Soli STB, SATB Choir, 2 Ob, Cor, Org obl, 2 Vl, Va, Bc - Level 3

SKU: CA.3107349

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1724. BWV 73. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.073/49. Published by Carus Verlag (CA.3107349).

Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and part available separately - see item CA.3107300.

Composed by Franz Joseph Haydn (1732-1809). Edited by Gunter Thomas. For solo voices, choir, orchestra (solo soprano voice/solo alto voice/solo tenor voice/solo bass voice/SATB choir/flute/2 oboes/2 clarinets/bassoon/2 horns/3 trumpets/timpani/strings/ basso continuo). This edition: Urtext edition. Linen. Level 3. Score. Hob. XXII:11 Hob. XXII:12. 277 pages. Duration 41 minutes. Published by Baerenreiter Verlag

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05020-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Werner Neumann. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/36. Complete edition, Score, anthology. Baerenreiter Verlag #BA05020_01. Published by Baerenreiter Verlag (BA.BA05020-01).

ISBN 9790006461813. 33 x 26 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(German singspiel in three acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Gerhard Croll. For 2 soprano voice solos, 2 tenor voice solos, bass voice solo, 2 speakers, choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 2 horns, 2 trumpets, timpani, percussion, strings, basso continuo. This edition: Complete edition, Urtext edition. Linen. New Mozart Edition. Series II, Section 5/12. Score. Language: German. KV 384. Duration 2 hours, 30 seconds. Published by Baerenreiter Verlag

Composed by Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Choral score. Language: Latin. MH deest.. Duration 7 minutes. Published by Carus Verlag

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum (Esterhazy) (3). Set of instrumental parts (except strings).

By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 48 pages. Published by Novello and Co Ltd.

(Opera seria in two acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For 4 soprano voice solos, tenor voice solo, bass voice solo, mixed choir, 2 flutes, 2 oboes, 2 clarinets, bass clarinet, basset horn, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, basso continuo. This edition: Complete edition, Urtext edition. Linen. New Mozart Edition. Series II, Section 5/20. Score. Language: Italian. KV 621. Duration 2 hours. Published by Baerenreiter Verlag

Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA09038

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038).

ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.

Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.

This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).

The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.

This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116521

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Bassoon. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/21. Published by Carus Verlag (CA.3116521).

Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Paperback. Score. Opus 86. Published by Baerenreiter Verlag

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05036-01

Cantatas BWV 19, 50 (fragment), 130 with appendix, 149. Composed by Johann Sebastian Bach. Edited by Marianne Helms. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/30. Complete edition, Score, anthology. BWV 19, 50, 130. Baerenreiter Verlag #BA05036_01. Published by Baerenreiter Verlag (BA.BA05036-01).

ISBN 9790006462131. 33 x 26.5 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05007-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/2. Complete edition, Score, anthology. 235 pages. Baerenreiter Verlag #BA05007_01. Published by Baerenreiter Verlag (BA.BA05007-01).

ISBN 9790006461448. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05062-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Ryuichi Higuchi. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/34. Complete edition, Score, anthology. Baerenreiter Verlag #BA05062_01. Published by Baerenreiter Verlag (BA.BA05062-01).

ISBN 9790006463022. 33 x 26.3 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116514

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/14. Published by Carus Verlag (CA.3116514).

ISBN 9790007209117. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, double bass, organ. This edition: Paperbound. D-Dur (D major). Stuttgart Urtext Edition. German title: Missa solemnis. Masses, Latin. Vocal score. Language: Latin. Composed 1817/23. Op. 123. 128 pages. Duration 90 minutes. Published by Carus Verlag

Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (italienisch/deutsch). By Franz Joseph Haydn. Arranged by Barthel, Ernst R. For 3 Soprano solo, Tenor solo, 2 Bass solo, Mixed Choir-SATB, 2 Flute, 2 Oboe, 2 Eh, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Harp, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). Hob. XXVIII:13. Published by Baerenreiter-Ausgaben (German import).

(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. This edition: Paperbound. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Study score. Language: German. Op. 45. 256 pages. Duration 70 minutes. Published by Carus Verlag

By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB Choir, Flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 Violin, viola, basso continuo. This edition: Paperbound. B-Dur (B-flat major). Stuttgart Urtext Edition. German title: Harmoniemesse in B XXII:14. Masses, Latin. Full score. Language: Latin. Hob. XXII:14. 216 pages. Duration 45 minutes. Published by Carus Verlag

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116513

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/13. Published by Carus Verlag (CA.3116513).

ISBN 9790007209100. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116511

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/11. Published by Carus Verlag (CA.3116511).

ISBN 9790007209087. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.