Guitar and Orchestra

SKU: IS.GOR14018AEM

Composed by Karl Kohaut. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GOR14018AEM. Published by Metropolis Music Publishers (IS.GOR14018AEM).

ISBN 9790365000593.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto, Largo, and Tempo di Minuetto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.

Guitar and Orchestra

SKU: IS.GOR14009AEM

Composed by Karl Kohaut. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GOR14009AEM. Published by Metropolis Music Publishers (IS.GOR14009AEM).

ISBN 9790365000616.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime, this Concerto in F Major, No. 1 is the most popular. It is in three movements: Allegro, Adagio, and Tempo di Minuetto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.

Guitar and Orchestra

SKU: IS.GOR14011AEM

Composed by Antonio Vivaldi. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GOR14011AEM. Published by Metropolis Music Publishers (IS.GOR14011AEM).

ISBN 9790365000753.

Ital ian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime, he composed more than 500 concertos, of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute, including this Concerto in D Major, F.XII n.15 in three movements: Allegro giusto, Largo, and Allegro. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.

2 guitars and orchestra (Parts) - difficult

SKU: HL.49007202

Composed by Joaquí and n Rodrigo. Edited by Raymond Calcraft. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Solo Part. Composed 1966. 52 pages. Duration 30'. Schott Music #ED 7391. Published by Schott Music (HL.49007202).

ISBN 9790001077422. 9.0x12.0x0.14 inches.

Guitar and Orchestra

SKU: HL.50562182

Score. Composed by Alexandre Tansman. Editions Durand. Classical. Study Score. Composed 2001. Editions Durand #ME0873100. Published by Editions Durand (HL.50562182).

UPC: 884088277734. 6.75x9.0x0.194 inches.

For Guitar. This newly engraved, authoritative printed music score features the solo guitar part plus orchestral reduction for ease of learning and study, historical notes and performance suggestions, printed on high-quality, acid-free ivory paper. Also includes a compact disc containing a complete version with soloist, in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment, minus the soloist; and a second compact disc containing the complete version of the concerto, followed by a -20% slow-tempo version of the accompaniments for practice purposes. Published by Music Minus One.

By Malcolm Arnold. For Guitar and Piano. 20th Century. Sheet Music. Published by Paterson Ltd.

Orchestra and Guitar

SKU: BT.DV-10119

Composed by Mats Edén. Contemporary Music. Set (Score and Parts). Composed 2023. 148 pages. Da Vinci Publishing #DV 10119. Published by Da Vinci Publishing (BT.DV-10119).

English-Italian.

Guitar and Orchestra

SKU: HL.14028042

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2002. 87 pages. Edition Wilhelm Hansen #WH30481. Published by Edition Wilhelm Hansen (HL.14028042).

ISBN 9788759810668.

Rude rs writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's 24th Caprice for soloviolin into a set of variations endemic to the time and style of each individual composer; Liszt, Brahms, Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him, I though well, why not have a go at it? - bearing in mind, that not only is Paganini the most celebrated violin-wizard of all times, but he was also a more than accomplished guitarist. There are 22 variations in all, numbers 1 to 16 all adhering strictly to the 16-bar pattern, laid down by Paganini himself. From variation 17 though, the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However, the last variation 'Finale Prestisimo' is a 6 x 16 bars white-knuckle ride, in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares', i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell), the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the portrait - the theme is gradually being distorted out of all recognition - but it's still the same original walking by.

Concerto No. 1 in D. (Full Score). By Mario Castelnuovo Tedesco (1895-1968). For Guitar, Orchestra (Score). Schott. Score. 44 pages. Schott Music #ED153. Published by Schott Music

By Mauro Giuliani. Arranged by Peter Segal. For guitar and orchestra. 168 pages. Published by Les Productions dOZ. (DZ 240)
Level: 4.

Guitar and Orchestra

SKU: BT.SCHBB4400223

Composed by Heinz Friedrich Hartig. Arranged by Siegfried Behrend. Score Only. Bote & Bock #SCHBB4400223. Published by Bote & Bock (BT.SCHBB4400223).

Guitar, Piano. Hartig, Hf.

By Dusan Bogdanovic (1955-). For guitar and orchestra. Grade 4. Published by Les Editions Doberman-Yppan

(Full Orchestra Music/Guitar Music). By Johann Pachelbel (1653-1706). Arranged by Michael Fink. Guitar Music. Southern Music. Grade 5. Southern Music Company #ST383CO. Published by Southern Music Company

Guitar and orchestra - Advanced

SKU: DZ.DZ-3683

Composed by Nejc Kuhar. Full score. Les Productions d'OZ #DZ 3683. Published by Les Productions d'OZ (DZ.DZ-3683).

