Piano. Composed by AntonÃn Dvorák. Edited by Christi...(+)
Piano. Composed by
AntonÃn
Dvorák.
Edited by Christian
Schaper and Ullrich
Scheideler. Henle Music
Folios. Softcover. G.
Henle
#HN1044. Published by G.
Henle
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114864-140
From opus 46.
Composed by Antonin
Dvorak. Arranged by Wil
van der Beek. Great
Classics. Transcription.
Score Only. Composed
2011. 40 pages. De Haske
Publications #DHP
1114864-140. Published by
De Haske Publications
(BT.DHP-1114864-140).
9x12 inches.
English-German-French-Dut
ch.
In 1878, on a
commission from his
publisher, Anton n
Dvorák wrote a series
of eight Slavonic dances.
Modelled on Johannes
Brahmsâ?? famous
Hungarian Dances,
although in contrast to
Brahmsâ?? work,
Dvorák used no
original melodies. Wil
van der Beek has arranged
No. 7, a brisk 2/4 dance,
as well as No. 8, a
passionate, exuberant
furiant in 3/4.
In 1878 schreef
Dvoøák op verzoek
van zijn uitgever een
serie van acht Slavische
dansen. Daarbij zouden de
beroemde Hongaarse dansen
van Brahms als voorbeeld
moeten dienen.
Dvoøák had echter
zijn eigen opvattingover
het kunstzinnigvormgeven
van (volks)dansen. Waar
Brahms meerdere bestaande
melodieën van dansen
uitHongarije gebruikte,
beperkte Dvoøák
zich tot karakteristieke
ritmische patronen van
dansvormen uit zijn
vaderland. Oorspronkelijk
zijn de Slavischedansen
gecomponeerd voor klavier
vierhandig. Vrij spoedig
maakte Dvoøák zelf
een versie voor orkest,
waarmee hij wereldroem
vergaarde. Het succes was
zo groot (zeker ook in
financieel opzicht voor
de uitgever!) dat een
tweedeserie van acht
dansen volgde: opus 72 in
het oeuvre van
Dvoøák.Kenmerken:Dans nr. 4 (Tempo di
menuetto, 3/4 maat)Dit is
een feestelijke, vrolijke
sousedská (te
beschouwen als de
Tsjechische variant op
het menuet), een
driedeligedans waarvan de
hoekdelen gracieus zijn
en het middendeel voor
een levendig contrast
zorgt.Dans nr. 7
(Allegro assai, 2/4
maat)Dvoøák lijkt
hier ge nspireerd te zijn
geweest door een snelle
dans genaamd skocná.
Het hoofdthemawerkt
humoristisch doordat het
in de vorm van een canon
wordt
gepresenteerd.Dans nr.
8 (Presto, 3/4
maat)Dit is een
temperamentvolle furiant,
vol vreugde en
uitgelatenheid, gevolgd
door een rustiger
middendeel, datuitmondtin
een zeer krachtig en snel
slot.
Im Jahre
1878 schrieb Anton n
Dvorák im Auftrag
seines Verlegers eine
Reihe von acht slawischen
Tänzen. Als Vorbild
dienten die beru?hmten
Ungarischen
Tänze von Johannes
Brahms, im Gegensatz zu
diesem verwendete
Dvorák jedoch keine
originalen Melodien. Wil
van der Beek bearbeitete
fu?r dieses Arrangement
die Nr. 7, einen
schnellen Tanz im
2/4-Takt, sowie die Nr.
8, einen
leidenschaftlichen,
u?berschwänglichen
Furiantâ?? im 3/4-Takt.
Nel 1878
Antonin Dvorák compone
su commissione una serie
di otto danze slave.
Anche se le celebri
Danze Ungheresi di
Brahms gli servirono da
modello, Dvorák non
utilizzò melodie
originali. Wil van der
Beek ha arrangiato la
Danza n.7
caratterizzata da un
tempo veloce in 2/4 e la
Danza n. 8, un
furiant passionale in
3/4.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114864-010
From opus 46.
Composed by Antonin
Dvorak. Arranged by Wil
van der Beek. Great
Classics. Transcription.
Set (Score and Parts).
Composed 2011. De Haske
Publications #DHP
1114864-010. Published by
De Haske Publications
(BT.DHP-1114864-010).
9x12 inches.
English-German-French-Dut
ch.
In 1878, on a
commission from his
publisher, Anton n
Dvorák wrote a series
of eight Slavonic dances.
Modelled on Johannes
Brahmsâ?? famous
Hungarian Dances,
although in contrast to
Brahmsâ?? work,
Dvorák used no
original melodies. Wil
van der Beek has arranged
No. 7, a brisk 2/4 dance,
as well as No. 8, a
passionate, exuberant
furiant in 3/4.
