Organ SKU: GI.G-002456 Children. Sacred. GIA Publications #002456. Publis...(+)
Organ
SKU:
GI.G-002456
Children.
Sacred. GIA Publications
#002456. Published by GIA
Publications
(GI.G-002456).
Ceremonial
Prelude and Salute! share
scoring for organ, brass,
and percussion while
Praeludium, composed for
Fred Tulan to play at
Westminster Abbey, is for
organ solo or with two
percussionists
(optional). These titles
may be programmed singly
or as a suite. Featured
on the CD
Transformations.
Arranged by Carolyn Hamlin. For Organ (Organ Solo). Fred Bock Publications. Soft...(+)
Arranged by Carolyn
Hamlin. For Organ (Organ
Solo). Fred Bock
Publications. Softcover.
Fred Bock Music Company
#BGK1082. Published by
Fred Bock Music Company
Organ SKU: GI.G-003009 Children. Sacred. GIA Publications #003009. Publis...(+)
Organ
SKU:
GI.G-003009
Children.
Sacred. GIA Publications
#003009. Published by GIA
Publications
(GI.G-003009).
Ceremonial
Prelude and Salute! share
scoring for organ, brass,
and percussion while
Praeludium, composed for
Fred Tulan to play at
Westminster Abbey, is for
organ solo or with two
percussionists
(optional). These titles
may be programmed singly
or as a suite. Featured
on the CD
Transformations.
Organ SKU: BR.EB-9110 Composed by Adriana Holszky. Solo instruments; stap...(+)
Organ
SKU:
BR.EB-9110
Composed
by Adriana Holszky. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Nuremberg, July 5,
1997Commissioned by
Internationale Orgelwoche
Nurnberg
Music
post-1945. Score.
Composed 1997. 20 pages.
Duration 12'. Breitkopf
and Haertel #EB 9110.
Published by Breitkopf
and Haertel (BR.EB-9110).
ISBN 9790004181676.
12.5 x 10
inches.
Der Titel
bezieht sich auf ein
Fragment aus der
Apokalypse nach
Johannes.Die
Aufmerksamkeit des Horers
wird in diesem Orgelwerk
auf die ruhelos
changierenden Klangraume
gelenkt. Die
Unendlichkeit dieser
Raume lassen Farben
entstehen wie Wellen
eines allen
durchflutenden Ozeans.Von
Augenblick zu Augenblick
wechseln gewaltige Bilder
von Licht und Farbe mit
geheimnisvollen, ruhenden
Momenten, die wie
Spaltoffnungen zu anderen
Dimensionen sich
verhalten.Durch
Friedemann Herz hat
dieses Werk den ersten
idealen Interpreten
gefunden.(Adriana
Holszky)CD:Dominik
Susteck (organ)CD WERGO
WER 6789
2Bibliography:Petersen,
Birger: Neue Musik.
Analysen, Berlin: Simon
Verlag fur
Bibliothekswissen 2013,
pp. 97-110.
World
premiere: Nuremberg, July
5, 1997, Commissioned by
Internationale Orgelwoche
Nurnberg.
English Horn, Organ SKU: CA.2912321 Neun Stucke zu Worten von Nelly Sa...(+)
English Horn, Organ
SKU: CA.2912321
Neun Stucke zu Worten
von Nelly Sachs.
Composed by Helmut
Bornefeld. This edition:
Complete edition. English
horn. Single Part,
English Horn. Composed
1975/77. BoWV 123. 22
pages. Duration 30
minutes. Carus Verlag #CV
29.123/21. Published by
Carus Verlag
(CA.2912321).
Language: all
languages.
Movement
s: I. Sterbespieler sind
wir, II. Aber der Atem
der inneren Rede, III.
Nacht, Nacht, IV. Flucht
aus den schwarzbegluteten
Gestirnen des Abschieds,
V. Dies ist der Stern,
VI. O grosser Ozean, VII.
Wachter Wachter, VIII.
und setze meinen Fuss,
IX. Auch der Engel hat
Abschied genommen. Score
and part available
separately - see item
CA.2912300.
English Horn, Organ SKU: CA.2912300 Neun Stucke zu Worten von Nelly Sa...(+)
English Horn, Organ
SKU: CA.2912300
Neun Stucke zu Worten
von Nelly Sachs.
Composed by Helmut
Bornefeld. This edition:
Complete edition. German
title: Threni. Full
score. Composed 1975/77.
BoWV 123. 44 pages.
Duration 30 minutes.
Carus Verlag #CV
29.123/00. Published by
Carus Verlag
(CA.2912300).
ISBN
9790007102623. Language:
all
languages.
Movement
s: I. Sterbespieler sind
wir, II. Aber der Atem
der inneren Rede, III.
Nacht, Nacht, IV. Flucht
aus den schwarzbegluteten
Gestirnen des Abschieds,
V. Dies ist der Stern,
VI. O grosser Ozean, VII.
Wachter Wachter, VIII.
und setze meinen Fuss,
IX. Auch der Engel hat
Abschied genommen.
Organ SKU: GH.GE-11900 Composed by Anne-Lise Lindberg Sjodin. Fortsattnin...(+)
Organ
SKU:
GH.GE-11900
Composed
by Anne-Lise Lindberg
Sjodin. Fortsattningen i
orgelskolan som ger
nyborjare mojlighet att
spela kyrkorgel som
forsta instrument.
Orgelpuls II ansluter
direkt till Orgelpuls I.
Educational. With
Language: Swedish.
Gehrmans Musikforlag #GE
11900. Published by
Gehrmans Musikforlag
(GH.GE-11900).
A4L
inches.
