In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Benvenuto
Cellini, premiered in
1838, is inspired by the
life of the legendary
Florentine goldsmith and
Renaissance figure. The
premiere was a disatster
yet even by Berliozâ??s
high standards it
contains music of
exceptional inventiveness
and beauty.
The
work is challenging not
least due to the three
versions which
exist:
I The
original version (Paris
1) as Berlioz composed
it II The version
premiered in Paris (Paris
2) after rehearsal and
copied into an archival
full score III The
Weimar version based on
the revival in 1852
following changes
suggested by
Liszt
Our edition
offers a solution to the
problem of publishing
operas which have been
heavily revised by their
composers, so that any of
its many versions may be
adopted on stage
today.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Sol...(+)
(Chiemsee-Messe). By
Michael Haydn
(1737-1806). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. This edition:
paperbound. MH 546. Score
available separately -
see item CA.5454600.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1793. 80 pages.
Duration 40 min.
Published by Carus Verlag
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. Passionskantate I
Ein Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Single Part, Organ. HoWV
I.2. 60 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/49. Published
by Carus Verlag
(CA.3710449).
ISBN
9790007091347. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and part available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. German title:
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Full score (complete
edition / selected
edition). HoWV I.2.
Duration 95 minutes.
Carus Verlag #CV
37.104/00. Published by
Carus Verlag
(CA.3710400).
ISBN
9790007090821. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition. 1x
37.104/21 flute 1, 1x
37.104/22 flute 2, 1x
37.104/23 oboe 1, 1x
37.104/24 oboe 2, 2x
37.104/25 2 bassoons.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide. Set
of Orchestra Parts. HoWV
I.2. 96 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/09. Published
by Carus Verlag
(CA.3710409).
ISBN
9790007214289. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and parts available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide. Set
of Orchestra Parts. HoWV
I.2. Duration 95 minutes.
Carus Verlag #CV
37.104/19. Published by
Carus Verlag
(CA.3710419).
ISBN
9790007134310. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and parts available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Choral Score. HoWV I.2.
Duration 95 minutes.
Carus Verlag #CV
37.104/05. Published by
Carus Verlag
(CA.3710405).
ISBN
9790007127442. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score available
separately - see item
CA.3710400.
Composed by Maurice
Ravel. Set Type: A. Set
of parts. Published by
Lucks Music Library
(TM.08255SET).
Prelude
– Tres lent;
Premier tableau –
Danse du rouet et scene;
Deuxieme tableau –
Pavane de la belle au
bois dormant; Interlude;
Troisieme tableau
– Les entretiens
de la belle et de la
bete; Interlude;
Quatrieme tableau
– Petit Poucet;
Interlude; Cinquieme
tableau –
Laideronnette,
imperatrice des Pagodes;
Interlude; Sixieme
tableau – Le
jardin feerique.
Composed by Maurice
Ravel. Set Type: D. Set
of parts. Published by
Lucks Music Library
(TM.06442SET).
Five Pieces for
Children. Ma Mere L'oye.
Perc = 2
cym,tri,tamtam,xylo,jeu
de timbres. Pavane de le
Belle au bois dormant:
Lent; Petit Poucet: Tres
modere; Laideronnette,
imperatrice des pagodes:
Mouvt de marche; Les
entretiens de la belle et
de la bete: Mouvt de
valse tres modere; Le
jardin feerique: Lent et
grave.
Composed by Maurice
Ravel. Score. Published
by Lucks Music Library
(TM.06442SC).
Five Pieces for
Children. Ma Mere L'oye.
Perc = 2
cym,tri,tamtam,xylo,jeu
de timbres. Pavane de le
Belle au bois dormant:
Lent; Petit Poucet: Tres
modere; Laideronnette,
imperatrice des pagodes:
Mouvt de marche; Les
entretiens de la belle et
de la bete: Mouvt de
valse tres modere; Le
jardin feerique: Lent et
grave.
Composed by Maurice
Ravel. Score. Published
by Lucks Music Library
(TM.08255SC).
Prelude
– Tres lent;
Premier tableau –
Danse du rouet et scene;
Deuxieme tableau –
Pavane de la belle au
bois dormant; Interlude;
Troisieme tableau
– Les entretiens
de la belle et de la
bete; Interlude;
Quatrieme tableau
– Petit Poucet;
Interlude; Cinquieme
tableau –
Laideronnette,
imperatrice des Pagodes;
Interlude; Sixieme
tableau – Le
jardin feerique.
(2D1.2.2.2/2.0.0.0,perc,s tr) SKU: TM.07628SET Composed by Jean-Philippe ...(+)
(2D1.2.2.2/2.0.0.0,perc,s
tr)
SKU:
TM.07628SET
Composed
by Jean-Philippe Rameau.
Edited by Mottl. Set
Type: D. Set of parts.
Lucks Music Library
#A7237. Published by
Lucks Music Library
(TM.07628SET).
La Poule,
Menuet, L'Enharmonique,
L'Egyptienne. Orch. by
Mottl.
