By Claude Debussy (1862-1918). Edited by Andreas Groethuysen, Ernst-GÌ_nter Hei...(+)
By Claude Debussy
(1862-1918). Edited by
Andreas Groethuysen,
Ernst-GÌ_nter Heinemann,
and Ernst-G. For 2
Pianos, 4 Hands. Henle
Music Folios. Softcover.
88 pages. G. Henle
#HN1003. Published by G.
Henle
By Myra Brooks-Turner. For Piano. The FJH Piano Ensemble Series. Sheet Music. Le...(+)
By Myra Brooks-Turner.
For Piano. The FJH Piano
Ensemble Series. Sheet
Music. Level: Early
Advanced. Duet Sheet.
Published by The FJH
Music Company Inc.
Chamber Music 2 Piano, 4 Hands SKU: PR.140401140 For Two Pianos. C...(+)
Chamber Music 2 Piano, 4
Hands
SKU:
PR.140401140
For
Two Pianos. Composed
by Jay Reise. Premiered
by Jerome Lowenthal and
Ursula Oppens.
Contemporary. Set of
performance scores. With
Standard notation.
Composed 2001. 33 pages.
Duration 17 minutes.
Theodore Presser Company
#140-40114. Published by
Theodore Presser Company
(PR.140401140).
Chamber Music 2 Piano, 4 Hands SKU: PR.14040114S For Two Pianos. C...(+)
Chamber Music 2 Piano, 4
Hands
SKU:
PR.14040114S
For
Two Pianos. Composed
by Jay Reise. Premiered
by Jerome Lowenthal and
Ursula Oppens.
Contemporary. Score. With
Standard notation.
Composed 2001. Duration
17 minutes. Theodore
Presser Company
#140-40114S. Published by
Theodore Presser Company
(PR.14040114S).
Chamber Music 2 Piano, 4 Hands SKU: PR.140401200 For Two Pianos. C...(+)
Chamber Music 2 Piano, 4
Hands
SKU:
PR.140401200
For
Two Pianos. Composed
by Gerald Levinson.
Premiered by DUO
Stephanie & Saar, piano;
Blue Sky Gallery,
Portland, OR.
Contemporary. Set of
performance scores. With
Standard notation.
Composed 2015. 24+24
pages. Duration 8
minutes. Theodore Presser
Company #140-40120.
Published by Theodore
Presser Company
(PR.140401200).
UPC:
680160638710. 9 x 12
inches.
Composed in
2015, RINGING CHANGES is
in part derived from the
fourth movement of
Levinson’s Time
and the Bell... The
essence of that movement
is a constantly evolving
perpetual-motion single
line in fluidly changing
rhythmic groupings, and
in shifting modes
inspired both by Balinese
gamelan and North Indian
ragas (both authentic and
invented), which is now
developed in
counterpoint. Another
version of the original
movement also forms the
centerpiece of the solo
piano work,
Ragamalika.