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| Introduction To The Great
Composers For Violin And
Piano
Violon et Piano
Barenreiter
for Violin and Piano. This volume offers a varied repertoire with works by famou...(+)
for Violin and Piano. This volume offers a varied repertoire with works by famous composers. It presents 15 pieces from the 17th to 19th centuries ranging from Purcell through to Tchaikowsky. The piano accompaniments are not difficult to play, and the violin part itself can be mastered frequently in first position./ Recueil / Violon et Piano
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| Grand Fugue Op. 134 (The
Composer's
Transcribed Version)
1 Piano, 4 mains
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...(+)
Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Grand Fugue op. 134 (the composer's transcribed version) pour Piano 4 mains et Plus et plus particulièrement pour Piano 4 Mains. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano 4 Mains / Chanson En Séparée
Délais: En Stock | | |
| The New Composer (SALAMAN
WILLIAM)
Divers
Boosey and Hawkes
Par SALAMAN WILLIAM. Une ressource pratique pour composer en salle de classe. Cl...(+)
Par SALAMAN WILLIAM. Une ressource pratique pour composer en salle de classe. Clairement structuré en 9 sections progressives facile à utiliser, chacune explorant les domaines clés de la composition. Activités encouragent les compositions individuelles et de groupes et de stimulent la discussion en classe. Idéal pour les 13-16 ans olds qui ont une expérience musicale et peut lire la notation musicale de base. Une cassette d'accompagnement fournit des exemples de pièces bien connus (disponible séparément) pour illustrer les points clés. / Pédagogie / Répertoire / Divers
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| Waltzes Op. 39, Easy
Arrangement By The
Composer
Piano seul
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Piano. Si l'instrumentation Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano / Chanson En Séparée
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| Organ Plus One
Orgue - Intermédiaire
Barenreiter
The 'organ plus one? series was specially conceived for semi-professional church...(+)
The 'organ plus one? series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.Enclosed in each edition are solo parts for C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church services, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. / Orgue
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| Lighthouse Collection -
Of Newly Composed Fiddle
Tunes (STEWART CRANFORD
PAUL)
Violon [Partition + CD]
Cranford Publications
Par STEWART CRANFORD PAUL. This book celebrates the vibrant musical culture of C...(+)
Par STEWART CRANFORD PAUL. This book celebrates the vibrant musical culture of Cape Breton Island. It gives a refreshing glimpse into a rooted, community-based, living tradition. Fiddle tunes from more than seventy-five contemporary composers are presented together with Scottish and Cape Breton music from earlier centuries. Compiled as a part of Cranford Publications Cape Breton Musical Heritage Series, this collection is presented to give recognition to The Cape Breton Fiddlers Association. / Niveau : Débutant à Intermédiaire / Canadian - / Recueil / Violon
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| Organ Plus One
Orgue [Partition] - Intermédiaire/avancé
Barenreiter
The 'organ plus? one series was conceived primarily with semi-professional churc...(+)
The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue
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| Lieder, Vol.5
Voix moyenne, Piano [Partitur]
Barenreiter
As a continuation of the new Urtext edition of the Schubert lieder, Walther Dür...(+)
As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /Appendix (lower transpositions of the songs only in high ranges):Die Schatten, D 50 / Adelaide, D 95 / Voix Moyenne(s)
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| 3 Sonatas For Piano F
Minor, A Major, C Major
Op. 2
Piano seul
Barenreiter
Bärenreiter continues its Urtext edition of the complete Beethoven piano sonata...(+)
Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with an important contribution. The frequently played Sonatas op. 2, Nos. 1-3, stem from the time when the young composer took lessons from Joseph Haydn in Vienna and are dedicated to his teacher. After Beethoven's three early sonatas which he wrote as a youth in Bonn, the so-called 'Kurfürsten-Sonaten?, Beethoven started 10 years later, in the mid 1790s, to develop a style independent from the legacy of Mozart and Haydn and presented with his op. 2 his first fully valid piano sonatas. The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for this scholarly-critical Urtext performing edition. In addition he has analysed various copies of the prints published during Beethoven's lifetime. The result of his accurate research is presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary. The volume stands out in terms of its elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introduction on the genesis and significance of the sonatas is supplemented by valuable notes on historical performance practice. - New scholarly-critical performing edition at the cutting edge of scholarship - Optimum page-turns - Introduction with valuable notes on historical performance practice (Eng/Ger) - Detailed Critical Commentary (Eng) / Piano
