| God Bless America and Other Star-Spangled Songs Alto seul [Partition + CD] Hal Leonard
(for Viola). Instrumental Folio. Softcover with CD. 16 pages. Published by Hal L...(+)
(for Viola). Instrumental
Folio. Softcover with CD.
16 pages. Published by
Hal Leonard
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Book of Viola Songs Alto seul [Partition] Hal Leonard
By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard....(+)
By Various. Instrumental
Folio. Softcover. 146
pages. Published by Hal
Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Book of Disney Songs Alto seul [Partition] Hal Leonard
(Viola). By Various. Instrumental Folio. Softcover. 80 pages. Published by H...(+)
(Viola). By Various.
Instrumental Folio.
Softcover.
80 pages. Published by
Hal
Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Russian Fiddle Tunes for Two Violas 2 Altos (duo) Greenblatt and Seay
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Russian...(+)
Arranged by Deborah
Greenblatt. Viola Duet.
For 2 violas. Tunes for
Two. Russian Folk. Tune
book. Standard Notation.
47 pages
$15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 14 A flat major, Op. 105 Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Barenreiter
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904...(+)
(Streichquartett nr. 14 /
Quatuor A Cordes No. 14).
By Antonin Dvorak
(1841-1904). For 2
violins, viola, cello. In
a folder. The Complete
Works of Antonin Dvorak
IV/7 - B 193. Czech
title: Smy covy kvartet
14 As dur op. 105. Set of
parts. Opus 105, No. 14.
16/16/16/16 pages.
Published by Editio
Baerenreiter Praha
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rondo in the Nick of Time Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium SKU:
CF.CAS22 Composed by
Larry Clark. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS22. Published
by Carl Fischer Music
(CF.CAS22). ISBN
9780825858208. UPC:
798408058203. 8.5 X 11
inches. Key: G
major. The fast
paced rondo has a Dorian
flavored melody with
hints of quartel (based
on an interval of a
fourth) harmony to give
it a contemporary sound
The players are presented
with solo opportunities
as well as harmonic turns
and twists that will keep
them. Rondo in the
Nick of Time was
originally the third
movement for a woodwind
quintet piece that I
wrote in 1990. I have
always been fond of this
little piece and felt
that it would adapt well
to larger ensembles. I
have also scored this
piece for band as part of
a suite called Upon a
New Horizon.The main
theme is based on the
Dorian Mode. The use of
quartal harmony makes up
most of the harmonic
material. Each statement
of the theme is followed
by an episode that
increases in length each
time. There is a sudden
change of style and tempo
in the middle of the
piece, where fragments of
the theme are developed.
The title is a
play-on-words, since the
work contains hemiola
effects that alter the
feel of the time.As with
all of my pieces for
strings, the bowings are
given only as a
reference. Feel free to
alter them to fit the
needs of your students. I
have indicated a rather
fast tempo for the piece.
I really like the piece
to fly, but it will work
and sound fine at a
slower tempo as well.
Just endeavor to keep
their energy moving
forward.It has been my
pleasure to have the
opportunity to write this
piece. I hope that you
and your students enjoy
it and find it useful in
your program.-Larry
ClarkLakeland, FL.
2005.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String quartet no. 1 (2015) - Score & parts Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Fennica Gehrman
String quartet SKU: FG.55011-775-4 Composed by Alex Freeman. Classical, c...(+)
String quartet SKU:
FG.55011-775-4
Composed by Alex Freeman.
Classical, contemporary.
Score & parts. Fennica
Gehrman #55011-775-4.
Published by Fennica
Gehrman (FG.55011-775-4).
ISBN
9790550117754. Alex
Freeman found initial
inspiration for his
string quartet (2015) in
a series of photographs a
geologist friend showed
him of en échelon
veins in rock formations.
The open strings
punctuated with pizzicato
unisons that begin the
single-movement work call
to mind something
crystalline and
shimmering, which is
immediately infused with
tumbling lyrical lines in
something of a rapid
caccia technique
throughout. The middle of
the work becomes more
suspended in slower
material loosely based on
a technique of prolation
canon, comprises layers
of free, expressive,
lyrical, and even elegiac
music moving at different
speeds. As the work
concludes, the materials
converge in a
rhythmically pulsating
stasis and an almost
chorale-like statement.
Duration: c. 13'
This product
includes the score and
the parts (A4 sized).
American-Finn
ish composer Alex Freeman
(b.1972) has established
himself among the
foremost composers of
choral music in Finland.
A dedicated citizen of
his musical community, a
teacher, and a choral
singer himself, he
composes music that
reflects an appreciation
for a wide range of
aesthetics and a passion
for communicating with
listeners and performers.
In his choral works, in
particular, we find music
that aims to be sonorous,
melodic, and resonant,
but is always crafted to
carefully avoid the
cliches that can burden
conventional tonality.
