Cadenzas to Beethoven's Violin Concerto fur Violin and Orchestra op. 61 by Ludwi...(+)
Cadenzas to Beethoven's
Violin Concerto fur
Violin and Orchestra op.
61 by Ludwig van
Beethoven (1770-1827).
Edited by Martin
Wulfhorst. For violin
solo (violin and
orchestra). This edition:
Stapled. For piano
reduction and performance
material see BA 9019.
Performance score,
Anthology. Opus 61. 59
pages. Published by
Baerenreiter Verlag
Composed by Anton Stepanovich Arensky (1861-1906). This edition: Paperback. Conc...(+)
Composed by Anton
Stepanovich Arensky
(1861-1906). This
edition: Paperback.
Concerto/Instrumental
Solo, Original Works.
Romantic Period; Russian.
Study Score. Published by
Petrucci Library Press
(SA.19870).
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Violin and orchestra SKU: HL.49019952 This edition: Paperback/Soft Cover....(+)
Violin and orchestra
SKU: HL.49019952
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Eulenberg Audio plus
Score. Softcover with CD.
781 pages. Eulenburg
Edition #EAS12. Published
by Eulenburg Edition
(HL.49019952).
ISBN
9783795772611. UPC:
841886021471.
6.25x9.0x2.301
inches.
Mendelssohn
: Concerto in E minor,
Bruch: Concerto No. 1,
Brahms: Concerto in D,
Beethoven: Concerto in D,
Vivaldi: The Four
Seasons, Tchaikovsky:
Concerto in D, Bach:
Concerto in A minor,
Bach: Concerto in E,
Bach: Concerto for two
Violins in D minor,
Brahms: Double Concerto
in A minor.
Violin and Orchestra SKU: BT.EMBZ14872 Composed by László Dubrovay....(+)
Violin and Orchestra
SKU: BT.EMBZ14872
Composed by László
Dubrovay. EMB
Contemporary Music. Book
Only. Composed 2013. 76
pages. Editio Musica
Budapest #EMBZ14872.
Published by Editio
Musica Budapest
(BT.EMBZ14872).
The three
movements reflect
classical romantic
concertos in not only
their structure but also
their character. The
relations between soloist
and orchestra echo the
dramatic composition of
traditional concertos
besides providing a
significant role for wind
and percussion
instruments in tonality,
which creates a specific
tone familiar from
László Dubrovay's
earlier compositions. His
Violin Concerto No. 2,
completed in April 2011,
is dedicated to the
internationally noted
young Hungarian
violinist, Kristóf
Baráti, whose
extraordinary performing
skills inspired the
flexible melodiousness
and virtuoso perfection
of the themes.
Violin & Orchestra SKU: SU.29110035 For Violin & Orchestra. Compos...(+)
Violin & Orchestra
SKU: SU.29110035
For Violin &
Orchestra. Composed
by Wynton Marsalis.
Strings, Violin,
Orchestra. Concerto.
Part. Subito Music
Corporation #29110035.
Published by Subito Music
Corporation
(SU.29110035).
Solo Violin
Part onlyConcerto for
Violin & Orchestra
Duration: 40' Composed:
2015 Published by: Wynton
Marsalis Performance
materials available on
rental:.
Violin and Orchestra SKU: HL.50499086 Concerto Pour Violon Et Orchestr...(+)
Violin and Orchestra
SKU: HL.50499086
Concerto Pour Violon
Et Orchestre -
Partitura. Composed
by Malec I. MGB. Solo &
Concerto. Score Only.
Composed 2008. Ricordi
#NR137274. Published by
Ricordi (HL.50499086).
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra
SKU: HL.50485236
Composed by Ludwig van
Beethoven. Classic. EMB.
Solo & Concerto. Book
[Softcover]. Op. 61.
Editio Musica Budapest
#Z40060. Published by
Editio Musica Budapest
(HL.50485236).
ISBN
9790080400609. A/5
(14,2x20) inches. Gabor
Darvas.
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
For Violin. Classical (orchestral). Includes a high-quality printed music score ...(+)
For Violin. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus you,
the soloist.
