Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Soft rock and pop rock. G Major. 5 pages. 9x12 inches. Published by Hal Leonard

Performed by Billy Joel, arranged by Kirby Shaw. Octavo for TTBB choir (a cappella). G Major. Series: Hal Leonard Choral. 8 pages. Published by Hal Leonard.

Performed by Billy Joel, arranged by Phillip Lawson. Octavo for SATTBB choir (A Cappella). With piano rehearsal part. G Major. Series: Hal Leonard King's Singer's Choral. 8 pages. Published by Hal Leonard.

Arranged by Nigel Jones. Octavo for 3 Part Treble choir and piano accompaniment. With performance notes and a translation. Eb Major. Series: Celtic Voices. Text language Welsh and English. 8 pages. Published by Boosey and Hawkes.

Composed by George Gershwin (1898-1937), arranged by Alicia Zizzo. Single piece for solo piano. D Major. 8 pages. Published by Alfred Publishing.

By Alice Rose Denny, arranged by Bruce Trinkley. Octavo for SATB choir (a cappella). Eb Major. Series: Alfred Choral Designs. 8 pages. Published by Alfred Publishing.

Composed by Leroy Anderson (1908-1975). Trumpet solo single for trumpet solo and piano accompaniment. With standard notation, solo part and piano accompaniment. F Major. Series: Belwin Instrumental Solos. 6 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Mack Wilberg. For Mixed Choir and Organ. Published by Oxford University Press.

Choral SAB Choir, Piano

SKU: CF.CM9701

Composed by Reginal Wright. Mjts. 12 pages. Duration 3 minutes, 6 seconds. Carl Fischer Music #CM9701. Published by Carl Fischer Music (CF.CM9701).

ISBN 9781491160091. UPC: 680160918690. Key: E major. English. Louisa May Alcott.

Evening Lullaby is based on the poem Lullaby by Louisa May Alcott. This poem describes nature's response to the evening and narrates how various creatures are soothed to sleep by the evening's quiet melody. When performing, please bear in mind the lilting feel of the 3/4 time signature. Placing emphasis on the strong beat (beat 1) should create the soothing, rocking motion needed for the lullaby. Within each phrase, connect the lines while performing the rise and fall of the dynamics. In respect to dynamics, be careful not to exceed mezzo-forte while always maintaining energy in the tone. Regarding the harmonic texture, be intentional to blend and balance each section with tall vowels and steady vibrato as suspensions are prevalent throughout the piece.  .
Evening Lullaby is based on the poem Lullaby by Louisa May Alcott. This poem describes nature's response to the evening and narrates how various creatures are soothed to sleep by the evening's quiet melody.When performing, please bear in mind the lilting feel of the ¾ time signature. Placing emphasis on the strong beat (beat 1) should create the soothing, rocking motion needed for the lullaby.  Within each phrase, connect the lines while performing the rise and fall of the dynamics.   In respect to dynamics, be careful not to exceed mezzo-forte while always maintaining energy in the tone.Regarding the harmonic texture, be intentional to blend and balance each section with tall vowels and steady vibrato as suspensions are prevalent throughout the piece. .

SATB choir, piano accompaniment - Intermediate

SKU: GI.G-7474

Composed by H. Leslie Adams. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #7474. Published by GIA Publications (GI.G-7474).

UPC: 785147747406. English. Text by H. Leslie Adams.

An interesting Christmas piece from the African-American series. It begins as a quiet lullaby in G-flat major and gradually goes into a brief triumph praise section in E major. Then back again to the quiet G-flat lullaby.

By Dennis Alexander. For Piano. Piano Solo; Sheet; Solo. Signature Series. Late Intermediate. 4 pages. Published by Alfred Music Publishing

(Revised Edition). Composed by Frederic Chopin (1810-1849). For Piano (Piano). Henle Music Folios. Softcover. G. Henle #HN1258. Published by G. Henle

Choral SAB choir, keyboard, soprano voice

SKU: CF.CM8439

Composed by Crawford R. Thoburn. Christmas and Holiday. Octavo. With Standard notation. 8 pages. Carl Fischer Music #CM8439. Published by Carl Fischer Music (CF.CM8439).

