Recorder and Piano - intermediate SKU: HL.14008027 Music Sales America. C...(+)
Recorder and Piano -
intermediate
SKU:
HL.14008027
Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV262762.
Published by Music Sales
(HL.14008027).
8.25x11.75x0.063
inches.
Patrick
Enfield. Three pieces,
'March', 'Barcarolle' and
'Hornpipe' for descant
recorder(s) and piano.
Originally composed for
performance by school
pupils.
Two is a Team Flûte à Bec, Piano [Partition + CD] - Facile De Haske Publications
Recorder and Piano - early intermediate SKU: BT.DHP-1125297-400 Composed ...(+)
Recorder and Piano -
early intermediate
SKU:
BT.DHP-1125297-400
Composed by Ed Wennink
and Nettie Vening. Two is
a team. Book with CD.
Composed 2013. 56 pages.
De Haske Publications
#DHP 1125297-400.
Published by De Haske
Publications
(BT.DHP-1125297-400).
ISBN 9789043141833.
9x12 inches.
English-German-French-Dut
ch.
Performance
pieces for piano and
recorder in which the
level of difficulty for
both players is similar
are always in demand. The
pieces in this book
— arrangements of
well-known tunes as well
as original compositions
— are aimed at
pupils who have been
playing for approximately
three years. Both players
will learn a great deal
and will have double the
playing fun. Two is a
Team — after
all playing together is
almost always at the
heart of music!
Er
blijkt steeds weer
behoefte te zijn aan
samenspeelstukken voor
piano en blokfluit waarin
beide partijen een
vergelijkbare
moeilijkheidsgraad
hebben. De stukken in dit
boek — zowel
bewerkingen van bekende
liedjes als originele
composities — zijn
bedoeld voor leerlingen
die ongeveer drie jaar
spelen. Beiden zullen er
veel van leren en er
dubbel plezier aan
beleven. Two is a
Team — in de
muziek draait het immers
vrijwel altijd om
samenspel!
Es
besteht ein Bedarf an
Stücken für
Klavier und
Blockflöte, in denen
die Stimmen für
beide Spieler ähnlich
schwer sind. Die
Stücke in diesem
Buch — die sowohl
bekannte Melodien als
auch originale
Kompositionen umfassen
— richten sich an
Instrumentalschüler
, die bereits etwa drei
Jahre Unterricht hatten.
So können beide etwas
lernen und haben doppelt
Spaß. Two is a
Team — denn
schließlich geht es
beim Musizieren doch fast
immer um das gemeinsame
Musikerlebnis!
Two is a
Team raccoglie
composizioni originali e
brani del repertorio
classico noto al
pubblico, indirizzati
agli strumentisti con
circa tre anni di studio
alle spalle. Il livello
di difficolt dei brani
contenuti nella
pubblicazione è molto
simile per entrambi gli
strumentisti, rendendo
così più facile
un’esecuzione con
l’accompagnamento
del piano.
Recorder and Piano - Grade 6, Grade 7, Grade 8 SKU: BT.CAMCM234 Composed ...(+)
Recorder and Piano -
Grade 6, Grade 7, Grade 8
SKU: BT.CAMCM234
Composed by Jeffery
Wilson and Malcolm Miles.
Creative Variations.
Jazz. Book with CD. 42
pages. Camden Music
#CAMCM234. Published by
Camden Music
(BT.CAMCM234).
Creative
Variations provides
musicians with the
opportunity to explore
and develop their own
musical ideas in the
preparation and
performance of
contemporary
compositions. Each piece
offers a different
approach to'variation on
a theme' either through
demonstration or by
composition or
improvisation. Even fully
notated sections are open
to musical interpretation
and musicians should feel
free to add their own
dynamics, phrasing
andarticulations.
Written by Jeffery Wilson
and Malcolm Miles, this
volume is for Treble or
Descant Recorder and
includes a playalong
CD.
Divertimento Flûte à Bec, Piano - Intermédiaire Forsyth Publications
Recorder and Piano - Intermediate SKU: FP.FBM04 Composed by Martin Bussey...(+)
Recorder and Piano -
Intermediate
SKU:
FP.FBM04
Composed by
Martin Bussey. Sheet
Music and Books. This
fresh and appealing work
lives up to its name.
Particularly diverting is
the finale, a hornpipe
subtitled The Knotted
Sailor, in which the
nifty performers have to
negotiate frequent and
teasing changes of rhythm
at speed. Classical.
Collection. Forsyths
Publications #FBM04.
Published by Forsyths
Publications (FP.FBM04).
