Whit
Sunday [1st Day of
Pentecost]. Composed
by Johann Sebastian Bach.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
16 pages. Duration 25'.
Breitkopf and Haertel #OB
4574-26. Published by
Breitkopf and Haertel
(BR.OB-4574-26).
Organ (solos: SB - choir: SATB - 0.0.0.0 - 0.2.0.0 - timp - str - bc) SKU: BR...(+)
Organ (solos: SB - choir:
SATB - 0.0.0.0 - 0.2.0.0
- timp - str - bc)
SKU: BR.OB-4559-11
Whit Sunday (1st Day
of Pentecost).
Composed by Johann
Sebastian Bach. Edited by
Horst Hempel. Arranged by
Horst (Bc) Hempel. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
16 pages. Duration 12'.
Breitkopf and Haertel #OB
4559-11. Published by
Breitkopf and Haertel
(BR.OB-4559-11).
(Kantate zum 2. Pfingsttag). By Georg Philipp Telemann (1681-1767). Edited by Kl...(+)
(Kantate zum 2.
Pfingsttag). By Georg
Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli SATB, SATB Choir,
Recorder f1, 2 Oboes, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. TVWV 1:165.
Score available
separately - see item
CA.3913000. Cantatas; Use
during the church year:
Pentecost; Stuttgart
Urtext Editions.
Piano/Vocal score.
Language: German/English.
24 pages. Duration 20
min. Published by Carus
Verlag
(Kantate zum 2. Pfingsttag). By Georg Philipp Telemann (1681-1767). Edited by Kl...(+)
(Kantate zum 2.
Pfingsttag). By Georg
Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli SATB, SATB Choir,
Recorder f1, 2 Oboes, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. TVWV 1:165.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Pentecost. Score.
Language: German/English.
49 pages. Duration 20 min
(Kantate zum 3. Pfingsttag). By Johann Sebastian Bach (1685-1750). Edited by Rei...(+)
(Kantate zum 3.
Pfingsttag). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SAT, SATB Choir, 2
Flutes, Strings, Organ.
This edition: paperbound.
BWV 184. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Score. Language:
German/English. Composed
1724. 68 pages. Duration
25 min
Composed by Pepper Choplin. Choral, cantatas. Ascension, Eastertide, Pentecost...(+)
Composed by Pepper
Choplin.
Choral, cantatas.
Ascension,
Eastertide, Pentecost.
SATB
with performance CD.
Lorenz
Publishing Company
#55/1201L.
Published by Lorenz
Publishing Company
Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. A...(+)
Composed by Pepper
Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas.
Ascension, Eastertide,
Pentecost. Choral score.
Lorenz Publishing Company
#55/1200L. Published by
Lorenz Publishing Company
By Johann Sebastian Bach. For Piano. Piano Collection. Kalmus Edition. Masterwor...(+)
By Johann Sebastian Bach.
For Piano. Piano
Collection. Kalmus
Edition. Masterwork.
Level: Intermediate /
Advanced. Book. 44 pages.
Published by Alfred
Publishing.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext. 2x
31.173/21 flute.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1728ca. BWV 173.
Duration 15 minutes.
Carus Verlag #CV
31.173/09. Published by
Carus Verlag
(CA.3117309).
ISBN
9790007209575. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and
parts available
separately - see item
CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1728ca.
BWV 173. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/49. Published by
Carus Verlag
(CA.3117349).
ISBN
9790007209629. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed
1728ca. BWV 173. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/14. Published by
Carus Verlag
(CA.3117314).
ISBN
9790007209612. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1728ca. BWV 173. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/12. Published by
Carus Verlag
(CA.3117312).
ISBN
9790007209599. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1728ca.
BWV 173. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/13. Published by
Carus Verlag
(CA.3117313).
ISBN
9790007209605. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1728ca. BWV 173. 12
pages. Duration 15
minutes. Carus Verlag #CV
31.173/11. Published by
Carus Verlag
(CA.3117311).
ISBN
9790007209582. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun.
Vocal score. Composed
1728ca. BWV 173. 24
pages. Duration 15
minutes. Carus Verlag #CV
31.173/03. Published by
Carus Verlag
(CA.3117303).
ISBN
9790007144135. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score
available separately -
see item CA.3117300.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Frauke Heinze.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun.
Study score. Composed
1728ca. BWV 173. 40
pages. Duration 15
minutes. Carus Verlag #CV
31.173/07. Published by
Carus Verlag
(CA.3117307).
ISBN
9790007165710. Language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score
available separately -
see item CA.3117300.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-16. Published by
Breitkopf and Haertel
(BR.OB-32117-16).
ISBN
9790004350843. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-26. Published by
Breitkopf and Haertel
(BR.OB-32117-26).
ISBN
9790004350867. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-15. Published by
Breitkopf and Haertel
(BR.OB-32117-15).
ISBN
9790004350836. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30).
ISBN
9790004350874. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-11. Published by
Breitkopf and Haertel
(BR.OB-32117-11).
ISBN
9790004350829. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music.
Duration 25'. Breitkopf
and Haertel #PB 32117.
Published by Breitkopf
and Haertel
(BR.PB-32117).
ISBN
9790004215845. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-19. Published by
Breitkopf and Haertel
(BR.OB-32117-19).
ISBN
9790004350850. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 25'.
Breitkopf and Haertel #EB
32117. Published by
Breitkopf and Haertel
(BR.EB-32117).
ISBN
9790004187258. 7.5 x 10.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. 1x
31.174/21 violin/oboe 1,
1x 31.174/22 violin/oboe
2, 1x 31.174/23 taille,
2x 31.174/31 horns 1 and
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/09. Published by
Carus Verlag
(CA.3117409).
ISBN
9790007209636. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/19. Published by
Carus Verlag
(CA.3117419).
ISBN
9790007187248. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Organ. Composed 1729. BWV
174. 16 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/49. Published
by Carus Verlag
(CA.3117449).
ISBN
9790007209711. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.