Orgelskolan
som ger tydliga ramar men
samtidigt erbjuder
flexibilitet och en
personlig vag till
orgeln. I
fortsattningsdelen moter
eleven bl. a. tonarter
med flera fortecken, ett
vidgat tonomfang och
ornamentering. Arbetet
med att utveckla den
motoriska fardigheten gar
vidare.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114).
ISBN
9790007201562. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112).
ISBN
9790007201548. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115).
ISBN
9790007201579. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105).
ISBN
9790007132255. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113).
ISBN
9790007201555. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Organ. Composed 1901. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.311/49. Published by
Carus Verlag
(CA.2731149).
ISBN
9790007201593. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Solomotette zum
Dreifaltigkeitsfest oder
zu Weihnachten.
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolfgang Hochstein. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Exsultate,
Jubilate Rev.2000. Sacred
vocal music, Trinity,
Christmas, Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Reduction
for organ. Composed 1773.
KV 165 (158a). 16 pages.
Duration 17 minutes.
Carus Verlag #CV
40.767/04. Published by
Carus Verlag
(CA.4076704).
ISBN
9790007084998. Key: F
major. Language:
Latin.
A good six
years following its first
performance in Milan
(1773) a second version
of Exsultate, jubilate
was completed for a
performance on Trinity
Sunday in 1779. It has
survived in a manuscript
from Salzburg. This
Salzburg version, which
was discovered in 1978,
differs from the Milan
version primarily through
the use of flutes instead
of oboes and also through
the use of two different
texts for the first aria.
In the first version the
text refers to Christmas,
whereas in the second
version it refers to the
festival of Trinity.
Mozart's autograph of the
Milan version had been
thought to be missing
since the second world
war and it has only been
accessible in the
Biblioteka Jagiellonska
in Krakow for a little
over a decade. The
present new critical
edition by Wolfgang
Hochstein is the first
which could be based on
both versions. Score
available separately -
see item CA.4076700.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Flute, Organ SKU: CA.1708200 Composed by John Van Buren. This edition: Pa...(+)
Flute, Organ
SKU:
CA.1708200
Composed
by John Van Buren. This
edition: Paperbound.
German title: Und alle
Zeit ward Gegenwart. Full
score. Composed 1969. 36
pages. Carus Verlag #CV
17.082/00. Published by
Carus Verlag
(CA.1708200).
ISBN
9790007068011. Language:
all
languages.
Recently
I have again studied the
poetry of Hermann Hesse,
the most significant
'Maulbronnian'. His poems
'A Toccata from Bach' and
'Playing the Flute'
inspired me to write the
present piece. In
'Playing the Flute' he
expressed his idea about
the essence of music: It
is 'time made
aesthetically
perceivable. And in the
present, to be sure. And
thus, once again, the
identity of the moment
and eternity come to
mind.' The title of this
piece is drawn from the
last line of 'Playing the
Flute.' (John Van
Buren).
Composed
by Helmut Barbe. This
edition: Paperbound.
German title: Magnificat
(1956). Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Full score.
Composed 1956. 64 pages.
Carus Verlag #CV
10.034/00. Published by
Carus Verlag
(CA.1003400).
Orchestra SAB vocal soli,
SATB choir, 3 recorders
f1, 2 flutes, 2 oboes,
english horn, bassoon, 3
trumpets, 3 trombones,
timpani, strings, organ
SKU: CA.1000100
Zusammenstellung aus
Satzen Bachscher
Kantaten. Composed by
Johann Sebastian Bach.
Arranged by Hans
Grischkat. This edition:
Paperbound. Sacred vocal
music, Cantatas,
oratorios. German title:
Vom Reiche Gottes. Sacred
vocal music, Cantatas,
Oratorios. Full score.
BWV. 256 pages. Duration
90 minutes. Carus Verlag
#CV 10.001/00. Published
by Carus Verlag
(CA.1000100).
ISBN
9790007098353. Language:
German.
Oratorio
that lasts the whole
evening, made up of
particularly valuable
movements from the lesser
known of Bach's cantatas,
put together by Hans
Grischkat for the 1950
Bach Festival.
Organ - Advanced SKU: MN.10-999 Composed by Janise White. Christmas, Chri...(+)
Organ - Advanced
SKU:
MN.10-999
Composed by
Janise White. Christmas,
Christmas-Sacred,
Christmas-Secular/Holiday
. MorningStar Music
Publishers #10-999.
Published by MorningStar
Music Publishers
(MN.10-999).
UPC:
688670109997.
Fanta
sy on How Great Our Joy
received its premiere at
the London Winter
Festival of Sound 2022 in
London, England at the
Croydon SDA Church by
composer and organist,
Professor Janise White.
This organ work
represents an
exhilarating work of joy
and adoration to our
Saviour, Lord and King.
As a clarion call for
Christmas, soft flutes
carry the melody over a
dreamy pentatonic
configuration with a
drone in the pedals.
Staccato trumpets exhibit
the joy chordal motif,
repeating and swelling to
a joyous cadenza on the
pedals in toccata style.
This jubilant moment
continues to intensify as
syncopated harmonies join
the final verse in
elongation on 32' pedals
to its majestic close.
SSATB voice soli, 2
flutes, 2 violins,
contrabass, organ
SKU:
CA.2047712
Der
reiche Mann und der arme
Lazarus.
Evangeliendialog.
Composed by Heinrich
Schutz. Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Vater Abraham,
erbarme dich mein. Sacred
vocal music, Peace and
justice. Single Part,
Instrumental Part 2.
Composed circa 1620-1630.
SWV 477. 4 pages. Carus
Verlag #CV 20.477/12.
Published by Carus Verlag
(CA.2047712).
ISBN
9790007196844. Key: G
dorian. Language:
German/English.
Sco
re available separately -
see item CA.2047700.