His instrumental
works run the gamut: a
cantata with orchestra
based on poetry of
Whitman; a significant
body of solo piano works
that reveal deep roots in
everything from austere
absolute music to soaring
elegaic rhetoric (see
Albany Records, Inner
Voice); his chamber work
Blueshift (Navona
Records), which is a kind
of paean to Reich and
Adams in miniature;
open-ended modular works,
like various iterations
of his Slow All Clocks
for electronic media,
solo clarinet, and mixed
choirs of kanteles; and,
recently, some new
directions in microtonal
music. $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dixit Dominus SSA Chorale 3 parties SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L.
Robinson. For SSA Choir.
Sheet Music. Published by
Shawnee Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc) SKU:
BR.KM-2261 Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches. Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972. $132.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartets, Vol. IX, Opus 71 and 74 (Apponyi-Quartets) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] G. Henle
By Franz Joseph Haydn (1732-1809). Edited by Isidor Saslav, Georg Feder. Study S...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Isidor Saslav, Georg
Feder. Study Score. Henle
Study Scores. Softcover.
136 pages
$36.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 1 (2020 Urtext Edition) Quatuor à cordes: 2 violons, alto, violoncelle Fennica Gehrman
String quartet SKU: FG.55011-639-9 Composed by Einojuhani Rautavaara. Sco...(+)
String quartet SKU:
FG.55011-639-9
Composed by Einojuhani
Rautavaara. Score +
parts. Fennica Gehrman
#55011-639-9. Published
by Fennica Gehrman
(FG.55011-639-9). ISBN
9790550116399. New
Urtext edition (2020) of
Einojuhani Rautavaara's
String Quartet No. 1 is
based on the composer's
manuscript, incorporating
corrections and comments
by composer's hand in
various sources.
Einojuhani Rautavaara
(1928-2016) was one of
Finland's internationally
most successful
composers. He made his
major breakthrough with
the Seventh Symphony,
Angel of Light, in the
1990s, but his output
includes numerous classic
operas, concertos,
chamber music works and
choral works. Over his
extensive career, he
progressed from
Neo-Classicism to strict
dodecaphony to free-tonal
Neo-Romanticism. His
catalogue of influences
over the decades includes
Orthodox liturgical music
and Finnish fiddlers.
Rautavaara's first string
quartet (1953) is from
his Neo-Classical early
period when he composed
only little chamber
music. Stravinsky and the
Finnish folk music are
present in the rhythmical
first movement; later
enters a characteristic
scale alternating half
and whole steps. After
the Slavic romanticism of
the slow movement Andante
the fiddler is back in
the cheerful Gigue. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lift Up Your Hearts: 5 Pieces for Solo Instrument and Organ MorningStar Music Publishers
Composed by Gaston M. Dethier; Edward Elgar; Arthur Foote; John Ireland; James H...(+)
Composed by Gaston M.
Dethier; Edward Elgar;
Arthur Foote; John
Ireland; James H. Rogers.
Arranged by Charles E.
Callahan Jr. Instrumental
Solo, Flexible
Instrumental Solo
Collection, Classical
Transcription. Classical.
Published by MorningStar
Music Publishers
(MN.20-630).
$22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Danzón No. 2 Piano seul Peermusic Classical
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano SKU:
PR.701175060 Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060). UPC:
888680101268. “Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon.. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Danzón No. 2 Piano seul Peermusic Classical
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano SKU:
PR.701185010 Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010). UPC:
888680101275. “Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon.. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Finlandia Op. 26 Breitkopf & Härtel
Viola (2.2.2.2. - 4.3.3.1. - timp.perc - str) SKU: BR.OB-5658-19 Tone ...(+)
Viola (2.2.2.2. -
4.3.3.1. - timp.perc -
str) SKU:
BR.OB-5658-19 Tone
Poem - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Timo
Virtanen. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphonic poem; Early
modern; Late-romantic.
Part. 4 pages. Duration
9'. Breitkopf and Haertel
#OB 5658-19. Published by
Breitkopf and Haertel
(BR.OB-5658-19). ISBN
9790004344385. 10 x 12.5
inches. It is the
new, young Finland that
will be described, and
the composer gives us the
description in the form
of a song, a simple,
four-part chorus,
peculiar due to certain
rhythmic accents [...].
It is a whole new folk
song, or more correctly,
[...] the song of our
democratic Finnish folk.
This is how Karl Flodin
described his first aural
impression of the tone
poem Finlandia in 1899.
In the aftermath of the
February Manifesto
implemented on 15
February 1899 by the
Russian Emperor Nicholas
II, artists expressed
their support for the
press and the freedom of
speech in diverse
cultural events arranged
in Finland in the
beginning of November
1899. A group of artists
joined forces in
arranging a performance
of six historical
tableaus. Jean Sibelius
composed Music for the
Press Celebration Days
for this occasion. After
several revisions, the
music composed for the
last tableau, Suomi heraa
(Finland Awakes), became
known as the tone poem
Finlandia op. 26. As an
independent work
Finlandia quickly became
part of the repertoire
and is now one of the
most frequently played
and best known works by
Sibelius. Today there are
quite a number of
arrangements of this
popular composition. The
original version is now
published in our
established
Urtext-quality based on
the complete edition Jean
Sibelius Works.Compatible
with the study score PB
3318. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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