Délais: En Stock | | |
| HENRY MARTIN - CHARLIE
PARKER, COMPOSER
Oxford University Press
Charlie Parker, ComposerHenry Martin First book to examine the totality of a ...(+)
Charlie Parker, ComposerHenry Martin First book to examine the totality of a major jazz composer's works Reproduces Charlie Parker's submissions to the Library of Congress Provides music-analytical, historical, and philosophical perspectives on Parker's work / Tous instruments / Oxford University Press
Délais: Sur commande | | |
| Performing Practices In
Johannes Brahms'
Chamber Music [Livre] - Avancé
Barenreiter
Bärenreiter's pioneering scholarly-critical editions of Brahms' works for one i...(+)
Bärenreiter's pioneering scholarly-critical editions of Brahms' works for one instrument and piano (BA 9429, BA 9430, BA 9431, BA 9432, BA 9433, BA 10911, BA 10908, BA 10907, BA 10906) are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers. An integral part of Bärenreiter's Brahms publication complex is this text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed. / Livre
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| Concerto Da Camera H 285
/ Rhapsody-Concerto H 337
(MARTINU BOHUSLAV)
Conducteur [Partition]
Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contai...(+)
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open sense of form and an expansion of tonality. The edition of the 'Concerto da Camera' shows, for the first time, the extend of Martinu's modifications to the work since its composition and publication, particularly on the solo violin part. The edition of the 'Rhapsody-Concerto” takes into account, among others, the discovery of previously unknown contemporary performance materials.
This volume of the Bohuslav Martinu-Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions created in collaboration with Martinu./ Répertoire / Conducteur
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| Sonata
Alto, Piano
Barenreiter
César Franck's Sonata for Piano and Violin is one of the most treasured works i...(+)
César Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. / Alto Et Piano
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| Tzigane
Orchestre, Violon
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre
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| Sonata For Double Bass
And Piano
Contrebasse, Piano (duo)
Barenreiter
The renowned Czech bass player, composer and conductor Franti?ek Hertl (1906-197...(+)
The renowned Czech bass player, composer and conductor Franti?ek Hertl (1906-1973) led the double bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso, he had a consummate mastery of his instrument's expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument. Composed in 1946, Hertl's only Sonata for Double Bass and Piano in three movements is a work of artistic and technical challenges that has maintained its place in the double bass repertoire to the present day.o New edition of a major repertoire piece for double bass o Foreword (Cz/Eng/Ger) by Hertl's last pupil, Jan Balcar / Contrebasse Et Piano
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| Selected Piano Works
Piano seul
Schott
Gade's piano music is steeped in Danish folk music, yet technically demanding an...(+)
Gade's piano music is steeped in Danish folk music, yet technically demanding and always very pianistic so that both piano pupils and experienced pianists will find many rewarding challenges when playing this music. The present album provides an insight into Gade's piano oeuvre and shows his importance in his day. Thanks to their numerous facets, the piano works of this great composer still are a valuable addition to lessons and concert performances. / Piano
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| Fanfares
Violoncelle, Orchestre
Barenreiter
This study score is based on the score and complete performance material of Dvor...(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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| Faust
Opéra
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...(+)
'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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| Lieder Vol.9 - Medium
Voice (SCHUBERT FRANZ) - Intermédiaire
Barenreiter
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder cont...(+)
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018. It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten” and 'An mein Klavier”), the author of the words to one of his most famous songs 'Die Forelle”/ 'The Trout” (see Volume 2). / Niveau : Moyen / Répertoire / Voix Moyenne et Piano
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| Lieder Vol.9 - Low Voice
(SCHUBERT FRANZ)
Voix basse, Piano
Barenreiter
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder cont...(+)
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten” and 'An mein Klavier”), the author of the words to one of his most famous songs 'Die Forelle”/ 'The Trout” (see Volume 2)./ Répertoire / Basse et Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| Lieder Vol.9 - High Voice
