Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
(Sixth Edition) For C instrument. Format: fakebook (spiral bound). With melody, ...(+)
(Sixth Edition) For C
instrument. Format:
fakebook (spiral bound).
With melody, standard
notation and chord names.
Jazz. Series: Hal Leonard
Instrumental Fake Books.
512 pages. 8.5x11 inches.
Published by Hal Leonard.
(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, s...(+)
(Sixth Edition) Fakebook
(spiral bound) for bass
clef instrument. With
melody, standard notation
and chord names. Series:
Hal Leonard Instrumental
Fake Books. 462 pages.
Published by Hal Leonard.
Guitar/Bass/Drum - Intermediate SKU: YM.GTL01090196 By My First Story. Gu...(+)
Guitar/Bass/Drum -
Intermediate
SKU:
YM.GTL01090196
By My
First Story.
Guitar/Bass/Drum, Band
Score. Score. Yamaha
Music Media #GTL01090196.
Published by Yamaha Music
Media (YM.GTL01090196).
ISBN
9784636901962.
This
band score matches their
2nd album THE STORY IS MY
LIFE (released in
February 2013). It opens
with 8 pages of color
photos and includes
interviews with the
members where they
discuss writing the
songs, memories of their
beginnings, and plenty of
performance points about
this music. Highlights
include photos of live
performances and
introductions of their
equipment.
Piano/Vocal/Guitar SKU: HL.256650 Composed by Various. Piano/Vocal/Guitar...(+)
Piano/Vocal/Guitar
SKU: HL.256650
Composed by Various.
Piano/Vocal/Guitar
Songbook. Children,
Disney, Movies.
Softcover. 288 pages.
Published by Hal Leonard
(HL.256650).
ISBN
9781540015303. UPC:
888680723699.
9.0x12.0x0.78
inches.
This
updated 7th edition
coffee table collection
is a Disney lover's dream
come true! It is a guided
tour through the many
legendary years of Disney
music. The book begins
with an extensive musical
history of Disney,
followed by beautiful
piano/vocal arrangements
of 70 Disney classics.
Printed on deluxe stock
with more than 100
stunning full-color
illustrations
accompanying the text and
music, this book is a
keepsake to treasure for
years to come! Songs
include:
Bibbidi-Bobbidi-Boo (from
Cinderella) * Circle of
Life (from The Lion King)
* Evermore (from Beauty
and the Beast) * How Far
I'll Go (from Moana) * I
See the Light (from
Tangled) * Let It Go
(from Frozen) * Under the
Sea (from The Little
Mermaid) * When You Wish
Upon a Star (from
Pinocchio) * You've Got a
Friend in Me (from Toy
Story) * and more.
Intermediate SKU: WD.080689618178 Personal Accounts of the Life, Death...(+)
Intermediate
SKU:
WD.080689618178
Personal Accounts of
the Life, Death and
Resurrection of
Jesus. Composed by
Cliff Duren. Choral,
cantatas. Eastertide.
Book. Word Music
#080689618178. Published
by Word Music
(WD.080689618178).
UPC:
080689618178.
The Easter Story.
The story of unfailing,
sacrificial love. The
story told for centuries
of a King Who gave His
life to save His people
for generations to come.
The story that would
eradicate darkness and
radiate perfect Light
into the lives of
imperfect people.
The Easter story is not
one with an end, but one
with a ripple effect,
creating Easter stories
for every person who
believes and proclaims
the name of Jesus as Lord
and Savior. Because of
Him, our stories are
forever changed! From
Word Music
& Church
Resources,
created by Johnathan
Crumpton and
arranger Cliff
Duren, MY
EASTER STORY is
a Praise &
Worship-style musical
with personal accounts of
the life, death, and
resurrection of Jesus.
Bursting with dynamic
songs that will give your
choir and congregation an
opportunity to sing about
their own personal
stories with the Savior,
MY EASTER
STORY is the
perfect unique and
compelling musical to
celebrate Jesus'
resurrection and the
powerful stories Christ
has created in and
through each of
us.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
String Quartet No. 1 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Subito Music
String Quartet SKU: SU.29120020 For String Quartet. Composed by To...(+)
String Quartet
SKU:
SU.29120020
For
String Quartet.
Composed by Todd Mason.
Score & Parts. Subito
Music Corporation
#29120020. Published by
Subito Music Corporation
(SU.29120020).
String Quartet
No. 1 is a powerful
and harmonically dynamic
string quartet in four
movements. It mixes both
tonal and dissonant
musical landscapes in an
elegant way. The quartet
may also be experienced
as a kind of
coming-of-age story.
After the calm first
movement’s
confident simplicity of
youth, the second
movement reflects the
increasing complications
and conflicts of young
adulthood, with fraught
exploration, the
discovery of possible
romance, and new tensions
now replacing the
youthful calm. The third
movement reflects on
maturity and the
experiences of love and
loss, before the
finale—a set of
complex chromatic
fugues—evokes the
fight against fate and
time to achieve
one’s goals in
life. The
movement’s end
briefly recapitulates the
first movement,
suggesting that
ultimately life comes
full circle as we see the
totality of our
experience. As LA Opus
music critic, John
Stodder, said about this
work, The protagonist
discovers the presence of
life's purpose. String
Quartet Duration: 19'
Composed: 2019 Published
by: Todd Mason.
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play
Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 64 pages.
Published by Hal Leonard.
