Full Score. By Jay Bocook. (Score). MusicWorks Grade 5. Concert Band. Score and full set of parts. Published by Hal Leonard.

By Jay Bocook. (Score and Parts). MusicWorks Grade 5. Concert Band. Score and full set of parts. Published by Hal Leonard.

Orchestra

SKU: LO.30-2684L

Composed by Don Hart. Choral. Sacred Anthem, Advent, Christmas. Orchestral score and parts. Lorenz Publishing Company #30/2684L. Published by Lorenz Publishing Company (LO.30-2684L).

UPC: 000308128024.

Rever ent and worshipful, this beloved gospel Christmas classic has been set in a beautiful arrangement by Don Hart. Lovely harmonies are highlighted in the accessible choral parts, which float atop an elegant accompaniment. A gorgeous, optional orchestration is also available to complement this touching Christmas anthem. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 3 Tpt, 2 Hn, 2 Tbn, Tba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass.

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

Orchestra - Grade 2

SKU: AP.44804S

Composed by Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Bob Cerulli. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Christmas; Sacred; Winter. Score. 12 pages. Duration 2:45. Alfred Music #00-44804S. Published by Alfred Music (AP.44804S).

UPC: 038081515489. English.

This true Christmas classic, arranged by Bob Cerulli, is a great way to introduce col legno and double stops to your string players. Easy to put together and fun to play, it's a must for any holiday concert! (2:45).

(Movement 1 from Three Folk Song Settings for Band). Arranged by Andrew Boysen, Jr.. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Folk. Grade 4. 154 pages. Published by Alfred Music

(Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs. Chickens / Transfiguration / Fetching the Boys). Composed by John Powell. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Movie. Grade 3. 214 pages. Published by Alfred Music

Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Score) - difficult

SKU: HL.49006187

(The Raft of the Medusa). Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1968/1990. 168 pages. Duration 70'. Schott Music #ED6326. Published by Schott Music (HL.49006187).

ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English.

4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).

Composed by Howard Shore, lyrics by Philippa Boyens. Arranged by Bob Phillips. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Pop Concert Full Orchestra. Movie. Grade 3.5. 204 pages. Published by Alfred Music

Composed by Howard Shore, lyrics by Philippa Boyens. Arranged by Bob Phillips. Orchestra. Full Orchestra; Score; SmartMusic. Pop Concert Full Orchestra. Movie. Grade 3.5. 24 pages. Published by Alfred Music

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Choir Secular Narrator, Girl's chorus, Boy's chorus, Solo violin, and small orchestra

SKU: PE.EP68482

For Narrator, Girl's Chorus, Boy's Chorus, Solo Violin, and Small Orchestra (1972). Composed by William Goldstein. Choral Extended Work. Edition Peters. Christmas; Winter. Choral Octavo. 20 pages. Duration 00:06:00. Edition Peters #98-EP68482. Published by Edition Peters (PE.EP68482).

ISBN 9790300758770. English.

Poem by Clement Clarke Moore (A Visit From Saint Nicholas)

MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

(Teacher's Manual). By Bob Phillips and Andrew H. Dabczynski. Orchestra. For Teacher's Manual. String Orchestra Collection. World. Book and CD. 40 pages

Tribute to Charles Strouse by Charles Strouse. Arranged by Ted Ricketts. Score and Parts. HL Full Orchestra. Grade 3-4. Published by Hal Leonard

String Quartet String Orchestra - Grade 2

SKU: AP.36-52703029

Composed by Sheila Sandys-Wunsch. Performance Music Ensemble; Quartet; String Quartet. Latham Music. Score and Part(s). Latham Music Enterprises #36-52703029. Published by Latham Music Enterprises (AP.36-52703029).

ISBN 9781682962411. UPC: 746241228789. English.

Volume 3 explores major and minor keys up to 2 flats, violin 1 will play to 3rd position and the cello part also has minimal shifting. The nine tunes are very accessible rhythmically and these are quite appropriate for an accomplished middle school group. Contents: Linstead Market, I Love My Love, Still, Still, Still, Danny Boy, Down By the Salley Gardens, Jack Was Every Bit a Sailor, Bourree (Stoltzer), and Minuet and Gigue (Handel).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Arranged by Bob Cerulli. For Conductor. String Orchestra Collection. Book. 72 pages. Published by Alfred Publishing.

Composed by Leroy Anderson (1908-1975). Orchestra. Full Orchestra; Part(s); Score. Professional Orchestra Series. Form: Suite. Folk. 6 . 622 pages. Published by Alfred Music

Composed by Leroy Anderson (1908-1975). Orchestra. Full Orchestra; Score. Professional Orchestra Series. Form: Suite. Folk. 6 . 104 pages. Published by Alfred Music