By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

(Arranged for String Orchestra Score). Composed by Alfred Schnittke (1934-1998). Arranged by Jolán Berta. For String Orchestra (Score). Ensemble. Softcover. 36 pages. Sikorski #SIK1749. Published by Sikorski (HL.50499714)

Featuring: This Is My Life / Wonderful Life / Perfection. Composed by Various. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Movie; Pop. Score and Parts. 156 pages. Alfred Music #00-47445. Published by Alfred Music

Featuring: Break My Heart / Don't Start Now. Composed by Various. Arranged by Michael Story. Performance Music Ensemble; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop. Part(s); Score. Alfred Music #00-49013. Published by Alfred Music

Composed by Loreta Fin. Part(s); Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Latin. 128 pages. Published by Alfred Music (AP.76-45311).

As Recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddie Gorman, and Brian Holland. Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop/Rock. Score and Parts. 80 pages. Alfred Music #00-47443. Published by Alfred Music

Composed by George Gershwin (1898-1937). Arranged by Jerry Brubaker. Performance Music Ensemble; Single Titles; SmartMusic; String Orchestra. Pop Symphonic String Orchestra. Masterwork Arrangement; Movie. Part(s); Score. 144 pages. Duration 4:20. Alfred Music #00-44815. Published by Alfred Music (AP.44815).

Featuring: Break My Heart / Don't Start Now. Composed by Various. Arranged by Michael Story. Performance Music Ensemble; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop. Score. Alfred Music #00- 49013S. Published by Alfred Music

By Robert W. Smith. By Robert W. Smith. For String Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Multicultural. Level: 2.5 (grade 2.5). Conductor Score & Parts. 194 pages. Published by Alfred Publishing.

Jouissance vous donnerai. Arranged by Deborah Baker Monday. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Dance. Renaissance. Score. 8 pages. Duration 1:45. Belwin Music #00-44798S. Published by Belwin Music (AP.44798S).

By Robert W. Smith. By Robert W. Smith. For String Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Level: 2.5 (grade 2.5). Conductor Score. 12 pages. Published by Alfred Publishing.

Composed by Kathryn Griesinger. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Christmas; Pop; Winter. Score. 8 pages. Alfred Music #00-47465S. Published by Alfred Music

Composed by Kathryn Griesinger. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Christmas; Pop; Winter. Score and Parts. 70 pages. Alfred Music #00- 47465. Published by Alfred Music

As Recorded by Paramore. By Hayley Williams; Taylor York [Paramore]. By Hayley Williams; Taylor York [Paramore]. Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Pop Beginning String Orchestra. Rock. Score. 8 pages. Duration 2:10. Alfred Music #00-43757S. Published by Alfred Music (AP.43757S).

By Matt Turner. For Violin I, Violin II, Violin III (Viola T.C.), Cello, Bass, Piano, Percussion (Conga, Guiro). Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

Composed by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Very Beginning String Orchestra. Latin; Light Concert; Multicultural. Part(s); Score. 70 pages. Duration 1:40. Belwin Music #00-45816. Published by Belwin Music (AP.45816).

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5F

Composed by Joseph Compello. Carl Fischer Beginning String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BAS5F. Published by Carl Fischer Music (CF.BAS5F).

ISBN 9780825845093. UPC: 798408045098. 8.5 X 11 inches.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) and percussion - Grade 2.5

SKU: KN.36315

Composed by David Bobrowitz. Solo or Ensemble. Voyager String Orchestra. Score and parts. Kendor Music Inc #36315. Published by Kendor Music Inc (KN.36315).

UPC: 822795363159.

It's winter and the sun has already set, but a bright moon allows the whiteness of the snow covered ground to show a clear path. Everyone is excited in anticipation of a fun evening gliding through the snow on a horse driven sleigh. Then we're off, and a catchy melody follows us as we ride through the winter night. Evening Sleigh Ride is a piece that is a perfect addition to your string orchestras Winter Concert. It will leave both performers and audience with an upbeat feeling to the start of their winter break. Set includes optional 3rd Violin/Viola T.C. and percussion parts.

Set includes optional 3rd Violin/Viola T.C. and percussion parts.

String orchestra (88555) with optional 3rd violin/viola TC (3), piano and percussion - Grade 2.5

SKU: KN.9106

Composed by Various. Arranged by John Caponegro. Solo or Ensemble. Voyager String Orchestra. Patriotic. Score and set of parts. Duration 4 minutes, 10 seconds. Kendor Music Inc #9106. Published by Kendor Music Inc (KN.9106).

UPC: 822795091069.

This medley of 7 patriotic tunes contains excellent material for concert performances and celebrations. The accelerando and ritards leading to/from tempo changes demand that players watch the conductor carefully. The piece closes out fast and strong, and use of the optional percussion part for snare and bass drums will contribute to the patriotic mood. Duration 4:10. Available in SmartMusic.

(Bayan, Percussion, and String Orchestra). By Sofia Gubaidulina (1931-). For Percussion, String Orchestra, Bayan (Study Score). Ensemble. Softcover. 94 pages. Sikorski #SIK8691. Published by Sikorski

For Young String Orchestra with Optional Percussion. By Sydney F. Hodkinson. String ensemble. For Violin I, Violin II, Viola, Cello, Double Bass, Percussion. Classical. Score and parts. 14 pages. Duration 4:00. Published by Theodore Presser Company.

An English Carol, "Humility," for String Orchestra. Composed by Edward Caswall. Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Christmas; Light Concert; Winter. 136 pages. Published by Belwin Music

By Alan Lee Silva. For string orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and parts. Published by Carl Fischer

By Mannheim Steamroller. Arranged by Chip Davis and Robert Longfield. Score and Parts. Pop Specials for Strings. Grade 2

By Richard Meyer. Music by Richard Meyer. For String Orchestra. String Orchestra. String Orchestra. Conductor Score and Parts. 2 pages. Published by Alfred Publishing.
Level: 3 (grade 3).

String Orchestra string orchestra (88555) with percussion 2 and opt. 3rd Violin/Viola TC 3 and piano - Grade 2

SKU: KN.09380S

Composed by Henry Mancini. Arranged by John Caponegro. Solo or Ensemble. Voyager String Orchestra. Kendor Music Inc #09380S. Published by Kendor Music Inc (KN.09380S).

UPC: 822795093803.

Here' s Henry Mancini's most famous movie theme in a swingin' version for student string orchestra and drum set (or hi-hat, snare drum, bass drum, tom tom)! To establish the desired slinky feline mood and style, paying careful attention to the numerous accents and bowings that are provided throughout is essential. Duration 2:50.