In 1878 schreef
Dvoøák op verzoek
van zijn uitgever een
serie van acht Slavische
dansen. Daarbij zouden de
beroemde Hongaarse dansen
van Brahms als voorbeeld
moeten dienen.
Dvoøák had echter
zijn eigen opvattingover
het kunstzinnigvormgeven
van (volks)dansen. Waar
Brahms meerdere bestaande
melodieën van dansen
uitHongarije gebruikte,
beperkte Dvoøák
zich tot karakteristieke
ritmische patronen van
dansvormen uit zijn
vaderland. Oorspronkelijk
zijn de Slavischedansen
gecomponeerd voor klavier
vierhandig. Vrij spoedig
maakte Dvoøák zelf
een versie voor orkest,
waarmee hij wereldroem
vergaarde. Het succes was
zo groot (zeker ook in
financieel opzicht voor
de uitgever!) dat een
tweedeserie van acht
dansen volgde: opus 72 in
het oeuvre van
Dvoøák.Kenmerken:Dans nr. 4 (Tempo di
menuetto, 3/4 maat)Dit is
een feestelijke, vrolijke
sousedská (te
beschouwen als de
Tsjechische variant op
het menuet), een
driedeligedans waarvan de
hoekdelen gracieus zijn
en het middendeel voor
een levendig contrast
zorgt.Dans nr. 7
(Allegro assai, 2/4
maat)Dvoøák lijkt
hier ge nspireerd te zijn
geweest door een snelle
dans genaamd skocná.
Het hoofdthemawerkt
humoristisch doordat het
in de vorm van een canon
wordt
gepresenteerd.Dans nr.
8 (Presto, 3/4
maat)Dit is een
temperamentvolle furiant,
vol vreugde en
uitgelatenheid, gevolgd
door een rustiger
middendeel, datuitmondtin
een zeer krachtig en snel
slot.
Im Jahre
1878 schrieb Anton n
Dvorák im Auftrag
seines Verlegers eine
Reihe von acht slawischen
Tänzen. Als Vorbild
dienten die beru?hmten
Ungarischen
Tänze von Johannes
Brahms, im Gegensatz zu
diesem verwendete
Dvorák jedoch keine
originalen Melodien. Wil
van der Beek bearbeitete
fu?r dieses Arrangement
die Nr. 7, einen
schnellen Tanz im
2/4-Takt, sowie die Nr.
8, einen
leidenschaftlichen,
u?berschwänglichen
Furiantâ?? im 3/4-Takt.
Nel 1878
Antonin Dvorák compone
su commissione una serie
di otto danze slave.
Anche se le celebri
Danze Ungheresi di
Brahms gli servirono da
modello, Dvorák non
utilizzò melodie
originali. Wil van der
Beek ha arrangiato la
Danza n.7
caratterizzata da un
tempo veloce in 2/4 e la
Danza n. 8, un
furiant passionale in
3/4.
Composed by Antonin Dvorak (1841-1904). Edited by Eva Velická. This edition: ...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Eva
Velická. This edition:
urtext
edition. Paperback.
Barenreiter Urtext. High
Voice. Singing Score.
Opus 99.
Baerenreiter Verlag
#BA10425.
Published by Baerenreiter
Verlag
Composed by Antonin Dvorak (1841-1904). Edited by Eva Velická. This edition: ...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Eva
Velická. This edition:
urtext
edition. Paperback.
Barenreiter Urtext. Low
voice.
Singing Score. Opus 99.
Baerenreiter Verlag
#BA10426.
Published by Baerenreiter
Verlag
Suite from The New World Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Antonin Dvorak. Arranged by Michael Story. For Concert Band. Concert Band. Be...(+)
By Antonin Dvorak.
Arranged by Michael
Story. For Concert Band.
Concert Band. Belwin
Young Band.
Multicultural. Level: 2
(Easy) (grade 2).
Conductor Score and
Parts. 234 pages.
Published by Alfred
Publishing.
Composed by AntonÃ?Ân DvorÃ?¡k. Edited by Andreas Groethuysen and Peter ...(+)
Composed by AntonÃ?Ân
Dvor�¡k. Edited by
Andreas Groethuysen and
Peter Jost. For Piano
Trio (Score and Parts).
Henle Music Folios.
Softcover. 115 pages. G.
Henle #HN1230. Published
by G. Henle
Symphony No. 9 in E Minor. Composed by AntonÃ?Ân DvorÃ?¡k. Arrang...(+)
Symphony No. 9 in E
Minor. Composed by
AntonÃ?Ân
Dvor�¡k. Arranged by
Brad Pfeil. Full
Orchestra; Masterworks;
Part(s); Score. Belwin
Beginning Full Orchestra.
Masterwork Arrangement;
Romantic. 114 pages.
Published by Belwin Music
(AP.43756).