ISBN 9780825822957. UPC: 798408022952. 6.875 X 10.5 inches. Key: Eb major.

Arranged by Michael Neaum. Vocal score for soprano voice solo, SSAA chorus and piano accompaniment. With vocal score notation, piano accompaniment and solo part. D Major. Text language Spanish and English. 10 pages. Published by Oxford University Press.

By Martha Mier. For Piano. Piano Solo. Level: Late Elementary (grade 2). Sheet. 4 pages. Published by Alfred Publishing.

From Considering Matthew Shepard. Composed by Craig Hella Johnson. Craig Hella Johnson Series. Concert, Festival, Inspirational. Octavo. 20 pages. Published by Hal Leonard

For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Published by Paterson Ltd.

Piano 4 hands - Easy and Intermediate

SKU: YM.GTP01097952

Piano Pop and Vocal. Score. Yamaha Music Media #GTP01097952. Published by Yamaha Music Media (YM.GTP01097952).

ISBN 9784636979527.

Let' s make the routine mechanical exercises more fun piano duet performances and enjoy practicing the fingers while having fun! The accompaniment (as a secondo, a second part) is arranged in various styles, like Ballroom, Bossa Nova, Tango, Waltz, and more! In addition to the reference performance, there is also a karaoke soundtrack for the accompaniment only, so it is also enjoyable even for one person.

Asian Edition. By piano accompaniment performed by Kuang-Hao Huang, violin performed by Augustin Hadelich, and Dr. Shinichi Suzuki. This edition: International. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 32 pages. Alfred Music #00-50633. Published by Alfred Music

International Edition. By Kuang-Hao Huang. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-50107. Published by Alfred Music

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS100

Composed by 17th Century English Lullaby. Arranged by Carl Strommen. SWS FS. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 5+8+8+2+5+5+2+8 pages. Duration 2 minutes, 48 seconds. Carl Fischer Music #FAS100. Published by Carl Fischer Music (CF.FAS100).

ISBN 9781491146415. UPC: 680160903917. 9 x 12 inches. Key: G major.

Golden Slumbers is based on the poem Cradle Song from the Thomas Decker 1603 comedy Patient Gissel. The poem was set to music by Peter Warlock in 1918 as a lullaby. Carl Strommen pushes the beauty and lyrical nature of the song in his arrangement. There are interesting changes in color and texture with good use of solo instruments to contrast the full ensemble statements. A perfect vehicle to teach phrasing and musicianship to developing musicians.
Golden Slumbers is based on the poem Cradle Song from a Thomas Decker 1603 comedy Patient Gissel. The poem was then set to music by Peter Warlock in 1918. Golden Slumbers should be treated as a lullaby with the following lyric as a guide:Golden Slumbers, Kiss your eyes, smiles awake you when you rise, Sleep pretty maiden, do not cry. and I will sing a lullaby.

(Piano Solos). Composed by Koji Kondo, Toru Minegishi, Kenta Nagata, Asuka Ohta, and Hajime Wakai. For Piano Solo. This edition: Piano Solos. Book; Piano Collection; Piano Supplemental. Video Game. Early Advanced; Late Intermediate. 80 pages. Published by Alfred Music

(Viola Part). Composed by Dr. Shinichi Suzuki. For Viola. This edition: Revised. Book; CD; Method/Instruction; String - Viola (Suzuki); Suzuki. Suzuki Viola School. 32 pages. Published by Alfred Music

Piano. Book and CD package. Size 9x12 inches. 40 pages. Published by Homespun Listen and Learn Series. (699094)

By Michele Weir. For Piano. Textbook - Jazz. Jazz. Book and CD. 128 pages. Published by Alfred Publishing.