(SCHUBERT FRANZ)
Barenreiter
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder cont...(+)
Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Durr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten' and 'An mein Klavier'), the author of the words to one of his most famous songs 'Die Forelle'/ 'The Trout' (see Volume 2)./ Répertoire / Voix Haute et Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| Complete Organ Works,
Vol.VI
Orgue [Partition + CD-ROM]
Barenreiter
The complete edition of Bunk's organ music comes to an end with the publication ...(+)
The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword, a Critical Commentary, and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk's Liebe zur Orgel. This reference book by the late Romantic composer, which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of organ building and organ playing in Germany during the first half of the 20th century, has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk's organ works- Edited by the composer's grandson- Detailed foreword and Critical Commentary for each volume (Ger/Eng)- Many facsimiles and illustrationsContents'Wilhelmus van Nassouwe en Choral? 'Nun danket alle Gott?'Kleine Fantasie über C.H.D.B.? for organ or pianoChorale prelude 'Wachet auf, ruft uns die Stimme? (trio for 2 manuals and pedals)37 short chorale improvisations for liturgical use / Orgue
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| The Michel Legrand
Songbook - Pvg
Piano, Voix et Guitare [Partition]
Alfred Publishing
TITLE COMPOSER - A FRIEND HAS GONE AWAY MICHEL LEGRAND (CONTRIBUTOR) SHELDON HA...(+)
TITLE COMPOSER - A FRIEND HAS GONE AWAY MICHEL LEGRAND (CONTRIBUTOR) SHELDON HARNICK (CONTRIBUTOR) - A PIECE OF THE SKY MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - AFTER THE RAIN ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - BETWEEN YESTERDAY AND TOMORROW ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - CAN YOU TELL THE MOMENT' ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - FADED ROSES (FROM THE OTHER SIDE OF MIDNIGHT ) MICHEL LEGRAND (CONTRIBUTOR) CAROL CONNORS (CONTRIBUTOR) - HAPPY MICHEL LEGRAND (CONTRIBUTOR) WILLIAM SMOKEY BROWN (CONTRIBUTOR) - HIS EYES, HER EYES MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - HOW DO YOU KEEP THE MUSIC PLAYING' (FROM BEST FRIENDS ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - I WAS BORN IN LOVE WITH YOU ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - I WILL SAY GOODBYE MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - I WILL WAIT FOR YOU MICHEL LEGRAND (CONTRIBUTOR) NORMAN GIMBEL (CONTRIBUTOR) - IF THERE WERE NO DREAMS MICHEL LEGRAND (CONTRIBUTOR) NEIL DIAMOND (CONTRIBUTOR) - LOVE MAKES THE CHANGES MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MAGIC ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MARTINA CONTRIBUTOR: LEGRAND, MICHEL (C) SHAPER, HAL (A) MAYBE SOMEONE DREAMED US MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - NOBODY KNOWS MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - ON MY WAY TO YOU MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (COMPOSER) MARILYN BERGMAN (COMPOSER) - NO MATTER WHAT HAPPENS - ONCE UPON A SUMMERTIME CONTRIBUTOR: E MARNAY J MERCER M LEGRAND E BARCLAY - ONCE YOU'VE BEEN IN LOVE MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - ONE AT A TIME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - PAPA CAN YOU HEAR ME (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (COMPOSER) MARILYN BERGMAN (COMPOSER) PIECES OF DREAMS (LITTLE BOY LOST) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - SECRET PLACES ALAN JAY LERNER (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - SOMETHING NEW IN MY LIFE MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) SUCH SWEET SORROW MICHEL LEGRAND (CONTRIBUTOR) MARSHALL BARER (CONTRIBUTOR) - SUMMER ME, WINTER ME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - TELL A LIE MICHEL LEGRAND (CONTRIBUTOR) MARSHALL BARER (CONTRIBUTOR) - THAT'S SHOW BIZ MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE EASY WAY MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE HANDS OF TIME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE MOON AND I ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE SUMMER KNOWS (THEME FROM THE SUMMER OF '42 ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE WAY HE MAKES ME FEEL (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE WINDMILLS OF YOUR MIND (FROM THE THOMAS CROWN AFFAIR ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE YEARS OF MY YOUTH HAL SHAPER (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - THIS QUIET ROOM ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - WATCH WHAT HAPPENS MICHEL LEGRAND (CONTRIBUTOR) - WHAT ARE YOU DOING THE REST OF YOUR LIFE' MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - WHERE IS IT WRITTEN' MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - WILL SOMEONE EVER LOOK AT ME THAT WAY (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - YOU MUST BELIEVE IN SPRING ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR)
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