Soliloquy Flûte traversière et Piano [Set de Parties séparées] Theodore Presser Co.
For Flute and Piano. By Gary Schocker. For Flute, Piano. Classical. Set of parts...(+)
For Flute and Piano. By
Gary Schocker. For Flute,
Piano. Classical. Set of
parts. Composed 1997. 4
pages. Duration 4:00.
Published by Theodore
Presser Company.
Shulamit Ran: Soliloquy Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Theodore Presser Co.
For Violin, Cello, and Piano - Score and Parts. By Shulamit Ran. Text: Shulamit ...(+)
For Violin, Cello, and
Piano - Score and Parts.
By Shulamit Ran. Text:
Shulamit Ran. For Violin,
Cello, Piano. Score and
parts. Composed 1997. 12
pages. Duration 8:00.
Published by Theodore
Presser Company.
Soprano - Book 1. By Benjamin Britten. Arranged by Dan Dressen. (Soprano). Boos...(+)
Soprano - Book 1. By
Benjamin Britten.
Arranged by Dan Dressen.
(Soprano). Boosey and
Hawkes Voice. Size 9x12
inches. 56 pages.
Published by Boosey and
Hawkes.
Concert Band - Grade 1.5 SKU: AP.45768S (The Shark!). Composed by ...(+)
Concert Band - Grade 1.5
SKU: AP.45768S
(The Shark!).
Composed by Ralph Ford.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. Score. 16 pages.
Duration 2:00. Belwin
Music #00-45768S.
Published by Belwin Music
(AP.45768S).
UPC:
038081523064.
English.
Cast in G
minor, this compelling
original work contains
all the anticipated
components with a musical
depiction of circling the
prey and the strike. The
effects are complete with
the use of vivid dynamic
shifts and a solid
percussion contribution.
All musical components
are easily attainable by
beginning students.
Dating back to more than
420 million years ago,
these continuously moving
soulless eating machines
have been the subject
extensive study and
graphic horror. Musically
menacing yet audience
pleasing! (2:00).
By Amy Appleby. For Piano and Voice, with Guitar chord symbols. Irish, Folk, Cel...(+)
By Amy Appleby. For Piano
and Voice, with Guitar
chord symbols. Irish,
Folk, Celtic. Level:
Intermediate to Advanced.
Sheet Music. Published by
Wise Publications.
Version 1: piano; 2. version: SATB choir SKU: CA.5025300 Composed by Jose...(+)
Version 1: piano; 2.
version: SATB choir
SKU: CA.5025300
Composed by Josef Gabriel
Rheinberger. Edited by
Barbara Mohn. Church
year: Christmas.
Christmas. Full score.
Composed 1884/1900. 4
pages. Duration 2
minutes. Carus Verlag #CV
50.253/00. Published by
Carus Verlag
(CA.5025300).
ISBN
9790007164300. Language:
German.
In 1884,
Josef Rheinberger
composed a setting for
solo voice and piano of
the Christmas poem
Morgenstern der finstern
Nacht by the mystic
Baroque poet Angelus
Silesius at the behest of
a magazine. 16 years
later, he returned to the
melody and set it for
four-part a cappella
choir. Both versions are
printed in the choral
song sheet. The choral
setting - published here
for the first time - is a
welcome addition to the
Christmas repertoire.
Guitar - avancé SKU: DY.DO-1521 Composed by David Leisner. Score. Les Ed...(+)
Guitar - avancé
SKU:
DY.DO-1521
Composed
by David Leisner. Score.
Les Editions
Doberman-Yppan #DO 1521.
Published by Les Editions
Doberman-Yppan
(DY.DO-1521).
ISBN
9782897963019.
Dedi
cated to the luminary
Steve Cowan, …empty
mind, open heart… is a
four-movement suite that
centers around the
intervals of a fifth and
a tritone. Each movement
is inspired by a quote
from the Tao Te Ching by
Lao Tzu. The opening
movement is a meditation.
The aleatoric rhythms and
pacing of the notes are
guided by the breathing
of the performer,
according to specific
instructions in the
score. Out of that
atmosphere emerges a
fluid, serene series of
arpeggios in irregular
rhythms in the second
movement. Each new chord
changes only one or two
notes at a time in a
gradual evolution over
time. The third movement
is a study in rhythm,
sometimes dizzying. And
the piece ends with a
heartfelt, mostly quiet
soliloquy.
Dédié
e à la sommité Steve
Cowan, … esprit vide,
cœur ouvert… est une
suite en quatre
mouvements centrée sur
les intervalles d'une
quinte et d'un triton.
Chaque mouvement est
inspiré d'une citation
du Tao Te Ching de Lao
Tseu. Le mouvement
d’ouverture est une
méditation. Les rythmes
aléatoires et le rythme
des notes sont guidés
par la respiration de
l'interprète, selon des
instructions spécifiques
de la partition. De cette
atmosphère émerge une
série d’arpèges
fluides et sereins aux
rythmes irréguliers dans
le deuxième mouvement.
Chaque nouvel accord ne
change qu'une ou deux
notes à la fois selon
une évolution
progressive dans le
temps. Le troisième
mouvement est une étude
du rythme, parfois
vertigineuse. Et la
pièce se termine par un
monologue sincère,
plutôt calme.