SKU: HL.14022192

UPC: 884088840877. 8.5x11.0x0.123 inches. English.

“So To Speak is an extended meditation on an anthem for Pentecost by Thomas Tallis entitled Loquebantur Variis Linguis (they spoke in many tongues). After organizing the material for the piece, I wrote a melody that works against, underneath, and above Tallis's lines to create counterpoint made of old and new elements. Patterns of aggressive woodwind scales and ornaments evoke some of the hysteria inherent in glossolalia (ecstatic speaking in tongues). The central section of the piece gestures towards an insect-like musical and religious fervor.” –Nico Muhly So To Speak is scored for orchestra and lasts seven minutes. It is dedicated to Amiel Melnick. This piece was first performed by the Juilliard Orchestra in April 2004, conducted by Jeffrey Milarsky.

SKU: HL.243778

UPC: 888680748722. 8.25x11.75x0.242 inches.

Nico Muhly's How Little You Are was composed in 2015 and is arranged for SATB divisi chorus and three guitar quartets. Based on Cowboy Poetry texts, the work masterfully weds guitar and vocal textures, resulting in poignant Western impressions. Duration: approximately 40 minutes.

SKU: HL.244909

UPC: 888680729103. 6.75x10 inches.

Nico Muhly's Lord, Keep Us Modest When We Claim was commissioned by Eastman School of Music through its George W. Utech Congregational Hymnody Fund. First performed on 26 October 2016 as part of the Eastman Rochester Organ Initiative (EROI) Festival.

Arranged for SATB and Organ this piece has a duration of approximately 3 minutes.

SKU: HL.402076

ISBN 9781705160077. UPC: 196288056812. 9.0x12.0x0.167 inches.

The Right of Your Senses is a set of nine songs for children's voices, solo soprano, and orchestra written for the National Children's Chorus, American Youth Symphony and Los Angeles Philharmonic Association. The texts are primarily 17th-century, by Thomas Traherne and George Herbert, but two of them come from the 11th-century Enchiridion by Byrhtferth. The overarching theme is the story of creation, but not just the list of objects created: the texts deal with the emotional resonances of the sun, the sea, the air, and the moon with all their mysterious, bright, and dark potential. There is a recurring gesture in the strings, introduced at the very top: a simple descending pattern which binds many of the movements together, even when hidden in the more tumultuous sections. The first two movements are bright, whereas the middle three movements are violent and deal with the angrier natural elements. The seventh movement is the most abstract and playful, and here a direct nod to Benjamin Britten's A Ceremony of Carols, with a fast three-part canon depicting the behavior of the atom. The eighth movement, Night, is the slowest, and depicts the night sky. The final movement is calm, and encourages us: Be faithful in a little, and you shall be master over much. The piece ends with five strokes of high bells. x Nico Muhly.

SKU: HL.280831

UPC: 888680888718. 6.75x10.5x0.02 inches. English.

Nico Muhly's A Great Stone for treble semichorus and SATB choir unaccompanied. When Joseph had taken the body, he wrapped it in a clean linen cloth, And laid it in his own new tomb, which he had hewn out in the rock: and he rolled a great stone to the door of the sepulcher and departed. Matthew 27 vv.59 60 King James Version (1611).

SKU: HL.14043556

UPC: 840126937282. 6.75x10.5x0.029 inches. English.

An arrangement by Nico Muhly of a story taken from the folk tale and nursery rhyme tradition.

SKU: HL.277281

UPC: 840126953329. 12x16.5 inches.

Nico Muhly's Looking Up for SATB choir and orchestra.

Commiss ioned by the Cathedral Choral Society. Made possible by the William Remsen Strickland Endowment Fund “to remember the concerts of the Cathedral Choral Society during World War II”.

The first performance was given by the Cathedral Choral Society, conducted by Patrick Dupre Quigley, on 21 May 2017 at Washington National Cathedral, Washington, D.C., USA.

SKU: HL.276513

UPC: 888680989774. 12x16.5 inches.

“S entences is a thirty-minute meditation, in collaboration with Adam Gopnik, on several episodes drawn from the life and work of Alan Turing. Turing lived, in a sense, many different lives, but at the heart of his work was, I think, a very musical set of anxieties. Even the idea of code-breaking is inherently musical; the French for score-reading is déchiffrage: deciphering. His wartime work on the Enigma code translated, later in life, to a more nuanced relationship to code in the form of a primitive but emotionally (and philosophically) complicated artificial intelligence. The piece uses a single voice not to speak necessarily as Turing, but as a guide through these various episodes.

I've always felt that the question of sentient computers is wildly emotional: we anthropomorphise the Mars Rover, imagining its solitude on that dusty planet. Any act of communication in which the second person is unseen can be a one-way conversation. An email, sent, can never be returned - did it arrive or did it not?-', or a text message can be delivered but never read. The thrill of a fast response is immediately tempered with the harsh but empty rudeness of an out-of-office reply. Anybody who has made a condolence phone call only to hear the voice of the deceased on the outgoing answering machine message knows the complexities of what could be a simple binary communication.” –Nico Muhly.

SKU: HL.1122017

ISBN 9781705181744. UPC: 196288108986.

A Good Understanding (2005) was written for Tim Brown and the choir of Clare College, Cambridge with the generous cooperation of John Scott and the Boys of Saint Thomas Church Fifth Avenue. A Good Understanding, with texts culled from two psalms, is designed to share a program with Rutter's expansive and expressive Mass of the Children. The piece unfolds episodically short choral phrases alternating with longer instrumental interludes. The first half of the text is typical psaltry praise-making: outlining agreements, explaining the rules; the music is, accordingly, severe but practical. The second half of the text begins, The fear of the Lord is the beginning of wisdom/a good understanding have all they that do his commandments.?I find the idea of a good understanding?to be an especially exciting reward for following the rules; the boys sing pulsed syllables and long descants to celebrate the covenant while the choir sings a lilting, repetitive refrain. (Psalm 111, 10). - Nico Muhly.

SKU: HL.277285

UPC: 840126914580. 6.75x10.5x0.048 inches.

Nico Muhly's Preservation for SATB and Orchestra presented with piano reduction. Duration: 10 minutes.