(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

SKU: CA.5028900

This edition: Complete edition, linen cover. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus book series: Studies of composers, Musicological books. German title: Rheinberger, Leben Und Werk In Bildern. Book. Composed 1878. 232 pages. Carus Verlag #CV 50.289/00. Published by Carus Verlag (CA.5028900).

ISBN 9790007107130. Language: German. Referenced: Josef Gabriel Rheinberger.

This is the second supplemental volume to the complete works. It was awarded the Music Edition Prize in 1998. In spite of various books on the life and work of Rheinberger, until this publication there has not been a portrayal in pictures, with authentic texts, of his creative work and of his influence upon his contemporaries. The present publication fills this need and in preparing the book the editor has been able to choose from a large selection of, in part, previously unpublished pictures which in this collection, as a whole, present a vivid picture of Josef Gabriel Rheinberger in his surroundings and make the course of his development clearly understandable. The texts which accompany the pictures are drawn primarily from contemporary letters, reviews, monographs, etc., and they have been chosen to underscore the images of each picture.

Upper Voices a Cappella (I,II/I,II,III/SMA/SMAA/S A/SAA/SS/SSA/SSAA)

SKU: HL.645794

No. 35 for Brass Quartet. Composed by Zoltan Kodaly. Arranged by Ray Woodfield. Educational Piano. Classical. Softcover. 272 pages. Duration 7200 seconds. Schaum Publications, Inc. #6724. Published by Schaum Publications, Inc. (HL.645794).

ISBN 9790080067246. UPC: 008148067244. 9.0x12.0x0.013 inches. Hungarian.

This edition was prepared with the assistance of Lajos Bardos.

Diese Ausgabe entstand unter der Mitwirkung von Lajos Bardos.

Akkordeon Pur. Edited by Hans-Guenther Koelz. Sheet music. 40 pages. Holzschuh Musikverlag #VHR 1820. Published by Holzschuh Musikverlag

For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, basic guitar chords chart (diagrams), illustrations and introductory text. Folk. 352 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers

By Archer and Cleobury. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016409

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. 1x 50.164/21 flute 1, 1x 50.164/22 flute 2, 1x 50.164/23 oboe 1, 1x 50.164/24 oboe 2, 1x 50.164/25 English horn, 1x 50.164/26 clarinet 1, 1x 50.164/27 clarinet 2, 1x 50.164/28 bassoon 1, 1x 50.164/29 bassoon 2, 1x 50.164/31 horn 1, 1x 50.164/32 horn 2, 1x. German title: Der Stern von Bethlehem 18. Innovative practice aids, Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1890. Op. 164. 116 pages. Duration 48 minutes. Carus Verlag #CV 50.164/09. Published by Carus Verlag (CA.5016409).

ISBN 9790007080242. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and parts available separately - see item CA.5016400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016415

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Single Part, Double Bass. Composed 1890. Op. 164. 12 pages. Duration 48 minutes. Carus Verlag #CV 50.164/15. Published by Carus Verlag (CA.5016415).

ISBN 9790007080297. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and part available separately - see item CA.5016400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016414

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Single Part, Cello. Composed 1890. Op. 164. 12 pages. Duration 48 minutes. Carus Verlag #CV 50.164/14. Published by Carus Verlag (CA.5016414).

ISBN 9790007223458. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and part available separately - see item CA.5016400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016449

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Single Part, Organ. Composed 1890. Op. 164. 4 pages. Duration 48 minutes. Carus Verlag #CV 50.164/49. Published by Carus Verlag (CA.5016449).

ISBN 9790007080303. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and part available separately - see item CA.5016400.

Orchestra Soprano voice, Baritone voice, Coro SATB, orchestra - Grade 3

SKU: CA.5016494

Christmas cantata. Composed by Josef Gabriel Rheinberger. Carus Choir Coach (audio only). Composed 1890. Op. 164. Duration 48 minutes. Carus Verlag #5016494. Published by Carus Verlag (CA.5016494).

German/English. Text: von Hoffnaaß, Franziska (Fanny).

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger’s Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger’s wife Fanny. On account of
their similar scoring, this work can be easily combined for a performance with Mendelssohn’s Vom Himmel hoch or Die Geburt Christi. Score available separately - see item CA.5016400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016413

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Single Part, Viola. Composed 1890. Op. 164. 16 pages. Duration 48 minutes. Carus Verlag #CV 50.164/13. Published by Carus Verlag (CA.5016413).

ISBN 9790007223441. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and part available separately - see item CA.5016400.

SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani, organ, 3 dancers

SKU: CA.1905405

Composed by Thomas Gabriel. Contemporary Choir Music. German title: Der Kreuzweg (+ Cd). Sacred vocal music, Lent and Passiontide. Choral Score. Composed 2005. 20 pages. Duration 60 minutes. Carus Verlag #CV 19.054/05. Published by Carus Verlag (CA.1905405).

ISBN 9790007161293. Language: German.

The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score available separately - see item CA.1905400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016419

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1890. Op. 164. Duration 48 minutes. Carus Verlag #CV 50.164/19. Published by Carus Verlag (CA.5016419).

