Applause! Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063948-140 Composed by Takam...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1063948-140
Composed by Takamasa
Sakai. Applause Series.
Score Only. Composed
2006. 28 pages. De Haske
Publications #DHP
1063948-140. Published by
De Haske Publications
(BT.DHP-1063948-140).
9x12 inches.
English-German-French-Dut
ch.
This piece was
inspired by a variety of
music such as Broadway
musicals, French cancan,
and circus marches. A
special rhythm pattern
called
“Ipponjimeâ€
(or
“Sanbonjimeâ€)
is played by the
percussion (3 + 3 + 3 +
1) in the first four
measures.This is how
people freely clap their
hands when ceremonies or
parties end in Japan.
This custom of clapping
hands reflects Japanese
people’s spirit to
readily move on to the
next step. As the
infectious work comes to
its exciting conclusion
every player shouts
“yeah!â€ensuri
ng you will definitely
hear rapturous
applause!
Aan dit
werk liggen diverse
muzikale
inspiratiebronnen ten
grondslag, zoals
Broadwaymusicals, de
Franse cancan en
circusmarsen. Een Japans
ritmepatroon komt in de
eerste vier maten naar
voren in het slagwerk.
Het centrale deel
bevatsolo’s voor
xylofoon en piccolo, die
in de smaak zullen vallen
bij uw publiek, zeker
wanneer de solisten al
improviserend een aantal
technische staaltjes
laten horen. Indien
gewenst kan de
instrumentatie worden
gewijzigd. Na
hetsologedeelte komt het
eerste thema terug en
volgt er een opbouw naar
een opwindend slot, waar
iedere speler
“yeah!â€
roept. Met wat
aanvullende showelementen
zal het applaus nog
uitbundiger
zijn.
Zu diesem
Werk ließ sich der
Japaner Takamasa Sakai
von einer breiten Palette
an unterhaltsamen
Musikstilen inspirieren,
wie z.B.
Broadway-Musicals,
französischem Cancan
und Zirkusmärschen.
Aufregende Soli für
Xylophon und Piccolo,
Gelegenheiten zur
Improvisation, ein
traditionelles
japanisches
Klatsch-Rhythmusmuster
sowie ein spannendes
Finale sind die Zutaten
zu einem Stück, das
dem Publikum mit
Sicherheit den im Titel
versprochenen Applaus
entlocken
wird!
Applause!
s’ispira a diversi
stili musicali quali le
commedie musicali di
Broadway, il celebre
cancan e marce circensi.
Lo sviluppo è
sorprendente, fresco e
piacevole per i musicisti
ed il pubblico.
Applause! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063948-010 Composed by Takam...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1063948-010
Composed by Takamasa
Sakai. Applause Series.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1063948-010. Published by
De Haske Publications
(BT.DHP-1063948-010).
9x12 inches.
English-German-French-Dut
ch.
This piece was
inspired by a variety of
music such as Broadway
musicals, French cancan,
and circus marches. A
special rhythm pattern
called
“Ipponjimeâ€
(or
“Sanbonjimeâ€)
is played by the
percussion (3 + 3 + 3 +
1) in the first four
measures.This is how
people freely clap their
hands when ceremonies or
parties end in Japan.
This custom of clapping
hands reflects Japanese
people’s spirit to
readily move on to the
next step. As the
infectious work comes to
its exciting conclusion
every player shouts
“yeah!â€ensuri
ng you will definitely
hear rapturous
applause!
Aan dit
werk liggen diverse
muzikale
inspiratiebronnen ten
grondslag, zoals
Broadwaymusicals, de
Franse cancan en
circusmarsen. Een Japans
ritmepatroon komt in de
eerste vier maten naar
voren in het slagwerk.
Het centrale deel
bevatsolo’s voor
xylofoon en piccolo, die
in de smaak zullen vallen
bij uw publiek, zeker
wanneer de solisten al
improviserend een aantal
technische staaltjes
laten horen. Indien
gewenst kan de
instrumentatie worden
gewijzigd. Na
hetsologedeelte komt het
eerste thema terug en
volgt er een opbouw naar
een opwindend slot, waar
iedere speler
“yeah!â€
roept. Met wat
aanvullende showelementen
zal het applaus nog
uitbundiger
zijn.
Zu diesem
Werk ließ sich der
Japaner Takamasa Sakai
von einer breiten Palette
an unterhaltsamen
Musikstilen inspirieren,
wie z.B.
Broadway-Musicals,
französischem Cancan
und Zirkusmärschen.
Aufregende Soli für
Xylophon und Piccolo,
Gelegenheiten zur
Improvisation, ein
traditionelles
japanisches
Klatsch-Rhythmusmuster
sowie ein spannendes
Finale sind die Zutaten
zu einem Stück, das
dem Publikum mit
Sicherheit den im Titel
versprochenen Applaus
entlocken
wird!
Applause!
s’ispira a diversi
stili musicali quali le
commedie musicali di
Broadway, il celebre
cancan e marce circensi.
Lo sviluppo è
sorprendente, fresco e
piacevole per i musicisti
ed il pubblico.
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed
choirs (SATB) (2))
SKU: BA.BA09188-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Choral score.
KV 427. 44 pages.
Baerenreiter Verlag
#BA09188_91. Published by
Baerenreiter Verlag
(BA.BA09188-91).
ISBN
9790006565139. 27 x 19 cm
inches. Key: C minor.
Text Language:
Latin.
Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Hans
Schellevis. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Classical. Vocal
Score. KV 427.
Baerenreiter Verlag
#BA09188_90. Published by
Baerenreiter Verlag
(BA.BA09188-90).
ISBN
9790006565108. 27 x 19 cm
inches. Key: C minor.
Text Language: Latin.
Preface: Ulrich
Leisinger.
Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
Flute & basso continuo SKU: HH.HH442-FSP Composed by Simon Balicourt. Edi...(+)
Flute & basso continuo
SKU: HH.HH442-FSP
Composed by Simon
Balicourt. Edited by
Michael Talbot. Flute &
Basso Continuo. Full
score and parts. Duration
6 minutes / 11 minutes.
Edition HH Music
Publishers #HH442-FSP.
Published by Edition HH
Music Publishers
(HH.HH442-FSP).
ISBN
9790708146476.
Sona
ta 1 opens with a
movement marked Sostenuto
expressing to perfection
the melancholy
gracefulness associated
with B minor. This is
followed by a vivacious
Allegro, kaleidoscopic in
its ever-changing
rhythmic patterns. The
sonata concludes with a
charming homage to the
French style in the form
of a gavotte en rondeau.
The opening movement of
Sonata 2, which has some
exquisite harmonic turns,
displays what Quantz
called the prächtig
(magnificent) style, with
a pompously striding bass
and heavily dotted
rhythms for the flute.
The following Allegro
moderato features jaunty
syncopations interspersed
with rapid flurries of
demisemiquavers.
Balicourt concludes with
a sparkling
‘applause
finale’, frothy
but never trivial.