Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas; Wedding. Full score. Composed 1708. 36 pages. Duration 14 minutes. Carus Verlag #CV 31.196/00. Published by Carus Verlag (CA.3119600).

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911405

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Sacred vocal music, Psalms, Latin. Choral Score. TVWV 7:7. 12 pages. Duration 20 minutes. Carus Verlag #CV 39.114/05. Published by Carus Verlag (CA.3911405).

ISBN 9790007128579. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score available separately - see item CA.3911400.

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Study score. Composed 1731. BWV 29. 64 pages. Duration 28 minutes. Carus Verlag #CV 31.029/07. Published by Carus Verlag (CA.3102907). 0.5

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061611

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/11. Published by Carus Verlag (CA.4061611).

ISBN 9790007073657. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061619

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. Duration 27 minutes. Carus Verlag #CV 40.616/19. Published by Carus Verlag (CA.4061619).

ISBN 9790007133313. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061607

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Study score. Composed 1775-1777. KV 257. 76 pages. Duration 27 minutes. Carus Verlag #CV 40.616/07. Published by Carus Verlag (CA.4061607).

ISBN 9790007073862. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061649

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/49. Published by Carus Verlag (CA.4061649).

ISBN 9790007073688. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061605

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Choral Score. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/05. Published by Carus Verlag (CA.4061605).

ISBN 9790007073633. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061609

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. 1x 40.616/21 oboe 1, 1x 40.616/22 oboe 2, 1x 40.616/31 clarino 1, 1x 40.616/32 clarino 2, 1x 40.616/33 trombone 1, 1x 40.616/34 trombone 2, 1x 40.616/35 trombone 3, 1x 40.616/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. 52 pages. Duration 27 minutes. Carus Verlag #CV 40.616/09. Published by Carus Verlag (CA.4061609).

ISBN 9790007073640. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061612

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/12. Published by Carus Verlag (CA.4061612).

ISBN 9790007073664. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112014

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Praise and thanks. Single Part, basso continuo. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/14. Published by Carus Verlag (CA.3112014).

ISBN 9790007207311. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112000

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Full score. Composed 1742. BWV 120. 60 pages. Duration 26 minutes. Carus Verlag #CV 31.120/00. Published by Carus Verlag (CA.3112000).

ISBN 9790007164829. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, solo violin, 2 violins, viola, basso continuo

SKU: CA.3112019

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/19. Published by Carus Verlag (CA.3112019).

ISBN 9790007164522. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112012

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Praise and thanks. Single Part, Violin 2. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/12. Published by Carus Verlag (CA.3112012).

ISBN 9790007207298. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112049

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Praise and thanks. Single Part, Organ. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/49. Published by Carus Verlag (CA.3112049).

ISBN 9790007207328. Language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112011

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Praise and thanks. Single Part, Violin 1. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/11. Published by Carus Verlag (CA.3112011).

ISBN 9790007207281. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112009

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. 1x 31.120/21 oboe d'amore 1, 1x 31.120/22 oboe d'amore 2, 4x 31.120/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/09. Published by Carus Verlag (CA.3112009).

ISBN 9790007207274. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112013

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/13. Published by Carus Verlag (CA.3112013).

ISBN 9790007207304. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112003

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Vocal score. Composed 1742. BWV 120. 28 pages. Duration 26 minutes. Carus Verlag #CV 31.120/03. Published by Carus Verlag (CA.3112003).

ISBN 9790007164539. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score available separately - see item CA.3112000.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527803

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music. Vocal score. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/03. Published by Carus Verlag (CA.5527803).

ISBN 9790007188528. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106212

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/12. Published by Carus Verlag (CA.3106212).

ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106207

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1724. BWV 62. 56 pages. Duration 23 minutes. Carus Verlag #CV 31.062/07. Published by Carus Verlag (CA.3106207).

ISBN 9790007043599. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106249

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Organ. Composed 1724. BWV 62. 20 pages. Duration 23 minutes. Carus Verlag #CV 31.062/49. Published by Carus Verlag (CA.3106249).

ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106209

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.062/21 oboe 1, 1x 31.062/22 oboe 2, 1x 31.062/31 horn 1, 1x 31.062/32 horn 2. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/09. Published by Carus Verlag (CA.3106209).

ISBN 9790007043605. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and parts available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106214

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/14. Published by Carus Verlag (CA.3106214).

ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106211

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/11. Published by Carus Verlag (CA.3106211).

ISBN 9790007043612. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106205

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Choral Score. Composed 1724. BWV 62. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.062/05. Published by Carus Verlag (CA.3106205).

ISBN 9790007043582. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.