Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Men's choir (TTBB) with solo (Bar), horn in Eb, trumpet in Bb and piano (CHP) - ...(+)
Men's choir (TTBB) with
solo (Bar), horn in Eb,
trumpet in Bb and piano
(CHP) - intermediate
SKU: HL.49025839
Kantate uber das
Vagantenleben.
Composed by Werner
Fussan. Sheet music.
Schott Chorverlag (Choral
Music). Choral Score. 8
pages. Duration 26'.
Schott Music #C 44082.
Published by Schott Music
(HL.49025839).
Men's choir (TTBB) with solo (Bar), horn in Eb, trumpet in Bb and piano (HR) - i...(+)
Men's choir (TTBB) with
solo (Bar), horn in Eb,
trumpet in Bb and piano
(HR) - intermediate
SKU: HL.49025840
Kantate uber das
Vagantenleben.
Composed by Werner
Fussan. Sheet music.
Schott Chorverlag (Choral
Music). Individual part.
2 pages. Duration 26'.
Schott Music #C 44083-11.
Published by Schott Music
(HL.49025840).
Men's choir (TTBB) with solo (Bar), horn in Eb, trumpet in Bb and piano - interm...(+)
Men's choir (TTBB) with
solo (Bar), horn in Eb,
trumpet in Bb and piano -
intermediate
SKU:
HL.49025838
Kantate uber das
Vagantenleben.
Composed by Werner
Fussan. This edition:
Saddle stitching. Sheet
music. Schott Chorverlag
(Choral Music). Score. 16
pages. Duration 26'.
Schott Music #C 44081.
Published by Schott Music
(HL.49025838).
Men's choir (TTBB) with solo (Bar), horn in Eb, trumpet in Bb and piano (TRP) - ...(+)
Men's choir (TTBB) with
solo (Bar), horn in Eb,
trumpet in Bb and piano
(TRP) - intermediate
SKU: HL.49025841
Kantate uber das
Vagantenleben.
Composed by Werner
Fussan. Sheet music.
Schott Chorverlag (Choral
Music). Individual part.
2 pages. Duration 26'.
Schott Music #C 44083-12.
Published by Schott Music
(HL.49025841).
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Let It Be Said of Us Chorale TTBB TTBB, Piano [Octavo] Lorenz Publishing Company
By Steve Fry. Arranged by Mary Mcdonald. For TTBB choir and piano (with optional...(+)
By Steve Fry. Arranged by
Mary Mcdonald. For TTBB
choir and piano (with
optional percussion,
digital strings). Sacred
Anthem: Easter, General.
Octavo. Published by
Lorenz Publishing Company
By Conrad Susa. Text: Spanish and Catalan Folksongs. For TTBB Choir, Harp, Guita...(+)
By Conrad Susa. Text:
Spanish and Catalan
Folksongs. For TTBB
Choir, Harp, Guitar,
Marimba. (Mens Voices).
Christmas. Choral.
Published by E.C.
Schirmer Publishing.
TTBB chorus and piano SKU: HP.C6290 Composed by Gloria Gaither, Phil McHu...(+)
TTBB chorus and piano
SKU: HP.C6290
Composed by Gloria
Gaither, Phil McHugh, and
Sandi Patty. Arranged by
Mary McDonald. Piano
Accompaniment with
Optional Orchestra. Palm
Sunday, General Worship.
Octavo. 12 pages. Hope
Publishing Company
#C6290. Published by Hope
Publishing Company
(HP.C6290).
UPC:
763628162900.
Popul
ar praise song by
Gloria Gaither,
Phil McHugh &
Sandi Patty Ideal
for Palm Sunday, this
popular praise song sets
the tone as it tells the
story of Jesus, the man
from Galilee, entering
Jerusalem. The familiar
refrain brings it all
together: there is
strength in the Name of
the Lord. Blessed is he
who comes in the Name of
the
Lord!
Orchestratio
ns: Conductor's Score,
Flute, Oboe(or Soprano
Sax or Clarinet),
Clarinet, Horn (or Alto
Sax or Clarinet), 2
Trumpets (or Alto Sax), 2
Trombones (or Tenor Sax
or Baritone T. C. ),
Percussion, Piano,
Acoustic Guitar
(w/separate Capo Guitar
Pt. ), Electric Bass,
Drums, Violins 1 & 2,
Viola (or Clarinet),
Cello/Bassoon (or Bass
Clarinet).
TTBB SKU: HP.C6317 Arranged by Jack Schrader. Piano Accompaniment with Op...(+)
TTBB
SKU: HP.C6317
Arranged by Jack
Schrader. Piano
Accompaniment with
Optional Orchestra.
Octavo. 8 pages. Hope
Publishing Company
#C6317. Published by Hope
Publishing Company
(HP.C6317).
UPC:
763628163174.
Chris
tmas Spiritual Jack
Schrader has given this
favorite Christmas
spiritual a relaxed,
big-band, 'swing style'
setting. Arranged for
SSATB voices with piano
or orchestra, this fresh
setting is sure to fill
the season with joy and
good will. Jack's printed
notes ask the singers to
embrace the text that
describes the mission of
those first
shepherd-followers and
you, too, will be led to
the Savior of Bethlehem.
Ideal for both adult or
youth choirs in either
church or school. The
full orchestration by Don
Hart consists of parts
for: Flute, Oboe,
Clarinet, Horns 1 & 2,
Trumpets 1, 2 & 3 (or
Tuba), Percussion 1 & 2,
Harp, Rhythm, Violins 1 &
2, Viola Cello and
Bass.
Villancico Chorale TTBB TTBB, Piano [Octavo] Alfred Publishing
Arranged by Bruce Trinkley, English Lyrics By J. Jason Chamesky. Spanish Christm...(+)
Arranged by Bruce
Trinkley, English Lyrics
By J. Jason Chamesky.
Spanish Christmas Carol.
For Choir. (T(T)BB).
Choral Octavo. Choral
Designs. Latin;
Multicultural, Christmas.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.