Composed by Antonin
Dvorak. Edited by Hartmut
Schick. This edition:
urtext edition. In a
folder. Barenreiter
Urtext. Set of parts.
Opus 51. 14/13/11/13
pages. Baerenreiter
Verlag #BA11523_00.
Published by Baerenreiter
Verlag (BA.BA11523).
ISBN 9790260108578. 31
x 24.3 cm inches. Key:
E-flat major.
When
AntonÃn Dvorák
started composing his
String Quartet No. 10 in
late 1878, none of his
quartets had yet been
performed. However this
new work, deliberately
cast in the
“Slavonicâ€
style, quickly achieved
international renown and
has remained among one of
the most popular string
quartets by
Dvorák.
The
authoritative Dvorák
scholar Hartmut Schick
has consulted all
accessible sources, most
notably the printed score
published by Simrock and
the autograph. Now, after
many decades, a
definitive Urtext edition
of this major work can be
presented. In comparison
to the old Supraphon
edition of 1955, the new
publication includes a
detailed Critical
Commentary (Eng) as well
as edited early versions
of the middle movements
in the appendix. A
detailed Foreword
(Ger/Cz/Eng) by the
editor is also
contained.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 1.5 SKU: AP.48071S Featuring Themes from Take Me Out...(+)
Orchestra - Grade 1.5
SKU: AP.48071S
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:30.
Alfred Music #00-48071S.
Published by Alfred Music
(AP.48071S).
UPC:
038081557601.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title
available in MakeMusic
Cloud.
Composed by Antonin
Dvorak. Arranged by Rollo
Dilworth. Festival
Choral. Classical,
Concert, Festival,
Gospel, Memorial. Octavo.
16 pages. Published by
Hal Leonard (HL.291713).
UPC: 888680927936.
6.75x10.5
inches.
Anton&iacut
e;n Dvorák wrote
his 9th Symphony From
the New World while
he was the director of
the National Conservatory
of Music of America. He
was directly influenced
by Harry T. Burleigh, a
student at the National
Conservatory at the time.
The musical theme from
the Largo movement
was adapted into the
spiritual-like
“Goin' Home”
by Dvorák pupil
William Arms Fisher. This
beautiful melody along
with the powerful lyrics
are here set in an
African American gospel
style, including a quote
from the spiritual
“Deep
River.&rdquo.
Orchestra - Grade 1.5 SKU: AP.48071 Featuring Themes from Take Me Out ...(+)
Orchestra - Grade 1.5
SKU: AP.48071
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 76 pages.
Duration 2:30. Alfred
Music #00-48071.
Published by Alfred Music
(AP.48071).
UPC:
038081557595.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title is
available in MakeMusic
Cloud.
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Playing Score SKU: HL.1190004 For Horn and Guitar Playing Score. C...(+)
Playing Score
SKU:
HL.1190004
For
Horn and Guitar Playing
Score. Composed by
Kenneth Fuchs. E.B.
Marks. Softcover. Edward
B. Marks Music #MP625001.
Published by Edward B.
Marks Music (HL.1190004).
ISBN 9781705192498.
UPC:
196288131717.
From
the composer: Evensong
was composed at the
request of my friend
David Wick, principal
hornist of the Virginia
Symphony Orchestra. He
asked that I compose a
recital piece for him to
play with the orchestra's
music director, JoAnn
Falletta, who is also a
virtuoso guitarist. The
only stipulation he made
was that the work include
fragments of one of his
favorite melodies,
“Lasst mich
alleâ€, from Four
Songs, Op. 82, by
AntonÃn Dvorák. The
melody is also quoted in
the Adagio movement of
Dvorák’s Cello
Concerto in B Minor, Op.
104, B. 191. The music is
absolute in nature and
cast in the form of a
single movement fantasy
based loosely on
Dvorák’s melody,
which is stated at the
outset and at the
conclusion.
Als die alte Mutter Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band and Vocal Solo - Grade 3 SKU: BT.DHP-1084580-010 For opti...(+)
Concert Band and Vocal
Solo - Grade 3
SKU:
BT.DHP-1084580-010
For optional Soprano
and Concert Band.
Composed by Antonin
Dvorak. Arranged by Tohru
Takahashi. Great
Classics. Transcription.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084580-010. Published by
De Haske Publications
(BT.DHP-1084580-010).
Concert Band - Grade 1 SKU: AP.38310S Op. 46, No. 1. Composed by A...(+)
Concert Band - Grade 1
SKU: AP.38310S
Op. 46, No. 1.
Composed by Antonin
Dvorak. Arranged by
Michael Story. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Dance;
Transcription. Masterwork
Arrangement; Romantic.
Score. 20 pages. Belwin
Music #00-38310S.
Published by Belwin Music
(AP.38310S).
UPC:
038081439457.
