By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

Voice and piano

SKU: BR.EB-8873

Repertoire Collection. Composed by Marina (Hrsg.) Peter Anton und Sandel Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8873. Published by Breitkopf and Haertel (BR.EB-8873).

ISBN 9790004184639. 9 x 12 inches. German / English.

,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8872

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872).

ISBN 9790004184622. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8871

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871).

ISBN 9790004184615. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Piano

SKU: M7.RMP-3003

Critical Edition of the Complete Works. Composed by Sergej Wassiljewitsch Rachmaninow. Edited by Valentin Antipov. This edition: Slipcase/Cassette. Sheet music. Score and critical commentary, complete edition. Op. 3, op. 10, op. 16. 320 pages. Russian Music Publishing #RMP 3003. Published by Russian Music Publishing (M7.RMP-3003).

ISBN 9783795716615. English Russian.

Sergei Rachmaninoff (1873-1943) was a pianist and composer of international stature and one of the towering figures of early 20th century music. He left behind an ouvre consisting of some 170 works, many of which await discovery or are known only in forms far removed from the composer's intentions. Sergei Rachmaninoff : Critical Edition of the Complete Works (RCW), a project issued by Russian Music Publishing, is the first complete edition of Rachmaninoff 's music prepared in accordance with scholarly criteria while meeting the demands of performers. It catalogues, explores, and annotates every available musical, literary, and iconographic source on Rachmaninoff 's music. The RCW is published under the scholarly auspices of Dr. Valentin Antipov. The editorial standards of the RCW satisfy the most discerning criteria and are safeguarded by an Editorial Board of internationally acknowledged authorities in Rachmaninoff scholarship. Alexandre Rachmaninoff (1933-2012), the composer's grandson, has been retained as a special advisor. The RCW is furthermore realized in close cooperation with the Glinka State Central Museum of Musical Culture, which houses one of the most extensive collections of Rachmaninoff autographs worldwide. All sources are consulted for the first time and all compositions are presented in their authentic form with all existing versions from the composer.

Cello and orchestra (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.PB-5290

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Arranged by K. Doge. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Full score. 128 pages. Duration 42'. Breitkopf and Haertel #PB 5290. Published by Breitkopf and Haertel (BR.PB-5290).

ISBN 9790004210802. 10 x 12.5 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition.

Voice and piano

SKU: BR.EB-8882

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882).

ISBN 9790004184721. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8880

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 156 pages. Breitkopf and Haertel #EB 8880. Published by Breitkopf and Haertel (BR.EB-8880).

ISBN 9790004184707. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Woodwinds (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.OB-5290-30

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Set of parts. 162 pages. Duration 42'. Breitkopf and Haertel #OB 5290-30. Published by Breitkopf and Haertel (BR.OB-5290-30).

ISBN 9790004334775. 9 x 12 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

Double bass (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.OB-5290-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Part. 12 pages. Duration 42'. Breitkopf and Haertel #OB 5290-27. Published by Breitkopf and Haertel (BR.OB-5290-27).

ISBN 9790004334768. 10 x 12.5 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

Piano - late intermediate

SKU: BT.SLB-00596300

By Robert Orledge. By Erik Satie. Durand-Salabert-Eschig-Si gnature Series. Set of Books. Composed 2016. 600 pages. Editions Salabert #SLB 00596300. Published by Editions Salabert (BT.SLB-00596300).

PIANO inches. English-French.

Thi s new, completely revised and reset centenary edition of Satie’s complete piano music in three volumes has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from.

As well aspresenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d’Indy at the Schola Cantorum, as well as some interestingfirst versions of well-known pieces, like San Bernardo, a trial version of Españaña (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there areexamples of the different types of exercises that Satie completedat the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestionsfor the Rose Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie’s concerns about the “extériorisation ” of his musical thought in print.

Cette nouvelle édition de l’intégrale de la musique pour piano d’Erik Satie, en trois volumes, est une version totalement révisée et regravée de l’édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premièreséditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents.Ces volumes proposent toutes les pièces pour piano solo, ou en réduction pour piano, publiées par Satie, incluant quelques pièces antérieures inconnues, telles la Petite Sonate que Satie écrivit pour Vincent d’Indy la Schola Cantorum, et quelquespremières versions de pièces très connues, comme San Bernardo, version d’essai d’Españaña(1 913), ou encore les premières versions très différentes de Les Pantins dansent (1914).

On trouvera également quelques exemples des différents exercicesque Satie exécuta la Schola entre 1907 et 1912, quelques tentatives supplémentaires d’Enfantines, et quelques brouillons antérieurs de ses célèbres Sports et divertissements.

D es indications métronomiques ont été ajoutées afi n d’aider lesinterprètes, de même que certaines suggestions de jeu pour les oeuvres relatives la période Rose Croix des années 1890, pièces qui sinon pourraient ne sembler que lentes et tranquilles. La notation a été envisagée sous l’angle le plus pratiquepossible, sans pour autant négliger le soucis de Satie quant l’ « extériorisation » de sa pensée musicale sur papier.

Questa nuova edizione in tre volumi delle composizioni per pianoforte di Satie offre ai pianisti una revisione accurata e fedele alle intenzioni dell’autore grazie all’analisi e al confronto dei manoscritti e delle loro prime edizioni astampa.

La pubblicazione, oltre a includere tutti i pezzi per pianoforte o in riduzione che Satie ha pubblicato, offre anche alcuni brani fino a oggi sconosciuti, come la Petite Sonate che ha scritto per Vincent d’Indy e interessanti primeversioni di pezzi celebri, tra cui San Bernardo, un primo tentativo di Españaña (1913) e la prima versione, considerevolmente diversa, di Les Pantins dansent (1914).

Per agevolare gli interpreti, il curatoreha aggiunto, all’occorrenza, segnidi metronomo e alcuni suggerimenti per l’esecuzione. La notazione musicale è stata resa il più possibile comprensibile senza depauperare il pensiero musicale di Satie sull’esteriorizzaz ione della musica.

By Pamela Weston. Fentone Play Along Books. Play Along. Size 9x12 inches. 38 pages. Published by Fentone Music.

Composed by Various. Transcontinental Music Folios. Jewish. Softcover Audio Online. Transcontinental Music #994023. Published by Transcontinental Music

Piano (Piano Solo)

SKU: HL.1187832

Solo Piano, Grades 2-5. Composed by Naoko Ikeda. Edited by Andrew Eales. Willis. Festival, Performance, Solos. Softcover. Published by Willis Music (HL.1187832).

ISBN 9781705191989. UPC: 196288129684. 9.0x12.0 inches.

24 exquisite works for solo piano by Naoko Ikeda, exclusively matched to the grade criteria of the major examination boards by Andrew Eales. With fresh engravings and editorial practice notes, this unique folio shines a spotlight on the music of Naoko Ikeda for pianists of Grade 2â??5 level.

Basso (cello/double bass) (solo: hn - 0.2.0.2. - 0.0.0.0. - str)

SKU: BR.OB-5557-26

Original Version and Revised Version by Mozart completed by Robert D. Levin - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Classical. Part. 12 pages. Duration 12'. Breitkopf and Haertel #OB 5557-26. Published by Breitkopf and Haertel (BR.OB-5557-26).

ISBN 9790004341148. 10 x 12.5 inches.

The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts next to the entire solo horn part in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work.Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (post correcturam), he now presents the original version (ante correcturam) for the first time in a musical text revised and supplemented according to rigorous philological criteria.