ISBN 9790007133535. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and parts available separately - see item CA.5016400.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016400

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. This edition: Paperbound. German title: Der Stern von Bethlehem. Innovative practice aids, Sacred vocal music, Christmas. Full score. Composed 1890. Op. 164. Duration 48 minutes. Carus Verlag #CV 50.164/00. Published by Carus Verlag (CA.5016400).

ISBN 9790007080211. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi.

Choral SSA Choir, piano, flute

SKU: CF.CM9583

Composed by Christopher Gabel. Sws. Performance Score. 20 pages. Duration 4 minutes, 9 seconds. Carl Fischer Music #CM9583. Published by Carl Fischer Music (CF.CM9583).

ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).

Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.

Piano

SKU: BT.EMBZ14501A

Suppl. 6. EMB New Listz Edition. Book Hardcover. Composed 2009. 244 pages. Editio Musica Budapest #EMBZ14501A. Published by Editio Musica Budapest (BT.EMBZ14501A).

English-German-Hungari an.

In Volume I/9 of the New Liszt Edition the definitive ten-movement version of the piano cycle Harmonies poétiques et religieuses was published in 1981. On several occasions Liszt mentioned that he attached particular importance to this cycle, and this is confirmed by the fact that he devoted almost two decades (1835-1853) to its composition. This Supplement volume of the New Liszt Edition initiates the reader into the mysteries of the cycle's genesis, publishing 17 completed pieces written for it and 6 that have survived as fragments, together with the album leaves belonging to them. The works composed between 1840 and 1848 also reflect the various concepts of the cycle and theprior history of the movements included in the final version, more than one shows Liszt's skill as an improviser. Among the compositions that survive in manuscript there are gems such as the hitherto virtually unknown Piano piece in G flat major, conceived in a moment of unselfconscious happiness. Others waiting to be discovered include the Piano piece in C minor and the enchantingly beautiful prayer, Litanies de Marie, of which two versions were written.

Die endgültige Version des Klavierzyklus Harmonies poétiques et religieuses (Poetische und geistliche Harmonien) von zehn Sätzen erschien 1981 im Band I/9. der NLA. Liszt erwähnte mehrmals, dass dieser Zyklus für ihn von herausragender Bedeutung sei, das bewies er auch dadurch, dass er für seine Komposition fast zwei Jahrzehnte (1835-1853) aufwendete. Durch die Herausgabe der siebzehn beendeten und sechs nur zum Teil erhalten gebliebenen Stücke, sowie der zu ihnen gehörenden fünf Albumblätter, weiht dieser Band der Neuen Liszt Ausgabe Interessierten in die Geheimnisse der Genesis ein. Die zwischen 1840 und 1848 komponierten Werke stellen uns die verschiedenenZyklusvorste llungen und gleichzeitig die Vorgeschichte der Sätze der endgültigen Version vor, wobei uns nicht nur eine den improvisierenden Liszt vor unseren Augen erscheinen lässt. Unter den als Manuskript erhalten gebliebenen Kompositionen findet man auch Perlen, wie zum Beispiel das bis jetzt fast unbekannte.

Piano

SKU: BT.EMBZ14501

EMB Liszt Works. Book Only. Composed 2009. 232 pages. Editio Musica Budapest #EMBZ14501. Published by Editio Musica Budapest (BT.EMBZ14501).

English-German-Hungari an.

In Volume I/9 of the New Liszt Edition the definitive ten-movement version of the piano cycle Harmonies poétiques et religieuses was published in 1981. On several occasions Liszt mentioned that he attached particular importance to this cycle, and this is confirmed by the fact that he devoted almost two decades (1835-1853) to its composition. This Supplement volume of the New Liszt Edition initiates the reader into the mysteries of the cycle's genesis, publishing 17 completed pieces written for it and 6 that have survived as fragments, together with the album leaves belonging to them. The works composed between 1840 and 1848 also reflect the various concepts of the cycle and theprior history of the movements included in the final version, more than one shows Liszt's skill as an improviser. Among the compositions that survive in manuscript there are gems such as the hitherto virtually unknown Piano piece in G flat major, conceived in a moment of unselfconscious happiness. Others waiting to be discovered include the Piano piece in C minor and the enchantingly beautiful prayer, Litanies de Marie, of which two versions were written.

Die endgültige Version des Klavierzyklus Harmonies poétiques et religieuses (Poetische und geistliche Harmonien) von zehn Sätzen erschien 1981 im Band I/9. der NLA. Liszt erwähnte mehrmals, dass dieser Zyklus für ihn von herausragender Bedeutung sei, das bewies er auch dadurch, dass er für seine Komposition fast zwei Jahrzehnte (1835-1853) aufwendete. Durch die Herausgabe der siebzehn beendeten und sechs nur zum Teil erhalten gebliebenen Stücke, sowie der zu ihnen gehörenden fünf Albumblätter, weiht dieser Band der Neuen Liszt Ausgabe Interessierten in die Geheimnisse der Genesis ein. Die zwischen 1840 und 1848 komponierten Werke stellen uns die verschiedenenZyklusvorste llungen und gleichzeitig die Vorgeschichte der Sätze der endgültigen Version vor, wobei uns nicht nur eine den improvisierenden Liszt vor unseren Augen erscheinen lässt. Unter den als Manuskript erhalten gebliebenen Kompositionen findet man auch Perlen, wie zum Beispiel das bis jetzt fast unbekannte.