English.
From the
Czech composer AntonÃn
Dvorák. Originally
composed in 1886 for
four-hand piano, this
beginning band
transcription/reduction
develops the charismatic
melody and offers
opportunity to explore
the varied timbres in
beginning band in a
sure-fire solid setting.
Providing a stunning
opportunity to introduce
or reinforce
three-quarter time, the
arrangement is a charming
choice for concert and
contest alike. This title
is available in MakeMusic
Cloud.
Composed by Antonin
Dvorak. Arranged by
Richard Meyer. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Masterwork
Arrangement; Romantic.
Score. 24 pages.
Highland/Etling
#00-12990S. Published by
Highland/Etling
(AP.12990S).
Composed by Antonin
Dvorak. Arranged by
Brendan Mcbrien. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 36 pages.
Highland/Etling
#00-31614S. Published by
Highland/Etling
(AP.31614S).
UPC:
038081355184.
English.
A musical
postcard to the world!
Your audiences will be
thrilled with this early
piece of Americana, and
your musicians will love
the colors and energy of
this uniquely American
music as imagined by the
great Czech master
following his visit to
America in the 1890s.
This work contains music
inspired by
African-American,
Native-American and
Scottish music and
features three movements
(I, IV and V) of
AntonÃn Dvorák's
original five-movement
suite.
Recorders & Piano SKU: AP.12-0571502644 Composed by Antonin Dvorak. Arran...(+)
Recorders & Piano
SKU:
AP.12-0571502644
Composed by Antonin
Dvorak. Arranged by
Walter Bergmann.
Masterworks; Recorder
Ensemble; Solo; Solo
Small Ensembles. Faber
Edition. Masterwork
Arrangement; Romantic.
Score and Part(s). Faber
Music #12-0571502644.
Published by Faber Music
(AP.12-0571502644).
Composed by Antonin
Dvorak. Arranged by Doug
Adams. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Masterwork
Arrangement. Score. 12
pages. Duration 2:50.
Belwin Music #00-48041S.
Published by Belwin Music
(AP.48041S).
UPC:
038081555201.
English.
Doug
Adams' arrangement of
themes from Symphony No.
9 in E minor by
AntonÃn Dvorák will
introduce your beginning
strings to selections
from this well-known
symphony. While technical
obstacles have been
eliminated, this piece
provides teaching
opportunities for dynamic
shading and contouring as
well as diverse
articulations. A perfect
choice for contest,
festival or the concert
stage. (2:50) This title
available in MakeMusic
Cloud.
Composed by Antonin
Dvorak. Arranged by Doug
Adams. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 152 pages.
Duration 2:50. Belwin
Music #00-48041.
Published by Belwin Music
(AP.48041).
UPC:
038081555195.
English.
Doug
Adams' arrangement of
themes from Symphony No.
9 in E minor by
AntonÃn Dvorák will
introduce your beginning
strings to selections
from this well-known
symphony. While technical
obstacles have been
eliminated, this piece
provides teaching
opportunities for dynamic
shading and contouring as
well as diverse
articulations. A perfect
choice for contest,
festival or the concert
stage. (2:50) This title
is available in MakeMusic
Cloud.
Concert Band - Grade 1 SKU: AP.47383 Composed by Antonin Dvorak. Arranged...(+)
Concert Band - Grade 1
SKU: AP.47383
Composed by Antonin
Dvorak. Arranged by Doug
Adams. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Masterwork Arrangement.
Score and Part(s). 254
pages. Duration 3:00.
Belwin Music #00-47383.
Published by Belwin Music
(AP.47383).
UPC:
038081548050.
English.
Romantic
and nationalistic Czech
composer AntonÃn
Dvorák's Symphony No.
9 was influenced by his
research on the tonality
and rhythms of
Native-American and
African-American music.
Introduce this master
composer to your
beginners with the
selected themes, which
omit technical obstacles
yet provide teaching
opportunities for dynamic
shading and contouring as
well as diverse
articulations. Bravo!
Concert Band - Grade 1 SKU: AP.47383S Composed by Antonin Dvorak. Arrange...(+)
Concert Band - Grade 1
SKU: AP.47383S
Composed by Antonin
Dvorak. Arranged by Doug
Adams. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Masterwork Arrangement.
Score. 20 pages. Duration
3:00. Belwin Music
#00-47383S. Published by
Belwin Music (AP.47383S).
UPC: 038081548067.
English.
Romantic
and nationalistic Czech
composer AntonÃn
Dvorák's Symphony No.
9 was influenced by his
research on the tonality
and rhythms of
Native-American and
African-American music.
Introduce this master
composer to your
beginners with the
selected themes, which
omit technical obstacles
yet provide teaching
opportunities for dynamic
shading and contouring as
well as diverse
articulations. Bravo!