Violin and Orchestra SKU: HL.14028022 Composed by Poul Ruders. Music Sale...(+)
Violin and Orchestra
SKU: HL.14028022
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 80 pages.
Edition Wilhelm Hansen
#WH30180. Published by
Edition Wilhelm Hansen
(HL.14028022).
ISBN
9788759861615.
12.0x16.5x0.52
inches.
Ruders
writes: My second
concerto for violin and
orchestra is a 'reverse'
cousin of Polydrama the
cello concerto. The
former starts out
extremely slow and speeds
up gradually and the
latter progresses in
exactly the opposite way,
but whereas the cello
concerto is composed as
one, uninterrupted
stretch, the violin
concerto is formally
completely different:
there are 4 movements,
each of them combined via
a 'ritornello', a
solo-cadenza which
appears 4 times (the
works conclude with a
solo) in almost the
shape, i.e. the length
varies from time to
time.
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and
Haertel
#PB 5645. Published by
Breitkopf and Haerte
Violin and Orchestra SKU: BT.WH33053 Composed by Eivind Buene. Classical....(+)
Violin and Orchestra
SKU: BT.WH33053
Composed by Eivind Buene.
Classical. Score Only.
Composed 2017. 58 pages.
Edition Wilhelm Hansen
#WH33053. Published by
Edition Wilhelm Hansen
(BT.WH33053).
ISBN
9788759840436.
English.
Eivind
Buenes Violin Concerto -
Version for Sinfonietta
(2016).Falling Angels /
Sound Asleep / Among
Voices of the DeadThe
Violin Concerto is in
three movements with
varying instrumentation
within the range of a
sinfonietta.The movements
may be played as
individual pieces.Parts
are available on hire:
hire@ewh.dkOrig. version
for Violin and Chamber
Orchestra: WH32919.
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Comp...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49045166
Study
Score. Composed by
Ryan Wigglesworth. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 2011.
72 pages. Duration 16'.
Schott Music #ED13695.
Published by Schott Music
(HL.49045166).
ISBN
9790220135002. UPC:
888680724214.
8.25x11.75x0.276
inches.
Violin
Concerto is scored for a
Classical-sized
orchestra, with the
addition of a harp and
celeste, and lasts around
17 minutes. Although the
work sets out to explore
the lyrical
characteristics of the
solo instrument, it is
only gradually that the
violin finds its full,
lyric voice, and thence,
as the work progresses, a
more dominant role. This,
in one sense, is the
'journey' of the piece.
The work's
straightforward formal
scheme consists of three
movements (roughly
fast-slow-fast) framed by
a reflective introduction
and epilogue. However,
these formal divisions
exist within a single,
unbroken arc. Such an
overall symmetrical shape
places the slow Arioso
(itself divided into
three subsections) at the
midpoint, sandwiched
between the two Allegro
movements. The dramaturgy
of the piece centers on a
twofold search. First
there is the ongoing
pursuit to recapture the
simple melodic material
stated by the solo violin
- accompanied by thar
harp's bass register -
during the opening bars.
Whilst aspects of this
melody are invoked
frequently throughout
(especially in the violin
cadenza which closes the
Arioso movement), it is
only with the final and
most important climax of
the work that the melody
appears again in its
complete form, now
accompanied by violent,
orchestral stabs. The
second search is for a
tonal resting place, the
arrival of which is
delayed until the close
of the epilogue. The
original version of the
Violin Concerto,
commissioned by the
Netherlands Chamber
Orchestra, was premiered
in Amsterdam in February
2012 with Gordan Nikolic
as soloist. The present,
revised version was
created for Barnabas
Kelemen and the
Halle.
Violin and Orchestra SKU: HL.50495017 Per Violino E Orchestra - Partit...(+)
Violin and Orchestra
SKU: HL.50495017
Per Violino E
Orchestra -
Partitura. Composed
by Bruno Bettinelli. MGB.
Solo & Concerto. Score
Only. Composed 1992.
Ricordi #NR133517.
Published by Ricordi
(HL.50495017).