Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225

Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+ 6+6+8+8+8+4+4+6+6+6+8+2+1 +6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225).

ISBN 9781491152515. UPC: 680160910014.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225F

Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F).

ISBN 9781491153192. UPC: 680160910694.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

By Stuart 'son' Maxwell. For Harmonica. Blues, Children. Sheet Music and Audio CD. 40 pages. Published by Wise Publications.

(Gospel Classics by Mosie Lister). Composed by Gaylen Bourland. For piano. Sacred. Moderately advanced. Published by Lillenas Publishing Company

Composed by Jay Rouse. Choral. Sacred Anthem, Christmas, Concert. Medallion Music #10/5476MD. Published by Medallion Music

By Stan Pethel. For SATB choir and piano with optional rhythm section. General Worship, Sacred. Performance/Accompaniment CD. Published by Hope Publishing Company

By Pepper Choplin. Arranged by Stan Pethel. For orchestration. Good Friday, Holy Week. Orchestral Score and CD with Printable Parts. Published by Lorenz Publishing Company

Piano Solo

SKU: YM.GTP01100585

Composed by Various. Anime. Anime, J-POP. Score. Yamaha Music Media #GTP01100585. Published by Yamaha Music Media (YM.GTP01100585).

ISBN 9784636104004. 8.5 x 12 inches.

Play your favorite Anime hit songs right away with this book! This is a collection of solo piano arrangements that can be enjoyed by younger players. Easy arrangements that even small hands can play without difficulty. 5 songs are arranged for the chorus only, so they can be played easily with just one hand.

Handbells 3-5 Octave handbells - Level 1

SKU: HP.2980

Arranged by Ron Mallory. Hymntune, Hymn Arrangements, Christmas. Handbell score. 8 pages. Hope Publishing Company #2980. Published by Hope Publishing Company (HP.2980).

UPC: 763628129804.

Popul ar Christmas Carol Beginning with all ringers on mallets, this is an ideal piece to teach mallet technique. The developing ringer will enjoy the various techniques used to enliven this buoyant and enticing Christmas treasure; and at Level 1+, they will be capable of mastering this delightful setting quickly.

The Complete Guide. By Kevin King. Musicians Institute Press (Instruction taken from the curriculum of MI). Size 9x12 inches. 96 pages. Published by Musicians Institute.

Composed by Cathy Moklebust. For handbells 3-5 octaves, finger cymbals, chime tree, tambourine, hand drum. Master Ringer Series. Christmas, Eastertide, Sacred. Handbell part. Published by Chorister's Guild

Arranged by M Huff. (2 part). Choral. Size 6.75x10.5 inches. 31 pages. Published by Hal Leonard.

Arranged by M Huff. (Showtrax Cd). Choral. CD only. Size 5x5 inches. Published by Hal Leonard.

Arranged by Mac Huff. Octavo for SATB chorus and piano accompaniment. With chord names. Choral. 32 pages. Published by Hal Leonard.

Arranged by M Huff. (SAB). Choral. Size 6.75x10.5 inches. 32 pages. Published by Hal Leonard.

Grade 3

SKU: CL.012-3480-75

Composed by Sweet. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR340 & CL.WFR366). Oversized, spiral-bound score. Composed 2006. Duration 3 minutes, 16 seconds. Opus III Wind Orchestra Publications #012-3480-75. Published by Opus III Wind Orchestra Publications (CL.012-3480-75).

The big-top comes to life with this exciting circus march. Unlike many circus marches, technical demands are modest, making this accessible to the majority of bands. Composed during Al Sweet's tenure as bandleader for the Ringling Bros. circus, this classic march is finally available in a modern concert band edition which keeps the color and feel of the original. Audiences and performers alike will thrill to the sounds of this exciting march.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

by Mel Bay. For fiddle. solos. Old Time. Level: Intermediate. Book. Size 8.75x11.75. 24 pages. Published by Mel Bay Publications, Inc. (93449)

5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; harpsichord, organ) (ALTUS(ALT))

SKU: HL.49030287

Pieces for 5 Viols or Recorders. Composed by John Dowland. Edited by Edgar Hubert Hunt. Sheet music. Edition Schott. Individual part. 12 pages. Schott Music #ED 12141-03. Published by Schott Music (HL.49030287).

ISBN 9790220123481. 9.0x12.0x0.034 inches.

Five-Finger Piano. By Various. Five Finger Piano Songbook. Size 9x12 inches. 24 pages. Published by Hal Leonard.

5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; harpsichord, organ) (CANTUS)

SKU: HL.49030285

Pieces for 5 Viols or Recorders. Composed by John Dowland. Edited by Edgar Hubert Hunt. Sheet music. Edition Schott. Individual part. 16 pages. Schott Music #ED 12141-01. Published by Schott Music (HL.49030285).

ISBN 9790220123467. 8.75x11.5x0.069 inches.

5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; harpsichord, organ) (BASSUS)

SKU: HL.49030292

Pieces for 5 Viols or Recorders. Composed by John Dowland. Edited by Edgar Hubert Hunt. Sheet music. Edition Schott. Individual part. 16 pages. Schott Music #ED 12141-08. Published by Schott Music (HL.49030292).

ISBN 9790220123535. 9.0x12.0x0.055 inches.

Band jazz band - Grade 4

SKU: KJ.ZB406F

Composed by Dean Sorenson. Jazz Ensemble Signature Series. Jazz. Score. Neil A. Kjos Music Company #ZB406F. Published by Neil A. Kjos Music Company (KJ.ZB406F).

UPC: 8402702628.

Get your performance off to a great start with this exciting opener. Funky riffs are layered on top of each other until the full groove is revealed. Solo changes are easy and can be opened up for as many soloists as you want. Short and exciting -- the perfect opener! Full Score.

5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; harpsichord, organ) (ALTUS (V))

SKU: HL.49030286

Pieces for 5 Viols or Recorders. Composed by John Dowland. Edited by Edgar Hubert Hunt. Sheet music. Edition Schott. Individual part. 16 pages. Schott Music #ED 12141-02. Published by Schott Music (HL.49030286).

ISBN 9790220123474. UPC: 196288172086. 9.25x12.0x0.056 inches.

5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; harpsichord, organ) (QUINTUS(AL)

SKU: HL.49030291

Pieces for 5 Viols or Recorders. Composed by John Dowland. Edited by Edgar Hubert Hunt. Sheet music. Edition Schott. Individual part. 12 pages. Schott Music #ED 12141-07. Published by Schott Music (HL.49030291).

ISBN 9790220123528. 9.0x12.0x0.045 inches.