ISBN
9790570504077.
The
opening movement is a
free fantasia,
contrasting with the
middle movement, a
scherzetto, in homage to,
and based on the letters
of the name of, the
composer Douglas Steele,
an assistant to Sir
Thomas Beecham and a
founding father of
Chethams School, and
which quotes from
Steele’s beautiful
carol The Snow
Falls. Divertimento
was first performed by
John Turner and Janet
Simpson at a concert in
aid of the Peter
Cunningham Memorial Fund
at Mellor Church on 17th
January 2005. It uses
both treble and descant
instruments. The second
movement was originally
composed for a concert in
Manchester Cathedral in
memory of Douglas Steele,
one of the founding
fathers of Chetham's
School, and quotes (by
kind permission of
Forsyth Brothers Ltd.),
from his well-known carol
The Snow Falls. It has
been separately recorded
by John Turner and
Stephen Hough on Autumn
Sequence – the
music of Douglas Steele
and his Circle (Campion
Cameo 2040/41). Martin
Bussey was born in London
in 1958. He was a Choral
Scholar at King’s
College, Cambridge,
during which time he
studied composition with
Robin Holloway. Following
postgraduate singing
study at the RNCM he
settled in Manchester and
held a number of posts,
including Head of
Academic Music and
Director of Choirs at
Chetham’s School
of Music until 2013. He
continues as Musical
Director of the Chester
Bach Singers, a Vocal
Tutor at Manchester
University, Chairman of
the Finzi Friends and a
Director of the Ludlow
Song Weekend.
Compositions include the
highly successful
monodrama about Mary I,
Mary’s Hand,
premiered in 2018; a
significant collection of
solo songs which includes
settings of Housman,
Hardy, and Walt Whitman,
many recorded on the disc
Through a glass; and much
choral music, recorded by
Sonoro under Neil Ferris
in 2019.
Recorder-ABC Flûte à Bec, Piano EMB (Editio Musica Budapest)
Soprano Recorder and Piano SKU: BT.EMBZ14090 For C descant recorder(+)
Soprano Recorder and
Piano
SKU:
BT.EMBZ14090
For C
descant recorder.
Composed by Laszlo
Lörincz, Jenö
Paragi. EMB ABC Series.
Method. Book Only.
Composed 1996. 104 pages.
Editio Musica Budapest
#EMBZ14090. Published by
Editio Musica Budapest
(BT.EMBZ14090).
English-German-Hungari
an.
This
systematically
constructed tutor was
written for the soprano
recorder with so-called
English (Baroque)
fingering. It contains
material for the first
two or three years of
study, offering a
selection from 600 years
of music literature. It
also teaches the basics
of articulation
technique. The volume
includes pieces with
piano or cembalo
accompaniment, and in
addition a musical
mini-lexicon. The textual
instructions are supplied
in three languages:
German, English and
Hungarian.
Recorder and piano SKU: BR.EB-8609 Urtext. Composed by Antonio Viv...(+)
Recorder and piano
SKU: BR.EB-8609
Urtext. Composed
by Antonio Vivaldi.
Edited by Martin Nitz.
Solo instruments;
stapled. Edition
Breitkopf.
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.
Sonata;
Baroque. Score. 28 pages.
Breitkopf and Haertel #EB
8609. Published by
Breitkopf and Haertel
(BR.EB-8609).
ISBN
9790004179956. 9 x 12
inches.
It is
generally quite easy to
adapt sonatas for Baroque
oboe (and continuo) to
the soprano recorder
since both instruments
have an identical range.
Yet considering the great
popularity of the
previously published
works, it is strange that
Antonio Vivaldi's only
sonata for this
instrument has received
little attention to date.
This edition is based on
a manuscript preserved in
the Sachsische
Landesbibliothek Dresden
under the class. no. Mus.
2389-S-1. The preparation
of the edition entailed
the adjustment of the
accidentals to
present-day practice, and
the realization of the
(unfigured) thoroughbass
part. No slurs were added
to those already
contained in the
manuscript so as to allow
the performer to find his
own solutions. Otherwise
the virtually error-free
manuscript was reproduced
without change. We wish
to thank the directors of
the Sachsische
Landesbibliothek Dresden
for their authorization
to publish the work.
(Hamburg, Fall 1995 -
Martin
Nitz)
Vivaldi's
only oboe sonata requires
an interpretation, since
the thoroughbass part is
not figured. Thanks to
Martin Nitz's
stylistically authentic
realization and careful
editorial work, this
rather neglected piece is
sure to find many new
friends.