Opera Piano, solo Voices SKU: PR.411411630 Opera in Two Acts. Comp...(+)
Opera Piano, solo Voices
SKU: PR.411411630
Opera in Two Acts.
Composed by Ricky Ian
Gordon. Piano Reduction
Score. 438 pages.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #411-41163.
Published by Theodore
Presser Company
(PR.411411630).
ISBN
9781491137635. UPC:
680160691081. English.
Intimate Apparel by Lynn
Nottage.
Originally
an award-winning play,
Lynn Nottage’s INTIMATE
APPAREL was inspired by
her great-grandmother’s
life in New York in the
early 20th century. The
Pulitzer-laureate also
created the libretto for
Ricky Ian Gordon’s
grand-yet-intimate opera
whose complete
instrumentation is two
pianos. The story follows
the life of a young,
single seamstress who has
recently emigrated from
Barbados, the fascinating
cast of characters in her
life, and her
socially-unacceptable
feelings of affection for
a Jewish fabric salesman.
The premiere production
of this 2½-hour drama
was televised nationally
from Lincoln Center on
PBS’s “Great
Performances.”. Inti
mate Apparel began with
an old photograph that I
found haphazardly wedged
between the pages of a
Family Circle magazine. I
was helping my
grandmother, who’d
developed debilitating
senile dementia, move
from her longtime home in
Crown Heights, Brooklyn.
In the midst of a pile of
weathered magazines I
discovered a black and
white passport photograph
of my grandmother Waple
and her younger sister
Eurita sitting on their
mother’s lap. It was
the first time I’d ever
seen an image of my
great-grandmother Ethel,
a striking woman with
high West African
cheekbones and a gentle
intensity. She had been a
seamstress from Barbados,
who at the age of 18
arrived alone in New York
City at the dawn of the
Twentieth Century. The
image invited a thousand
questions, none that
could be answered by the
living, and it led me on
a journey to piece
together the history of
my great-grandmother
Ethel, a woman who was
basically a stranger to
me. The only clue that I
had about Ethel, was a
story that my grandmother
had once told me about
her mother corresponding
with a man laboring on
the Panama Canal, who
would eventually become
her husband. I was
fascinated by this story,
which served as the
inspiration for INTIMATE
APPAREL.As I began my
research for INTIMATE
APPAREL at the New York
Public Library, I
discovered that lives of
Black working women in
the early 1900s were
woefully absent from the
archive. So, I found
myself perusing help
wanted listings, boarding
house and clothing
advertisements, looking
for any sign of women
like my great-grandmother
on the printed page. As I
was doing so, I began to
find the characters that
would populate the world
of INTIMATE APPAREL;
Esther the lonely
seamstress, Mrs. Dickson
the proprietress of the
boardinghouse for Black
women, Mr. Marks the
Jewish fabric salesman on
the Lower Eastside, Mrs.
Van Buren the wealthy
white socialite on the
Upper Eastside, Mayme the
sex worker in the
tenderloin, and George
the laborer toiling on
the Panama Canal. As I
was conjuring the
characters, I realized
that I was interested in
the unexpected
intersections between
class, race, and gender
at the turn of the
Twentieth Century, and
what happens when people
across cultural and
economic divides are
thrust into spaces of
intimacy.INTIMATE APPAREL
began its life as a
popular play, but it was
the brilliant composer
Ricky Ian Gordon who
invited me to consider
adapting it into an
opera. He saw something
epic and expansive in the
life of Esther that he
felt demanded to be sung,
and with his loving
guidance I was able to
write my first libretto.
It took me several tries
to figure out how to
wrestle my play into a
form that was new to me.
As a playwright, I kept
wanting to maintain
absolute control of the
narrative. But, it was
Ricky’s words that
freed me creatively to
find my way into the
libretto. He said,
“You’re not trusting
my music as a narrative
tool; I can say “I love
you” without any words,
with just music. So,
allow me to be your
collaborator on the
storytelling.” And once
he said that, we found
INTIMATE APPAREL the
opera together.
(An Interactive Storybook about the Inventor of Music Notation). Composed by Mar...(+)
(An Interactive Storybook
about the Inventor of
Music Notation). Composed
by Maritza Mascarenhas
Sadowsky. This edition:
Interactive Storybook.
CD-ROM;
Classroom/Pre-School;
General Music and
Classroom Publications;
Other Classroom; Theory.
4 pages. Published by
Alfred Music
SATB choir - Easy/Moderate SKU: WD.080689535673 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689535673
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Orchestration. Duration
32 minutes. Word Music
#080689535673. Published
by Word Music
(WD.080689535673).
UPC:
080689535673.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689594090 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689594090
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Accompaniment
DVD. Duration 32 minutes.
Word Music #080689594090.
Published by Word Music
(WD.080689594090).
UPC:
080689594090.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689496776 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689496776
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulletins
(100-pak). Duration 32
minutes. Word Music
#080689496776. Published
by Word Music
(WD.080689496776).
UPC:
080689496776.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689495779 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689495779
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Posters
(12-pak). Duration 32
minutes. Word Music
#080689495779. Published
by Word Music
(WD.080689495779).
UPC:
080689495779.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
SATB choir - Easy/Moderate SKU: WD.080689621390 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689621390
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. DVD preview
pak. Duration 32 minutes.
Word Music #080689621390.
Published by Word Music
(WD.080689621390).
UPC:
080689621390.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).