile of an original by Johann Joachim Quantz is part of our Facsimusic collection. Dresden, (s. d. = 1734).
Six sonatas for flute and continuo. Edition reviewed by the author. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Composed by Antonio Vivaldi (1678-1741). Arranged by Michael and Kimberly Davenport. Classical; baroque. Piano score and part. Published by Alea Publishing (A7.ALEA1012).

Clavichord; harpsichord; keyboard; piano

SKU: HH.HH300-SOL

Composed by Carl Friedrich Christian Fasch. Edited by Christopher Hogwood. Clavichord; Harpsichord; Keyboard; Piano. Playing score. Edition HH Music Publishers #HH300-SOL. Published by Edition HH Music Publishers (HH.HH300-SOL).

ISBN 9790708092490.

Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.