ISBN 9782897956004.

Guitar and orchestra

SKU: BO.B.3105

Composed by Jordi Cervello. Plucked Instruments. Duration 21:00. Published by Editorial de Musica Boileau (BO.B.3105).

ISBN 9788480202350.

Engl ish comments:
With reference to the melody used to write the Fanstasia-Concerto, the composer Jordi Cervello says: A few years ago, a friend of mine, Jorge Wagensberg sang me a beautiful old Jewish melody inspired by the hymn Leja Dodi (Come, my beloved) by the Sefardie cabbalist Solomon Alkabez (1505-1576), who is buried in Israel. I was immediately entranced by its two extensive thematic ideas which complement each other perfectly. Its melodic and folk qualities seemed to me to make it an ideal theme for a work for guitar and orchestra. The orchestration is a fine thread of metallic timbres, which are present both in the very delicate subtleties of the pianissimi passages and the brilliant tutti. Moreover, the cler tonal definition of the melody contrasts with audacious harmonic contrapunctual textures, characteristic of the most advanced musical styles of our times. The solo guitar part is a model piece of compositon for the guitar, both for its melody and harmony. It puts forward extremely original formulas which are very effective from an instrumental point of view. Its abundant use of arpeggios, chords, harmonic pedals and other instrumental resources ensure that the dialogue with the orchestra is based completely on guitar-playing techniques, putting the guitarist's expressive skill and mastery to the test. This work was first performed on December 3 1997 in Sabadell's La Farandula Theatre performed by the Valles Symphonic Orchestra conducted by its permanent conductor Salvador Brotons. The guitar solo part was played by Jaume Torrent, to whom the work is dedicated.

Comen tarios del Espanol:
En relacion al origen de la melodia utilizada en este Concierto-Fantasia, el compositor Jordi Cervello comenta: Hace ya algunos anos, mi amigo Jorge Wagensberg me canto una antigua y deliciosa melodia judia compuesta sobre el himno Leja Dodi (Ven mi bien amada) del cabalista sefardi Solomon Alkabez (1505-1576), cuya tumba se encuentra en Israel. En seguida me cautivo por las dos amplias ideas tematicas que contiene, las cuales se complementan muy armoniosamente. Por sus caracteristicas melodicas y por su caracter popular me parecio un tema ideal para una obra de guitarra y orquesta. La orquestacion de este concierto es una filigrana de sugerencias timbricas, presentes tanto en las mas delicadas sutilezas de los pianissimi como en los efusivos tutti. Asimismo, la clara definicion tonal de la melodia contrasta con audaces texturas armonicas y contrapuntisticas propias de la estetica musical de nuestros dias. La parte del instrumento solista en un modelo de escritura guitarristica, tanto desde el punto de vista melodico como del armonico y propone formulas que resultan de una gran originalidad y eficacia instrumental. La prodigalidad de arpegios, acordes, pedales armonicos y otros recursos instrumentales, garantizan un dialogo con la orquesta desde un lenguaje plenamente guitarristico, a traves del cual, el interprete pone a prueba tanto su capacidad expresiva como la vituosistica. El estreno de esta obra tuvo lugar el dia 3 de octubre de 1997 en el Teatro La Farandula de Sabadell, interpretada por la Orquesta Sinfonica del Valles bajo la direccion de su director titular Salvador Brotons, y actuando como solista el guitarrista Jaume Torrent a quien esta dedicada la obra.

By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz big band (2 alto saxophones (double clarinet), 2 tenor saxophones, baritone saxophone, clarinet (optional), 4 trumpets (4th alternate for horn 1), 2 horns in F, 3 trombones (3rd alternate for horn 2), guitar, piano, bass, drums, 2 trombones). Swing. Difficult. Score and parts. Published by Jazz Lines Publications

Guitar and Piano

SKU: IS.GP14019EM

Composed by Johann Pfeiffer. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GP14019EM. Published by Metropolis Music Publishers (IS.GP14019EM).

ISBN 9790365003402.

Germ an composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth, working for the court of Wilhelmine of Prussia, Margravine of Bayreuth, teaching her composition and violin. During his lifetime, he composed a variety of orchestra and chamber music, including this Concerto in B-flat Major in three movements: Allegro ma non troppo, Andante, and Allegretto. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).