Orchestra Bass Clarinet, Bassoon I, Bassoon II, Bassoon III, Clarinet I, Clarinet II, Clarinet III, Contra Bassoon, English Horn, Flute I, Flute II, Flute III, Horn I, Horn II, Horn III, Horn IV, Oboe I, Oboe II, Oboe III, Piccolo, Trumpet I, Trumpet II

SKU: CF.O5171

Composed by Elie Siegmeister. First performance: Stamford Symphony Orchestra, Roger Nierenberg, conductor and music director, on October 19, 1985 in Stamford, Connecticut. Full score. With Standard notation. 107 pages. Duration 21 minutes. Carl Fischer Music #O5171. Published by Carl Fischer Music (CF.O5171).

9 X 12 inches.

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. For concert band (1st Flute, 2nd Flute, 1st/2nd Oboe, English Horn, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, 1st/2nd Bassoon, 1st/2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Corne). Band Music. Grade 5. Score only. Duration 9:25. Published by C. Alan Publications

(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet. For French Horn or English Horn. Quartets. Music for Four series. Baroque / Classical. Intermediate/Advanced. Partbook - part 3. Published by Last Resort Music Publishing

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

For French Horn. With fingering chart and Circle of Fifths. Color poster. Published by Santorella Publications.

For Flute. With fingering chart and Circle of Fifths. Color poster. Published by Santorella Publications.

By Charles Callahan. For organ and various instruments. Chamber Music. Level: Medium. Published by MorningStar Music Publishers.

Score and Parts. By Gunther Schuller. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Published by G. Schirmer (Associated Music Publishers).

Flute, oboe, horn or English horn, clarinet and bassoon - score. By Heitor Villa-Lobos. Editions Durand. Size 7x9 inches. 24 pages. Published by Durand.

For Band. By Joseph Willcox Jenkins. Concert Band. For Piccolo, Flute I, Flute II, Flute III, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Clarinet IV, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone I, Tenor Saxophone II, Baritone Saxophone, Bass Saxophone, Cornet I, Cornet II, Cornet III, Cornet IV, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Baritone (Bass Clef) I, Baritone (Bass Clef) II, Baritone (Treble Clef) I, Baritone (Treble Clef) II, Baritone (Bass Clef) III, Baritone (Treble Clef) III, Tenor I, Tenor II, Tenor III, Tenor IV, Tuba, Cello, Contrabass, Timpani, Snare Drum, Bass Drum, Cymbal, Gong, Wood Block, Bells, Basses. Classical. Score and Set of Parts. Opus 13. 32 pages. Duration 4:30. Published by Theodore Presser Company.

((First Movement from the Zeppelin Symphony - Symphony No. 1)). By Thomas Doss. Mitropa Music Concert Band. Grade 5. Softcover. Published by Mitropa Music

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 9:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor Full Score. Duration 9:00

Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Cornet 1, Cornet 2, Cornet 3, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.14540034F

9X12 Band Score. Composed by Ellen Taaffe Zwilich. Sws. Wind Band Select. Contemporary. Full score. With Standard notation. Composed 2010. 28 pages. Duration 12:30. Theodore Presser Company #145-40034F. Published by Theodore Presser Company (PR.14540034F).

ISBN 9781598063240. UPC: 680160595914. 9x12 inches. Key: G major.

Originally composed for orchestra with 3 offstage brass sextets, Fanfare; Reminiscence and Celebration has been re-created by Ellen Taaffe Zwilich for symphonic band plus three offstage brass sextets for a dazzling theater-in-the-round concert experience. The score is provided in 11x17 format for ease in reading. For advanced and university ensembles. Duration: 12’.

(Requiem). By Hector Berlioz (1803-1869). Edited by Jurgen Kindermann. For tenor voice solo, SSTTBB choir, 4 flutes, 2 oboes, 2 english horns, 4 clarinets, 8 bassoons, 12 horns, 10 timpani, percussion, strings, orchestra 1: 4 cornets, 4 trombones, 2 tubas; orchestra 2: 4 trumpets, 4 trombones; orchestra 3: 4 trumpets, 4 trombone (Solo Tenor/Mixed Choir: SSTTBB/4 Flutes/2 Oboes/2 English Horns/4 Clarinets/8 Bassoons/12 Horns/10 Timpani/Percussion/String s/first Orchestra: 4 Cornets a piston/4 Trombones/2 Tubas/second Orchestra: 4 Trumpets/4 Trombones/third Orchestra: 4 Trumpets/4 Tr). This edition: Clothbound, Complete edition, Urtext edition. Clothbound. New Berlioz Edition, Vol. 9. Requiem (lateinisch). Urtext der New Berlio Edition. Level 4. Score. Language: Latin. Opus 5, Hol. 75. 177 pages. Published by Baerenreiter Verlag

Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus Parts English/German, comebined Organ Part instead of Organ Chorus I and Organ Chorus II available. By Johann Sebastian Bach. Edited by D!Rr, Alfred;Schneider, Max. For Soprano solo, Alto solo, Tenor solo (2), Bass solo (2), Mixed Choir (2)-SATB, Orchestra 1: Alto recorder (f,g) (2), Flute (2), Oboe (2)/ Oboe d'amore (a)/ Oboe-dacc/ English horn, Bassoon, Viola da gamba, Strings, Organ, Orchestra 2: Flute (2), Oboe (2)/ Oboe d'amore (a), Bassoon, Viola da gamba, Strings, Organ/ Harpsichord. Neue Bach-Ausgabe. Serie II, Band 5. Score; Urtext Edition; Complete Edition (cloth bound). BWV 244. Published by Baerenreiter-Ausgaben (German import). (BA5038 01)

By Jan Van der Roost. For Concert Band (Score and Parts). De Haske Concert Band. Grade 4. De Haske Publications #1094849010. Published by De Haske Publications

By Kevin Houben. (Score and Parts). SCHERZANDO CONCERT BAND. Published by Scherzando.

Horn in F Solos. Arranged by Bill Galliford and Ethan Neuburg. Instrumental Series; Play-Along. Instrumental Solos Series. Patriotic. Book. 28 pages. Alfred Music #00-48690. Published by Alfred Music